Author: Bobby Joe Neeley
Publisher:
ISBN:
Category :
Languages : en
Pages : 794
Book Description
Contemporary Afro-American Voodooism (Black Religion)
Author: Bobby Joe Neeley
Publisher:
ISBN:
Category :
Languages : en
Pages : 794
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 794
Book Description
Black Magic
Author: Yvonne P. Chireau
Publisher: Univ of California Press
ISBN: 0520249887
Category : History
Languages : en
Pages : 234
Book Description
Black Magic looks at the origins, meaning, and uses of Conjure—the African American tradition of healing and harming that evolved from African, European, and American elements—from the slavery period to well into the twentieth century. Illuminating a world that is dimly understood by both scholars and the general public, Yvonne P. Chireau describes Conjure and other related traditions, such as Hoodoo and Rootworking, in a beautifully written, richly detailed history that presents the voices and experiences of African Americans and shows how magic has informed their culture. Focusing on the relationship between Conjure and Christianity, Chireau shows how these seemingly contradictory traditions have worked together in a complex and complementary fashion to provide spiritual empowerment for African Americans, both slave and free, living in white America. As she explores the role of Conjure for African Americans and looks at the transformations of Conjure over time, Chireau also rewrites the dichotomy between magic and religion. With its groundbreaking analysis of an often misunderstood tradition, this book adds an important perspective to our understanding of the myriad dimensions of human spirituality.
Publisher: Univ of California Press
ISBN: 0520249887
Category : History
Languages : en
Pages : 234
Book Description
Black Magic looks at the origins, meaning, and uses of Conjure—the African American tradition of healing and harming that evolved from African, European, and American elements—from the slavery period to well into the twentieth century. Illuminating a world that is dimly understood by both scholars and the general public, Yvonne P. Chireau describes Conjure and other related traditions, such as Hoodoo and Rootworking, in a beautifully written, richly detailed history that presents the voices and experiences of African Americans and shows how magic has informed their culture. Focusing on the relationship between Conjure and Christianity, Chireau shows how these seemingly contradictory traditions have worked together in a complex and complementary fashion to provide spiritual empowerment for African Americans, both slave and free, living in white America. As she explores the role of Conjure for African Americans and looks at the transformations of Conjure over time, Chireau also rewrites the dichotomy between magic and religion. With its groundbreaking analysis of an often misunderstood tradition, this book adds an important perspective to our understanding of the myriad dimensions of human spirituality.
Voodoo and African Traditional Religion
Author: Lilith Dorsey
Publisher:
ISBN: 9781733246637
Category :
Languages : en
Pages :
Book Description
In these times of intense turmoil, people of African descent are facing serious threats and challenges to their well-being. The ability of the Black community to call on the spirits and ways of its ancestors is crucial to its continued strength. Nearly 20 years have passed since the first printing of this landmark book by renowned scholar and practitioner Lilith Dorsey, and there is still a great need for more accurate and respectful information about African Traditional Religions that have been misrepresented, misunderstood, maligned, and mocked by popular media and the public. This revised and expanded edition provides a helpful introduction to African diaspora religions, a guide beyond the basic tenets to the vibrant, living spirit world of these peoples, and a much-needed key to protocol and proper etiquette, while clearing up common myths about Haitian Vodou, New Orleans Voodoo, Santería (Lucumí), and other practices that stem from misconceptions about possession and sacrifice. New material includes guidance for activists to empower their work for social change with the fierceness, tenacity, and wisdom of their ancestors, as well as never-before-published recipes handed down through the generations, personal spells and charms including root magick for protection and protest, and devotional rituals you can perform yourself. This book stands as a survey of meaning and veracity in a set of religious worlds where secrets are often best kept secret, and teachings are almost always oral and ethereal.
Publisher:
ISBN: 9781733246637
Category :
Languages : en
Pages :
Book Description
In these times of intense turmoil, people of African descent are facing serious threats and challenges to their well-being. The ability of the Black community to call on the spirits and ways of its ancestors is crucial to its continued strength. Nearly 20 years have passed since the first printing of this landmark book by renowned scholar and practitioner Lilith Dorsey, and there is still a great need for more accurate and respectful information about African Traditional Religions that have been misrepresented, misunderstood, maligned, and mocked by popular media and the public. This revised and expanded edition provides a helpful introduction to African diaspora religions, a guide beyond the basic tenets to the vibrant, living spirit world of these peoples, and a much-needed key to protocol and proper etiquette, while clearing up common myths about Haitian Vodou, New Orleans Voodoo, Santería (Lucumí), and other practices that stem from misconceptions about possession and sacrifice. New material includes guidance for activists to empower their work for social change with the fierceness, tenacity, and wisdom of their ancestors, as well as never-before-published recipes handed down through the generations, personal spells and charms including root magick for protection and protest, and devotional rituals you can perform yourself. This book stands as a survey of meaning and veracity in a set of religious worlds where secrets are often best kept secret, and teachings are almost always oral and ethereal.
