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Author: Susan McCulloch
Publisher:
ISBN: 9780980449426
Category : Art of indiginous people (Australia)
Languages : en
Pages : 307
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Book Description
"A lavishly illustrated survey of Aboriginal art and the regions it is produced around Australia including Central and Western Deserts; The Kimberley and West; Top End and Arnhem Land; Queensland; Torres Strait Islands; Tasmania and southern states."--Provided by publisher.
Author: Susan McCulloch
Publisher:
ISBN: 9780980449426
Category : Art of indiginous people (Australia)
Languages : en
Pages : 307
Get Book Here
Book Description
"A lavishly illustrated survey of Aboriginal art and the regions it is produced around Australia including Central and Western Deserts; The Kimberley and West; Top End and Arnhem Land; Queensland; Torres Strait Islands; Tasmania and southern states."--Provided by publisher.
Author: Ian McLean
Publisher: Power Publications, Sydney
ISBN: 9780909952372
Category : Art
Languages : en
Pages : 0
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Book Description
Chronicles the global critical reception of Aboriginal art since the early 1980s and argues for a re-evaluation of Aboriginal art's critical intervention into contemporary art.
Author: Susan Lowish
Publisher: Routledge
ISBN: 1351049976
Category : Art
Languages : en
Pages : 292
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Book Description
This book aims to redefine Australia’s earliest art history by chronicling for the first time the birth of the category "Aboriginal art," tracing the term’s use through published literature in the late eighteenth, nineteenth and early twentieth centuries. Susan Lowish reveals how the idea of "Aboriginal art" developed in the European imagination, manifested in early literature, and became a distinct classification with its own criteria and form. Part of the larger story of Aboriginal/European engagement, this book provides a new vision for an Australian art history reconciled with its colonial origins and in recognition of what came before the contemporary phenomena of Aboriginal art.
Author: Patrick Corbally Stourton
Publisher: Ben Uri Gallery & Museum
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
The art of the Australian Aborigines is widely recognised as being the oldest art form in the world, preceding that of the Americas and Europe by many centuries. For thousands of years, however, the only art forms practised by the Aborigines were rock painting and carving, bark painting, sand painting and body painting using natural ochres, wild desert cotton, charcoal and birds' down, often carried out as part of ceremonial activities. It was not until 1971 that the Aborigines of the Papunya Tula settlement in the deserts of the Northern Territory were introduced to methods of painting on canvas and board using modern materials. This book commemorates the twenty-fifth anniversary of the Papunya Tula painting movement - the birthplace of contemporary Aboriginal painting. The work of eighty Papunya Tula artists, including some of the best known Aboriginal painters - Clifford Possum Tjapaltjarri, Michael Nelson Tjakamarra and Tim Leura Tjapaltjarri - is illustrated in this book in two hundred full-colour reproductions which demonstrates the vibrancy and sophistication of the art. Patrick Corbally Stourton's introductory text examines the events which led to the birth of this extraordinary painting movement, and illuminates the mythology of Dreamings which lies behind every Aboriginal painting.
Author: Marie Geissler
Publisher: Cambridge Scholars Publishing
ISBN: 1527564274
Category : Art
Languages : en
Pages : 228
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Book Description
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
Author: Daniela Gisela Limpert
Publisher: GRIN Verlag
ISBN: 3656018197
Category : Language Arts & Disciplines
Languages : en
Pages : 76
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Book Description
Master's Thesis from the year 2011 in the subject Communications - Intercultural Communication, grade: 1.2, University of Kaiserslautern, language: English, abstract: Politics of Space ́s idea is to present a body of work that address some of the key questions that have held my attention over several years in relation to the nature and peculiar concerns of contemporary non-Western art, especially on how Contemporary Australian Aboriginal Art is perceived, received and read in significant parts of the public where cross-cultural exchange occurs. Significant areas of research in relation to Contemporary Indigenous Art are not only certain institutions within the art world such as art centres, art galleries and museums but also public areas like universities, government bureaus and particularly touristic institutions, as a vast majority of non-indigenous people experience non-Western art in this context only.
Author: Henry F. Skerritt
Publisher: Yale University Press
ISBN: 0300214707
Category : Art
Languages : en
Pages : 230
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Book Description
"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."
Author: Ian McLean
Publisher: Cambridge Scholars Publishing
ISBN: 1443871338
Category : Art
Languages : en
Pages : 380
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Book Description
Double Desire challenges the tendency by critics to perpetuate an aesthetic apartheid between Indigenous and Western art. The double desire explored in this book is that of the divided but also amplified attractions that occur between cultural traditions in places where both indigenous and colonial legacies are strong. The result, it is argued, produces imaginative transcultural practices that resist the assimilation or acculturation of Indigenous perspectives into the dominant Western mod...
Author: Susan McCulloch
Publisher: Allen & Unwin
ISBN: 9781865083056
Category : Aboriginal Austalian artists
Languages : en
Pages : 254
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Book Description
A glorious illustrated guide to Australia's 20 major art producing communities, prefaced by a description of each region and a history of the development of Aboriginal art over the last 27 years.
Author: Marie Geissler
Publisher: Cambridge Scholars Publishing
ISBN: 9781527555464
Category : Bark painting
Languages : en
Pages : 220
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Book Description
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
