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Author: Lilian H. Zirpoli
Publisher: Wapacc Organization
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 246
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Book Description
Author: Lilian H. Zirpoli
Publisher: Wapacc Organization
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 246
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Book Description
Author: Gabrielle Storey
Publisher: Springer Nature
ISBN: 3030841308
Category : History
Languages : en
Pages : 327
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Book Description
This book examines the legacies and depictions of monarchs in an international context, focusing on both self-representation and commemoration by others. Spanning ancient India through to eighteenth-century Russia, this volume offers several case studies to demonstrate trends and patterns in how different societies chose to commemorate and remember their rulers in a variety of mediums. Contributions highlight several lesser known rulers, alongside more famous ones such as Henry VIII of England, to develop a deeper understanding of how memory and monarchy functioned when drawn together. Memorialising Premodern Monarchs brings to the fore the importance of memory and memorialisation when considering the legacies and records of past rulers and their societies, and allows a deeper reflection on how these rulers live on through the historical record and popular culture.
Author: Tamara Smithers
Publisher: Taylor & Francis
ISBN: 100062434X
Category : Art
Languages : en
Pages : 317
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Book Description
This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame—or second life—from their own times through the nineteenth century. These two artists inspired fervent followings like no other artists before them. The affective response of those touched by the potency of the physical presence of their art- works, personal effects, and remains—or even touched by the power of their creative legacy—opened up new avenues for artistic fame, divination, and commemoration. Within this cultural framework, this study charts the elevation of the status of dozens of other artists in Italy through funerals and tomb memorialization, many of which were held and made in response to those of Raphael and Michelangelo. By bringing together disparate sources and engaging material as well as a variety of types of artworks and objects, this book will be of great interest to anyone who studies early modern Italy, art history, cultural history, and Italian studies.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 166
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Book Description
Author: Christina Staudt
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Family & Relationships
Languages : en
Pages : 626
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Book Description
This novel, cross-disciplinary collection explains how dying, death, and grieving have changed in America, for better or worse, since the turn of the millennium. What does dying with dignity mean in a diverse society with rapidly advancing technology, an aging population, and finite resources? In this fascinating collection, scholars from across the nation illuminate the remarkable changes that have taken place in recent years, are now underway, and loom on the horizon as they lead readers on an exploration of the ways Americans think about and handle dying and death. Volume 1, New Paths of Engagement, addresses changes in the circumstances and expressions of death, dying, and grief in 21st-century America. Volume 2, New Venues in the Search for Dignity and Grace, delves into the challenges inherent in creating a medical and social system that allows for an optimal end-of-life experience for all and proposes ways in which society can be reshaped to move toward that ideal.
Author: Jessica Goethals
Publisher: Cambridge Scholars Publishing
ISBN: 1443812161
Category : History
Languages : en
Pages : 205
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Book Description
Are images and spectacles fundamental mediators of power relationships in the West? This book draws upon the language of cultural studies to investigate a contemporary hypothesis in the shifting ideological landscape of early modern Europe. Apparently aesthetic choices by artists may also have been the means to consolidate and subvert institutionalized or non-institutionalized bodies of power. Meanwhile, communities in Europe reacted to the intrinsic power of the image in literature and letters, commenting upon both its use and abuse. Both diachronic and geographic connections are made among disparate but important moments of image making in the twelfth through seventeenth centuries. The influence of Descartes is traced from La Rochefoucauld and the communal spectacles of the Ancien Régime salon, to the Netherlands and Rembrandt’s sketch, Death of the Virgin. Shakespeare bears similar anxieties about Joan of Arc’s transgression of gender boundaries in Henry VI, as does Castiglione’s Courtier when serving the Renaissance Prince. Spenser’s dilemma about the (non)difference between fiction and history resolves itself in the same way as does the Byzantine rejection of iconoclasm. Other articles in the collection examine anomie in Vatican frescoes by Giorgio Vasari, corporeal decay and the supernatural as spectacle on the early modern English stage, and affective self-perception and subjectivity in the scoring of Italian opera. ""[..] not as "just" a conference volume, but [as] an organic group of essays on early modernity. The essays span an impressive number of cultures – from "Byzantium" to England, Italy and Spain to the Netherlands – and theorize the image from a number of disciplinary vantage points. Not surprisingly, art history and theatre are well-represented, but so are music history and literary studies. Most of the essays are short, but sufficiently developed to allow for thoughtful arguments on the status of the visual in early modern culture: on the stage, on the page, and as artistic and musical representation. […] "they [do] deliver fine close readings and leave me sufficiently intrigued to want to return to, or familiarize myself with, the original "texts." I come away from this collection encouraged about the state of graduate studies in Europe and North America." —Jane Tylus, Professor of Italian and Comparative Literature and Vice Provost for Academic Affairs, New York University "The essays are interdisciplinary and touch upon many themes that lie outside my own field of specialization. I was therefore surprised and pleased to find them not only original and instructive, but also inviting and accessible to the non-specialist. Although they range far with respect to chronology and theoretical suppositions, they are coherently united in their concern for the functioning of the image in the conservation, revision or critique of socio-political power in their respective cultural contexts. I will mention three essays, representing three different fields, as striking examples of disparate images used to consolidate, reconstruct or overthrow the dominant powers of their times. Kathryn Falzareno's essay, "Mother's Milk and Deborah's Sword," is a close reading of Shakespeare's portrayal of Joan of Arc in Henry VI. It is a close analysis of the paradoxical status of Joan, Saint of the French, strumpet for the English, Christian warrior maiden, contrasting with Deborah in the Ancient Testament. The dominant and totally unexpected image which brings together the contradictions embodied by Joan are the breasts, the source of nurture in the figure of Mary, but an encumbrance for the mythological amazons who removed one breast to facilitate their use of the bow. Ljubica Ilic's "Echo and Narcissus: Labyrinths of the Self," is an elegant reading of "echo music," the apparently impossible "translation" of the Ovidian story into music and opera. Ovid's story represents the nymph Echo as the auditory equivalent of Narcissus' reflection -- echoing sound as reflecting light. Ovid's echo myth undoubtedly influenced opera by Jacopo Peri (during the time of the Medici) and then, Monteverdi in the musical setting of "Orfeo." Finally, Elissa Auerbach's "Taking Mary's Pulse: Cartesianism and Modernity in Rembrandt's 'Death of the Virgin' " is a brilliant commentary on the Dutch painter's rendering of an ancient theme, the "dormition" of the Virgin, but at the center of the painting is the figure of a physician taking the pulse of her limp hand. The intrusion of this "scientific" element in the ancient iconography of the event of Mary's death is the unmistakeable sign of the wave of modernity that swept over the Netherlands with the popularity of Cartesian philosophy and science." —John Freccero, Professor of Italian and Comp. Lit., NYU
Author: Lilian H. Zirpolo
Publisher: Rowman & Littlefield
ISBN: 1538111292
Category : Art
Languages : en
Pages : 692
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Book Description
This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events.
Author: Ashley Elston
Publisher: Taylor & Francis
ISBN: 1000429822
Category : Art
Languages : en
Pages : 191
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Book Description
This collection of essays explores hybridity in early modern art through two primary lenses: hybrid media and hybrid time. The varied approaches in the volume to theories of hybridity reflect the increased presence in art historical scholarship of interdisciplinary frameworks that extend art historical inquiry beyond the single time or material. The essays engage with what happens when an object is considered beyond the point of origin or as a legend of information, the implications of the juxtaposition of disparate media, how the meaning of an object alters over time, and what the conspicuous use of out-of-date styles means for the patron, artist, and/or viewer. Essays examine both canonical and lesser-known works produced by European artists in Italy, northern Europe, and colonial Peru, ca. 1400–1600. The book will be of interest to art historians, visual culture historians, and early modern historians.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
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Book Description
Author: Sarah J. Robinson
Publisher: WaterBrook
ISBN: 0593193539
Category : Religion
Languages : en
Pages : 257
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Book Description
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