Down in the Valley
Author: Julius H. Bailey
Publisher: Fortress Press
ISBN: 1506408044
Category : Religion
Languages : en
Pages : 285
Book Description
African American religions constitute a diverse group of beliefs and practices that emerged from the African diaspora brought about by the Atlantic slave trade. Traditional religions that had informed the worldviews of Africans were transported to the shores of the Americas and transformed to make sense of new contexts and conditions. This book explores the survival of traditional religions and how African American religions have influenced and been shaped by American religious history. The text provides an overview of the central people, issues, and events in an account that considers Protestant denominations, Catholicism, Islam, Pentecostal churches, Voodoo, Conjure, Rastafarianism, and new religious movements such as Black Judaism, the Nation of Islam, and the United Nuwaubian Nation of Moors. The book addresses contemporary controversies, including President Barack Obamas former pastor Jeremiah Wright, and it will be valuable to all students of African American religions, African American studies, sociology of religion, American religious history, the Black Church, and black theology.
Publisher: Fortress Press
ISBN: 1506408044
Category : Religion
Languages : en
Pages : 285
Book Description
African American religions constitute a diverse group of beliefs and practices that emerged from the African diaspora brought about by the Atlantic slave trade. Traditional religions that had informed the worldviews of Africans were transported to the shores of the Americas and transformed to make sense of new contexts and conditions. This book explores the survival of traditional religions and how African American religions have influenced and been shaped by American religious history. The text provides an overview of the central people, issues, and events in an account that considers Protestant denominations, Catholicism, Islam, Pentecostal churches, Voodoo, Conjure, Rastafarianism, and new religious movements such as Black Judaism, the Nation of Islam, and the United Nuwaubian Nation of Moors. The book addresses contemporary controversies, including President Barack Obamas former pastor Jeremiah Wright, and it will be valuable to all students of African American religions, African American studies, sociology of religion, American religious history, the Black Church, and black theology.
A Companion to African-American Philosophy
Author: Tommy L. Lott
Publisher: John Wiley & Sons
ISBN: 0470751630
Category : Philosophy
Languages : en
Pages : 488
Book Description
This wide-ranging, multidisciplinary collection of newly commissioned articles brings together distinguished voices in the field of Africana philosophy and African-American social and political thought. Provides a comprehensive critical survey of African-American philosophical thought. Collects wide-ranging, multidisciplinary, newly commissioned articles in one authoritative volume. Serves as a benchmark work of reference for courses in philosophy, social and political thought, cultural studies, and African-American studies.
Publisher: John Wiley & Sons
ISBN: 0470751630
Category : Philosophy
Languages : en
Pages : 488
Book Description
This wide-ranging, multidisciplinary collection of newly commissioned articles brings together distinguished voices in the field of Africana philosophy and African-American social and political thought. Provides a comprehensive critical survey of African-American philosophical thought. Collects wide-ranging, multidisciplinary, newly commissioned articles in one authoritative volume. Serves as a benchmark work of reference for courses in philosophy, social and political thought, cultural studies, and African-American studies.
