Contemporary Art, Systems and the Aesthetics of Dispersion PDF Download
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Author: Francis Halsall
Publisher: Taylor & Francis
ISBN: 1000902730
Category : Art
Languages : en
Pages : 107
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Book Description
Using five case studies of contemporary art, this book uses ideas of systems and dispersion to understand identity and experience in late capitalism. This book considers five artists who exemplify contemporary art practice: Seth Price; Liam Gillick; Martin Creed; Hito Steyerl; and Theaster Gates. Given the diversity of materials used in art today, once-traditional artistic mediums and practices have become obsolete in describing what artists do today. Francis Halsall argues that, in the face of this obsolescence, the ideas of system and dispersion become very useful in understanding contemporary art. That is, practitioners now can be seen to be using whatever systems of distribution and display are available to them as their creative mediums. The two central arguments are first that any understanding of what art is will always be underwritten by a related view of what a human being is; and second that these both have a particular character in late capitalism or, as is named here, the Age of Dispersion. The book will be of interest to scholars and students working in art history, contemporary art, studio art, and theories of systems and networks.
Author: Francis Halsall
Publisher: Taylor & Francis
ISBN: 1000902730
Category : Art
Languages : en
Pages : 107
Get Book Here
Book Description
Using five case studies of contemporary art, this book uses ideas of systems and dispersion to understand identity and experience in late capitalism. This book considers five artists who exemplify contemporary art practice: Seth Price; Liam Gillick; Martin Creed; Hito Steyerl; and Theaster Gates. Given the diversity of materials used in art today, once-traditional artistic mediums and practices have become obsolete in describing what artists do today. Francis Halsall argues that, in the face of this obsolescence, the ideas of system and dispersion become very useful in understanding contemporary art. That is, practitioners now can be seen to be using whatever systems of distribution and display are available to them as their creative mediums. The two central arguments are first that any understanding of what art is will always be underwritten by a related view of what a human being is; and second that these both have a particular character in late capitalism or, as is named here, the Age of Dispersion. The book will be of interest to scholars and students working in art history, contemporary art, studio art, and theories of systems and networks.
Author: Matthew Reynolds
Publisher: Taylor & Francis
ISBN: 1040028608
Category : Art
Languages : en
Pages : 129
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Book Description
The first scholarly monograph devoted exclusively to this vital work of contemporary public art, this book examines Maya Lin’s Confluence Project through the lens of environmental humanities and Indigenous studies. Matthew Reynolds provides a detailed analysis of each earthwork, along with a discussion of the proposed final project at Celilo Falls near The Dalles, Oregon. The book assesses the artist’s longtime engagement with the region of the Pacific Northwest and explores the Confluence Project within Lin’s larger oeuvre. Several consistent themes and experiences are common amongst all the sites. These include an emphasis on individual, multisensory encounters with the earthworks and their surrounding contexts; sound as an experiential dimension of landscape; indexical accounts of the multicultural, multispecies histories of each place; and an evocation of loss. The book will be of interest to scholars working in art history, contemporary art, environmental studies, environmental humanities, and Native American studies.
Author: Erin C. Devine
Publisher: Taylor & Francis
ISBN: 1000998711
Category : Art
Languages : en
Pages : 137
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Book Description
Precisely 30 years after the debut of her provocative photo-portraits, this book chronicles the early career of Iranian-American artist Shirin Neshat. In its first 20 years, Neshat’s work weaved viewers into complex readings of women and power in Iran. Yet her images also drew criticisms of exoticizing Muslim women, and later video installations were accused of lacking political assertion during stormy relations between the West and the Islamic world. Now broadly recognized as a social justice artist, this volume chronicles Neshat’s evolution from photography to film, from personal to political expression, and expands existing scholarship to investigate underserved contexts for her work, including the cinematic turn and emergent theories of globality in contemporary art. Neshat’s hyphenated identity was often attenuated by reductive and exoticizing discourses; therefore, this volume draws attention to her transnational methodologies, informed by strategies of appropriation, performativity, and embodiment while articulating Persian visual and literary traditions. Complicating simplistic ethnographies, her disruption of neo-Orientalist paradigms and representations has led audiences to reconsider Islamophobic, Islamism, and gender repressions that are political, psychological, and above all cross-cultural. This book will be of interest to scholars working in art history, photography, cinema studies, performance, transnational and global studies, women’s studies, and Iranian studies.
Author: Max Ryynänen
Publisher: Taylor & Francis
ISBN: 100099547X
Category : Art
Languages : en
Pages : 104
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Book Description
This book seeks to understand culture through the lens of scenes, analyzing them aesthetically and culturally as well as understanding them through the frameworks of gender, social networks, and artworlds. It is common to talk about the cultural and intellectual scenes of early twentieth-century Vienna, the visual art scene of postwar New York, and the music and fashion scene of the swinging London. We often think about artists and works of art as essentially belonging to a certain scene. Scenes might offer a new approach to study what is possible, what is a tradition, and/or to discuss what are the relevant units of contemporary culture for research. The book posits that scenes explain a lot about how the artworld and the cultural field function. Vivienne Westwood, Rene Magritte, Roman Jakobson, Arthur C. Danto, Susan Sontag, James Baldwin, and Didier Eribon are among the figures included in the book, which examines scenes in cities such as Moscow, Bombay, New York, London, Paris, Brussels, Helsinki, and Bratislava. The book will be of interest to scholars working in art history, cultural studies, philosophy, film, literature, and urban studies.
Author: Johanna Gosse
Publisher: Duke University Press
ISBN: 1478022051
Category : Art
Languages : en
Pages : 195
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Book Description
The contributors to Nervous Systems reassess contemporary artists' and critics' engagement with social, political, biological, and other systems as a set of complex and relational parts: an approach commonly known as systems thinking. Demonstrating the continuing relevance of systems aesthetics within contemporary art, the contributors highlight the ways that artists adopt systems thinking to address political, social, and ecological anxieties. They cover a wide range of artists and topics, from the performances of the Argentinian collective the Rosario Group and the grid drawings of Charles Gaines to the video art of Singaporean artist Charles Lim and the mapping of global logistics infrastructures by contemporary artists like Hito Steyerl and Christoph Büchel. Together, the essays offer an expanded understanding of systems aesthetics in ways that affirm its importance beyond technological applications detached from cultural contexts. Contributors. Cristina Albu, Amanda Boetzkes, Brianne Cohen, Kris Cohen, Jaimey Hamilton Faris, Christine Filippone, Johanna Gosse, Francis Halsall, Judith Rodenbeck, Dawna Schuld, Luke Skrebowski, Timothy Stott, John Tyson
Author: Johanna Burton
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
"Published on the occasion of the exhibition, Open systems: rethinking art c.1970, Tate Modern, London. 1 June - 29 August 2005."
Author: Charissa N. Terranova
Publisher: Bloomsbury Publishing
ISBN: 0857728075
Category : Art
Languages : en
Pages : 336
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Book Description
In this groundbreaking book, Charissa Terranova unearths a forgotten narrative of modernism, which charts the influence that biology, General Systems Theory and cybernetics had on art in the twentieth century. From kinetic and interactive art to early computer art and installations spanning an entire city, she shows that the digital image was a rich and expansive artistic medium of modernism. This book links the emergence of the digital image to the dispersion of biocentric aesthetic philosophies developed by Bauhaus pedagogue Laszlo Moholy-Nagy, from 1920s Berlin to the Massachusetts Institute of Technology in the 1970s. It uncovers seminal but overlooked references to biology, the organism, feedback loops, emotions and the Gestalt, along with an intricate genealogy of related thinkers across disciplines. Terranova interprets anew major art movements such as the Bauhaus, Op Art and Experiments in Art and Technology (E.A.T.), by referencing contemporary insights from architects, embryologists, electrical engineers and computer scientists, among others.This book reveals the complex connections between visual culture, science and technology that comprise the deep history of twentieth-century art.
Author: Cynthia Freeland
Publisher: OUP Oxford
ISBN: 0191504254
Category : Art
Languages : en
Pages : 203
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Book Description
In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.
Author: Eddie Lohmeyer
Publisher: Bloomsbury Publishing USA
ISBN: 1501364898
Category : Social Science
Languages : en
Pages : 225
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Book Description
Throughout the 1990s, artists experimented with game engine technologies to disrupt our habitual relationships to video games. They hacked, glitched, and dismantled popular first-person shooters such as Doom (1993) and Quake (1996) to engage players in new kinds of embodied activity. In Unstable Aesthetics: Game Engines and the Strangeness of Art Modding, Eddie Lohmeyer investigates historical episodes of art modding practices-the alteration of a game system's existing code or hardware to generate abstract spaces-situated around a recent archaeology of the game engine: software for rendering two and three-dimensional gameworlds. The contemporary artists highlighted throughout this book-Cory Arcangel, JODI, Julian Oliver, Krista Hoefle, and Brent Watanabe, among others –- were attracted to the architectures of engines because they allowed them to explore vital relationships among abstraction, technology, and the body. Artists employed a range of modding techniques-hacking the ROM chips on Nintendo cartridges to produce experimental video, deconstructing source code to generate psychedelic glitch patterns, and collaging together surreal gameworlds-to intentionally dissect the engine's operations and unveil illusions of movement within algorithmic spaces. Through key moments in game engine history, Lohmeyer formulates a rich phenomenology of video games by focusing on the liminal spaces of interaction among system and body, or rather the strangeness of art modding.
Author: Barbara Kutis
Publisher: Routledge
ISBN: 0429886268
Category : Art
Languages : en
Pages : 182
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Book Description
This book examines the increasing intersections of art and parenting from the late 1990s to the early 2010s, when constructions of masculine and feminine identities, as well as the structure of the family, underwent radical change. Barbara Kutis asserts that the championing of the simultaneous linkage of art and parenting by contemporary artists reflects a conscientious self-fashioning of a new kind of identity, one that she calls the ‘artist-parent.’ By examining the work of three artists—Guy Ben-Ner, Elżbieta Jabłońska, and the collective Mothers and Fathers— this book reveals how these artists have engaged with the domestic and personal in order to articulate larger issues of parenting in contemporary life. This book will be of interest to scholars in art and gender, gender studies, contemporary art, and art history.
