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Author: Laura E. Pérez
Publisher: Duke University Press
ISBN: 1478022930
Category : Art
Languages : en
Pages : 313
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Book Description
Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood’s redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, M. Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden
Author: Laura E. Pérez
Publisher: Duke University Press
ISBN: 1478022930
Category : Art
Languages : en
Pages : 313
Get Book Here
Book Description
Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood’s redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, M. Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden
Author: Jan Rindfleisch
Publisher:
ISBN: 9780998308401
Category : Art
Languages : en
Pages : 181
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Book Description
"A behind-the-scenes look at the development of arts and culture in the South San Francisco Bay Area, with profiles of cultural activists and alternative institutions, and insights into the art of community building"--Publisher's description.
Author: Mary Savig
Publisher: Giles
ISBN: 9781913875268
Category : Art
Languages : en
Pages : 248
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Book Description
A highly illustrated,important volume inspired by the way craft artists have unitedduring the COVID pandemic and engaged in artistic conversations about race,gender, and inclusivity. During thesummer of 2020, the space outside the Renwick Gallery--the Smithsonian AmericanArt Museum's dedicated museum for contemporary craft and decorative arts--becamehome to a new discussion about racial justice on Black Lives Matter Plaza. Thecurators at the Renwick Gallery felt the need to align themselves with what wasgoing on right outside the Gallery's door, the organizing rationale forunderstanding the objects presented in this volume, many of which are newacquisitions. The title istaken from Alicia Eggert's 2019-2020 eponymous neon work, and the 85 objects inthe main plates section lead the reader from the idea of shelter, throughlayers of expanding spaces to the vast expanses of the universe. The volume looksat contemporary American craft "in the whirlwind of now" revealingpossibilities for contemporary makers to respond to a more empathetic future.
Author: Alexandra Jacopetti
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
Author: W. Warner Wood
Publisher: Indiana University Press
ISBN: 0253351545
Category : Art
Languages : en
Pages : 529
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Book Description
The story behind the international trade in Oaxacan textiles
Author: Zalfa Feghali
Publisher: Taylor & Francis
ISBN: 104009385X
Category : Social Science
Languages : en
Pages : 427
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Book Description
The Routledge Companion to Gender and Borderlands maps the relationship between gender and borderlands at a global scale and sets the agenda for developing a global composite field of gender and borderlands studies. This interdisciplinary collection seeks to understand the complex nexus at which gender and the borderlands intersect, modelling radical relationality at epistemological, ontological, and activist levels. Going beyond border studies’ frequent site at the U.S.–Mexico Border, this book examines the power relations of borderlands as they play out in, influence, and reflect gender dynamics. Contributors draw on case studies from around the world, and their chapters span diverse fields from anthropology, literature, and history, to political science, religious studies, sociology, and the arts. The Routledge Companion to Gender and Borderlands is an indispensable resource for scholars and students engaged in border studies, gender studies, and the wide range of interlocking disciplines that inform and enrich these fields. Chapters 1, 15 and 20.of this book are freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY) 4.0 license.
Author: C. Alejandra Elenes
Publisher:
ISBN: 9780739147795
Category : Social Science
Languages : en
Pages : 0
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Book Description
Transforming Borders: Chicana/o Popular Culture and Pedagogy situates Chicana feminists' re-imagining of La Llorona, the Virgin of Guadalupe, and Malintzin/Malinche as sources of border/transformative pedagogies. In doing so, C. Alejandra Elenes contributes to the scholarship ...
Author: RenŽ de Guzman
Publisher: Univ of California Press
ISBN: 0520275217
Category : Art
Languages : en
Pages : 216
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Book Description
Catalog of the exhibition Summoning Ghosts: the Art of Hung Liu, organized by Rene de Guzman on behalf of the Oakland Museum of California and presented March 16-June 30, 2013.
Author: Jonathan Yorba
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 124
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Book Description
From portraits of family friends and famous individuals to the aesthetics of religious traditions from Puerto Rico to the American Southwest, "Arte Latino" is a lavishly illustrated Smithsonian American Art Museum guide that celebrates Latin art, innovation and tradition. 52 color illustrations.
Author: Vicki Halper
Publisher: Univ of North Carolina Press
ISBN: 080788992X
Category : Crafts & Hobbies
Languages : en
Pages : 334
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Book Description
Choosing Craft explores the history and practice of American craft through the words of influential artists whose lives, work, and ideas have shaped the field. Editors Vicki Halper and Diane Douglas construct an anecdotal narrative that examines the post-World War II development of modern craft, which came of age alongside modernist painting and sculpture and was greatly influenced by them as well as by traditional and industrial practices. The anthology is organized according to four activities that ground a professional life in craft--inspiration, training, economics, and philosophy. Halper and Douglas mined a wide variety of sources for their material, including artists' published writings, letters, journal entries, exhibition statements, lecture notes, and oral histories. The detailed record they amassed reveals craft's dynamic relationships with painting, sculpture, design, industry, folk and ethnic traditions, hobby craft, and political and social movements. Collectively, these reflections form a social history of craft. Choosing Craft ultimately offers artists' writings and recollections as vital and vivid data that deserve widespread study as a primary resource for those interested in the American art form.
