Author: . Chiantore
Publisher: Getty Publications - (Yale)
ISBN: 9781606061046
Category : Art, Modern
Languages : en
Pages : 0
Book Description
This is a thorough investigation of the material and philosophical aspects of conserving contemporary art. Since the advent of the avant-garde in the early 20th century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of these materials but also a greater awareness of the artist's intellectual universe. Conserving Contemporary Art is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.
Conserving Contemporary Art
Author: . Chiantore
Publisher: Getty Publications - (Yale)
ISBN: 9781606061046
Category : Art, Modern
Languages : en
Pages : 0
Book Description
This is a thorough investigation of the material and philosophical aspects of conserving contemporary art. Since the advent of the avant-garde in the early 20th century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of these materials but also a greater awareness of the artist's intellectual universe. Conserving Contemporary Art is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.
Publisher: Getty Publications - (Yale)
ISBN: 9781606061046
Category : Art, Modern
Languages : en
Pages : 0
Book Description
This is a thorough investigation of the material and philosophical aspects of conserving contemporary art. Since the advent of the avant-garde in the early 20th century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of these materials but also a greater awareness of the artist's intellectual universe. Conserving Contemporary Art is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.
The Artist Interview
Author: Lydia Beerkens
Publisher:
ISBN: 9789490322328
Category : Art
Languages : en
Pages : 160
Book Description
In order to preserve and maintain contemporary artworks, we need authentic, content-related and technical information which we can obtain by interviewing the artists who produced them. The SBMK (Foundation for the Conservation of Contemporary Art) and RCE (Cultural Heritage Agency of the Netherlands) worked together for years to develop guidelines and good practices. In 2012 a book will be published: "The Artist Interview". For conservation and presentation of contemporary art. Guidelines and practice. This handbook provides a scenario including tips and checklists for conducting artist interviews, as well as ten sample interviews that give an insight in the (im)possibilities of an artist interview as a tool.
Publisher:
ISBN: 9789490322328
Category : Art
Languages : en
Pages : 160
Book Description
In order to preserve and maintain contemporary artworks, we need authentic, content-related and technical information which we can obtain by interviewing the artists who produced them. The SBMK (Foundation for the Conservation of Contemporary Art) and RCE (Cultural Heritage Agency of the Netherlands) worked together for years to develop guidelines and good practices. In 2012 a book will be published: "The Artist Interview". For conservation and presentation of contemporary art. Guidelines and practice. This handbook provides a scenario including tips and checklists for conducting artist interviews, as well as ten sample interviews that give an insight in the (im)possibilities of an artist interview as a tool.
Ephemeral Monuments
Author: Marina Pugliese
Publisher: Getty Publications
ISBN: 1606061348
Category : Art
Languages : en
Pages : 294
Book Description
This is an indispensible volume for creators, curators, and conservators of installation art. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.
Publisher: Getty Publications
ISBN: 1606061348
Category : Art
Languages : en
Pages : 294
Book Description
This is an indispensible volume for creators, curators, and conservators of installation art. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.
The Renaissance Restored
Author: Matthew Hayes
Publisher: Getty Publications
ISBN: 160606696X
Category : Art
Languages : en
Pages : 210
Book Description
This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.
Publisher: Getty Publications
ISBN: 160606696X
Category : Art
Languages : en
Pages : 210
Book Description
This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.
Modern Paints Uncovered
Author:
Publisher: Getty Publications
ISBN: 089236906X
Category : Museum conservation methods
Languages : en
Pages : 332
Book Description
Paint formulations and historyAnalysis and characterizationTreatmentsCleaning issuesBehavior and propertiesPosters.
Publisher: Getty Publications
ISBN: 089236906X
Category : Museum conservation methods
Languages : en
Pages : 332
Book Description
Paint formulations and historyAnalysis and characterizationTreatmentsCleaning issuesBehavior and propertiesPosters.
Conservation and Maintenance of Contemporary Public Art
Author: Hafthor Yngvason
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176
Book Description
While the public art field has grown rapidly, little attention has been paid to preservation. This collection of papers based on presentations delivered at a conference held in Massachusetts in 2001 addresses theoretical questions of permanence and public participation along with specific concerns, such as funding and legal responsibilities.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176
Book Description
While the public art field has grown rapidly, little attention has been paid to preservation. This collection of papers based on presentations delivered at a conference held in Massachusetts in 2001 addresses theoretical questions of permanence and public participation along with specific concerns, such as funding and legal responsibilities.
Living Matter
Author:
Publisher:
ISBN: 9781606069127
Category : Art, Modern
Languages : en
Pages : 0
Book Description
"This is the first book to provide a comprehensive overview of the conservation of biological materials used in contemporary art"--
Publisher:
ISBN: 9781606069127
Category : Art, Modern
Languages : en
Pages : 0
Book Description
"This is the first book to provide a comprehensive overview of the conservation of biological materials used in contemporary art"--
Modern Art - who Cares?
Author: IJsbrand M. C. Hummelen
Publisher: Archetype Publications
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 452
Book Description
Presenting the conservation challenges related to different media and materials of considerable art-historical value, the studies in this volume include symposium papers by art historians, physicists, philosophers, artists, conservators and critics, on topics such as accidental damage, working with artists, packing and transport, and installation.
Publisher: Archetype Publications
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 452
Book Description
Presenting the conservation challenges related to different media and materials of considerable art-historical value, the studies in this volume include symposium papers by art historians, physicists, philosophers, artists, conservators and critics, on topics such as accidental damage, working with artists, packing and transport, and installation.
Scientific Examination of Art
Author:
Publisher: National Academies Press
ISBN: 0309096251
Category : Technology & Engineering
Languages : en
Pages : 254
Book Description
Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.
Publisher: National Academies Press
ISBN: 0309096251
Category : Technology & Engineering
Languages : en
Pages : 254
Book Description
Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.
Keep It Moving?
Author: Rachel Rivenc
Publisher: Getty Publications
ISBN: 1606065378
Category : Art
Languages : en
Pages : 378
Book Description
Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings.
Publisher: Getty Publications
ISBN: 1606065378
Category : Art
Languages : en
Pages : 378
Book Description
Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings.