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Author: Paul Hammond
Publisher: City Lights Books
ISBN: 9780872863729
Category : Art
Languages : en
Pages : 268
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Book Description
In Constellations of Miro, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two Surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind."--BOOK JACKET.
Author: Paul Hammond
Publisher: City Lights Books
ISBN: 9780872863729
Category : Art
Languages : en
Pages : 268
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Book Description
In Constellations of Miro, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two Surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind."--BOOK JACKET.
Author: Elizabeth Hutton Turner
Publisher: Philip Wilson Publishers
ISBN: 9780856675751
Category : Art
Languages : en
Pages : 312
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Book Description
Sculptor Alexander Calder (1898-1976) and painter Joan Miró (1893-1983) became lifelong friends after their first meeting in Paris in 1928. This book and the exhibition it accompanies are about their extraordinary friendship and the early years of their careers. Calder and Miró shared many artistic interests, and the book is organized around common themes such as the circus, bestiary, universe, and constellations. The artists shared an ambition to create monumental works for public spaces and, while waiting for those opportunities, achieved monumentality on a reduced scale. Miró's small Constellations evoke the tradition of Romanesque frescoes, while Calder's earliest stabiles and mobiles occupy space in a way that transcends their size, paving the way for later monumental works. The editors, in their two essays and in their organization of the colour plates, focus on the first two decades of the artists' careers, culminating in the monumental public commissions that Calder and Miró received for the decoration of the Terrace Plaza Hotel, Cincinnati, in 1947. Both artists combined colour, shape and line in new ways, relying primarily on these limited elements to explore compositional space. While they worked independently, their resulting creations have long been recognized as reinforcing each other's vision. When their works are shown together, as John Canaday observed in his 1961 New York Times review, '- the element of fantasy is heightened in Calder's impeccably balanced structures and the element of calculation becomes more apparent than usual in Miró's looser inventions.' Extensive illustrations provide fresh insights into the visual dialogue between them and show the ways in which they expanded and erased the traditional boundaries in art. Their charming correspondence is published here for the first time and rare photographs of the two men together, and of the gifts of artwork they exchanged, document the friendship. A detailed chronology opens a window into their personal and professional lives. The book accompanies the exhibition Calder/Miró at Fondation Beyeler, Riehen/Basel (2 May - 5 September 2004), and at The Phillips Collection, Washington, D.C. (9 October - 23 January 2005).
Author: Willard Bohn
Publisher: State University of New York Press
ISBN: 079148971X
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
In The Rise of Surrealism, Willard Bohn examines the various literary and artistic developments that prepared the way for the international Surrealist movement—including Cubism, Metaphysical Art, and Dada—as well as the triumph of Surrealism itself. In an analysis that spans the first two-thirds of the twentieth century, Bohn surveys writers and artists from France, Italy, Germany, Spain, Argentina, Mexico, Chile, and the United States, examining both their aversion to mimesis and the solutions they devised to replace it. Much of the book is concerned with competing artistic models and with different strategies for creating avant-garde works, and focuses on such figures as Guillaume Apollinaire, Max Weber, Marius de Zayas, Francis Picabia, Giorgio de Chirico, André Breton, J. V. Foix, and Joan Miró. The dynamics of the imagery that painters and poets chose to employ and the new roles this imagery assumed in their compositions are also discussed.
Author: Joan Mir¢
Publisher: Courier Corporation
ISBN: 0486244377
Category : Art
Languages : en
Pages : 49
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Book Description
Forty important lithographic prints with line and composition comparable to the works of Miro's friend Picasso. Eerie, droll, technically brilliant, and aggressive.
Author: Raymond Borde
Publisher: City Lights Books
ISBN: 9780872864122
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
This first book published on film noir established the genre--a classic, at last in translation.
Author: Anna Balakian
Publisher: University of Chicago Press
ISBN: 9780226035604
Category : Art
Languages : en
Pages : 270
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Book Description
First published in 1959, Surrealism remains the most readable introduction to the French surrealist poets Apollinaire, Breton, Aragon, Eluard, and Reverdy. Providing a much-needed overview of the movement, Balakian places the surrealists in the context of early twentieth-century Paris and describes their reactions to symbolist poetry, World War I, and developments in science and industry, psychology, philosophy, and painting. Her coherent history of the movement is enhanced by her firsthand knowledge of the intellectual climate in which some of these poets worked and her interviews with Reverdy and Breton. In a new introduction, Balakian discusses the influence of surrealism on contemporary poetry. This volume includes photographs of the poets and reproductions of paintings by Ernst, Dali, Tanguy, and others.
Author: Roland Penrose
Publisher: Thames & Hudson
ISBN: 0500776792
Category : Art
Languages : en
Pages : 278
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Book Description
Among the great 20th-century masters, the surrealist painter Joan Miró stands out for the atmosphere of wit and spontaneity that pervades his work. Mirós art went through many phases, and its major features his signs and symbols, his series of anguished peintures sauvages in the 1930s, his lyrical, poetic gouaches, his monumental sculptures and ceramics, his unprecedented use of poetic titles, and his attachment to nature and to the night are discussed here by Roland Penrose, a friend of the artist for almost five decades. A brief epilogue by Eduardo de Benito, London correspondent of the Spanish art periodical Lápiz, illustrates the developments of Mirós last years. This new revised edition, now illustrated in colour throughout, includes a foreword by Antony Penrose, outlining the relationship between his father and the artist, as well as updates to the Bibliography.
Author: Sabine Rewald
Publisher: Metropolitan Museum of Art
ISBN: 0870995685
Category : Art
Languages : en
Pages : 369
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Book Description
Published in conjunction with the exhibition held at The Metropolitan Museum of Art, NYC, Dec. 1989-Apr. 1990. The last great private collection of the art of the School of Paris--81 paintings drawings, and bronzes by Bonnard, Braque, Dali, Dubuffet, Matisse, Miro, Picasso, and Giacometti, among others. With accompanying essays and additional illustrations (a total of 281, 95 in color). 10x121/4". Annotation copyrighted by Book News, Inc., Portland, OR
Author: André Breton
Publisher: Univ of California Press
ISBN: 9780520239548
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
"This is a kind of "essence of Breton", variously translated by some of our finest writers, each of whom highlights different facets of Breton's complex work. Mark Polizzotti's useful introduction provides context and a brief analysis of the artist and his times."—Diane di Prima, author of Recollections of My Life as a Woman "Mark Polizzotti, who is a poet, a translator, and the author of the definitive biography of André Breton, has chosen stellar translations of Breton's dazzling poetry and placed it in its lively context. This shapely introduction to the life and work of André Breton is smart, concise, and exciting. I cannot imagine a better one."—Ron Padgett, poet and translator of The Complete Poems of Blaise Cendrars "The Poets for the Millennium Series generally and André Breton's Selected Works specifically offers a workable image of an author and the work and the conjuncture, all at once. What comes across is a vivid presentation of Andre Breton not just as an art czar, a manifesto merchant, but a serious, haunted, inventive and strangely profound poet of the imagination, who invented or archeologized new ways of dreaming, but insisted on bearing witness with them in the actual world. Polizzotti does justice--as I think no other writer has--to the double burden of Breton's work."—Robert Kelly "A superbly chosen selection of Breton's poetry and prose, translated in every case with an elegant intelligence, and preceded by an unusually thorough introduction showing quite exactly how the poet's life informed each epoch of his work. It proves again the remarkable un-boringness of Breton, and how important he is now to our own poetry and to us.—Mary Ann Caws, author of The Surrealist Look: An Erotics of Encounter and editor of The Surrealist Painters and Poets
Author: Janis Mink
Publisher: Taschen
ISBN: 9783822859759
Category : Art
Languages : en
Pages : 104
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Book Description
Modernism.