Envisioning Black Feminist Voodoo Aesthetics
Author: Kameelah L. Martin
Publisher: Lexington Books
ISBN: 1498523293
Category : Social Science
Languages : en
Pages : 257
Book Description
In the twenty-first century, American popular culture increasingly makes visible the performance of African spirituality by black women. Disney’s Princess and the Frog and Pirates of the Caribbean franchise are two notable examples. The reliance on the black priestess of African-derived religion as an archetype, however, has a much longer history steeped in the colonial othering of Haitian Vodou and American imperialist fantasies about so-called ‘black magic’. Within this cinematic study, Martin unravels how religious autonomy impacts the identity, function, and perception of Africana women in the American popular imagination. Martin interrogates seventy-five years of American film representations of black women engaged in conjure, hoodoo, obeah, or Voodoo to discern what happens when race, gender, and African spirituality collide. She develops the framework of Voodoo aesthetics, or the inscription of African cosmologies on the black female body, as the theoretical lens through which to scrutinize black female religious performance in film. Martin places the genre of film in conversation with black feminist/womanist criticism, offering an interdisciplinary approach to film analysis. Positioning the black priestess as another iteration of Patricia Hill Collins’ notion of controlling images, Martin theorizes whether film functions as a safe space for a racial and gendered embodiment in the performance of African diasporic religion. Approaching the close reading of eight signature films from a black female spectatorship, Martin works chronologically to express the trajectory of the black priestess as cinematic motif over the last century of filmmaking. Conceptually, Martin recalibrates the scholarship on black women and representation by distinctly centering black women as ritual specialists and Black Atlantic spirituality on the silver screen.
Publisher: Lexington Books
ISBN: 1498523293
Category : Social Science
Languages : en
Pages : 257
Book Description
In the twenty-first century, American popular culture increasingly makes visible the performance of African spirituality by black women. Disney’s Princess and the Frog and Pirates of the Caribbean franchise are two notable examples. The reliance on the black priestess of African-derived religion as an archetype, however, has a much longer history steeped in the colonial othering of Haitian Vodou and American imperialist fantasies about so-called ‘black magic’. Within this cinematic study, Martin unravels how religious autonomy impacts the identity, function, and perception of Africana women in the American popular imagination. Martin interrogates seventy-five years of American film representations of black women engaged in conjure, hoodoo, obeah, or Voodoo to discern what happens when race, gender, and African spirituality collide. She develops the framework of Voodoo aesthetics, or the inscription of African cosmologies on the black female body, as the theoretical lens through which to scrutinize black female religious performance in film. Martin places the genre of film in conversation with black feminist/womanist criticism, offering an interdisciplinary approach to film analysis. Positioning the black priestess as another iteration of Patricia Hill Collins’ notion of controlling images, Martin theorizes whether film functions as a safe space for a racial and gendered embodiment in the performance of African diasporic religion. Approaching the close reading of eight signature films from a black female spectatorship, Martin works chronologically to express the trajectory of the black priestess as cinematic motif over the last century of filmmaking. Conceptually, Martin recalibrates the scholarship on black women and representation by distinctly centering black women as ritual specialists and Black Atlantic spirituality on the silver screen.
Varieties of African American Religious Experience
Author: Anthony B. Pinn
Publisher: Fortress Press
ISBN: 1506403360
Category : Religion
Languages : en
Pages : 315
Book Description
Twenty years ago, Anthony Pinn‘s engrossing survey highlighted the rich diversity of black religious life in America, revealing expressions of an ever-changing black religious quest. Based on extensive research, travel, and interviews, Pinn‘s work provides a fascinating look especially at Voodoo, Santeria, the Nation of Islam, and black humanism in the United States and uses the diversity of religious belief to begin formulation of a comparative black theology-the first of its kind. This twentieth-anniversary edition is an expanded version, including a new preface and a new concluding chapter. An important contribution to classroom studies!
Publisher: Fortress Press
ISBN: 1506403360
Category : Religion
Languages : en
Pages : 315
Book Description
Twenty years ago, Anthony Pinn‘s engrossing survey highlighted the rich diversity of black religious life in America, revealing expressions of an ever-changing black religious quest. Based on extensive research, travel, and interviews, Pinn‘s work provides a fascinating look especially at Voodoo, Santeria, the Nation of Islam, and black humanism in the United States and uses the diversity of religious belief to begin formulation of a comparative black theology-the first of its kind. This twentieth-anniversary edition is an expanded version, including a new preface and a new concluding chapter. An important contribution to classroom studies!
A Survey of the History of the Black Church in America from the 1600s to Present
Author: Dr. Beletia Marvray Diamond
Publisher: Page Publishing Inc
ISBN: 1644628570
Category : Religion
Languages : en
Pages : 128
Book Description
The History of the Black Church in America from the 1600s to the Present: A Curriculum Course For Students at Spelman College is an academic course that seeks to further the student's appreciation for the Black Church. Appreciation as understanding is vital to both the teaching and the learning process; therefore, each person's ability to appreciate and/or learn is distinctive, i.e., the individual is unique, and therefore, each person's ability to appreciate and/or understand should be measured/or assessed as such. Quite often there exists a defiance among some students of required courses in religious studies. Some don't see the connection or the relevance with religious studies as they pursue their intended careers. With such existing attitudes, it is the opportunity and the privilege of the professor to explore innovative methods, techniques, and exercises - e.g., guest lecturers, DVD viewings, travels to religious sites, creation of religions (group), or whatever the professor deems appropriate to ensure the student's opportunity to fulfill the goals and the objectives as set forth by the professor. Institutions of higher learning called historically black colleges and universities, or HBCUs, exist as institutions that seek to celebrate life, liberty, and the pursuit of happiness. HBCUs exist as beacons of light, filled with prepared women and men who have accepted and acknowledged the "call" and the challenge to further serve humankind as teachers-role models, demonstrating excellence. "To whom much is given, much is required" (Luke 12:48).
Publisher: Page Publishing Inc
ISBN: 1644628570
Category : Religion
Languages : en
Pages : 128
Book Description
The History of the Black Church in America from the 1600s to the Present: A Curriculum Course For Students at Spelman College is an academic course that seeks to further the student's appreciation for the Black Church. Appreciation as understanding is vital to both the teaching and the learning process; therefore, each person's ability to appreciate and/or learn is distinctive, i.e., the individual is unique, and therefore, each person's ability to appreciate and/or understand should be measured/or assessed as such. Quite often there exists a defiance among some students of required courses in religious studies. Some don't see the connection or the relevance with religious studies as they pursue their intended careers. With such existing attitudes, it is the opportunity and the privilege of the professor to explore innovative methods, techniques, and exercises - e.g., guest lecturers, DVD viewings, travels to religious sites, creation of religions (group), or whatever the professor deems appropriate to ensure the student's opportunity to fulfill the goals and the objectives as set forth by the professor. Institutions of higher learning called historically black colleges and universities, or HBCUs, exist as institutions that seek to celebrate life, liberty, and the pursuit of happiness. HBCUs exist as beacons of light, filled with prepared women and men who have accepted and acknowledged the "call" and the challenge to further serve humankind as teachers-role models, demonstrating excellence. "To whom much is given, much is required" (Luke 12:48).
Jazz Religion, the Second Line, and Black New Orleans
Author: Richard Brent Turner
Publisher: Indiana University Press
ISBN: 0253025125
Category : Social Science
Languages : en
Pages : 240
Book Description
This scholarly study demonstrates “that while post-Hurricane Katrina New Orleans is changing, the vibrant traditions of jazz . . . must continue” (Journal of African American History). An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of second lines—the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans’s jazz street parades. Here music and religion interplay, and Turner’s study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance.
Publisher: Indiana University Press
ISBN: 0253025125
Category : Social Science
Languages : en
Pages : 240
Book Description
This scholarly study demonstrates “that while post-Hurricane Katrina New Orleans is changing, the vibrant traditions of jazz . . . must continue” (Journal of African American History). An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of second lines—the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans’s jazz street parades. Here music and religion interplay, and Turner’s study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance.
Voodoo, Hoodoo and Conjure in African American Literature
Author: James S. Mellis
Publisher: McFarland
ISBN: 1476636893
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
From the earliest slave narratives to modern fiction by the likes of Colson Whitehead and Jesmyn Ward, African American authors have drawn on African spiritual practices as literary inspiration, and as a way to maintain a connection to Africa. This volume has collected new essays about the multiple ways African American authors have incorporated Voodoo, Hoodoo and Conjure in their work. Among the authors covered are Frederick Douglass, Shirley Graham, Jewell Parker Rhodes, Zora Neale Hurston, Richard Wright, Ntozake Shange, Rudolph Fisher, Jean Toomer, and Ishmael Reed.
Publisher: McFarland
ISBN: 1476636893
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
From the earliest slave narratives to modern fiction by the likes of Colson Whitehead and Jesmyn Ward, African American authors have drawn on African spiritual practices as literary inspiration, and as a way to maintain a connection to Africa. This volume has collected new essays about the multiple ways African American authors have incorporated Voodoo, Hoodoo and Conjure in their work. Among the authors covered are Frederick Douglass, Shirley Graham, Jewell Parker Rhodes, Zora Neale Hurston, Richard Wright, Ntozake Shange, Rudolph Fisher, Jean Toomer, and Ishmael Reed.