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Author: Ellen Burton Harrington
Publisher: Springer
ISBN: 3319632973
Category : Literary Criticism
Languages : en
Pages : 174
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Book Description
This volume considers Joseph Conrad’s use of multiple genres, including allusions to sensation fiction, pornography, anthropology, and Darwinian science, to respond to Victorian representations of gender in layered and contradictory representations of his own. In his stories and later novels, the familiar writer of sea stories centered on men moves to consider the plight of women and the challenges of renegotiating gender roles in the context of the early twentieth century. Conrad’s rich and conflicted consideration of subjectivity and alienation extends to some of his women characters, and his complex use of genre allows him both to prompt and to subvert readers’ expectations of popular forms, which typically offer recognizable formulas for gender roles. He frames his critique through familiar sensationalized typologies of women that are demonstrated in his fiction: the violent mother, the murderess, the female suicide, the fallen woman, the adulteress, and the traumatic victim. Considering these figures through the roles and the taxonomies that they simultaneously embody and disrupt, this study exposes internalized patriarchal expectations that Conrad presents as both illegitimate and inescapable.
Author: Ellen Burton Harrington
Publisher: Springer
ISBN: 3319632973
Category : Literary Criticism
Languages : en
Pages : 174
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Book Description
This volume considers Joseph Conrad’s use of multiple genres, including allusions to sensation fiction, pornography, anthropology, and Darwinian science, to respond to Victorian representations of gender in layered and contradictory representations of his own. In his stories and later novels, the familiar writer of sea stories centered on men moves to consider the plight of women and the challenges of renegotiating gender roles in the context of the early twentieth century. Conrad’s rich and conflicted consideration of subjectivity and alienation extends to some of his women characters, and his complex use of genre allows him both to prompt and to subvert readers’ expectations of popular forms, which typically offer recognizable formulas for gender roles. He frames his critique through familiar sensationalized typologies of women that are demonstrated in his fiction: the violent mother, the murderess, the female suicide, the fallen woman, the adulteress, and the traumatic victim. Considering these figures through the roles and the taxonomies that they simultaneously embody and disrupt, this study exposes internalized patriarchal expectations that Conrad presents as both illegitimate and inescapable.
Author: Johan Adam Warodell
Publisher: Cambridge University Press
ISBN: 1316512193
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Brings the vibrant details of Conrad's writing to the forefront for study and analyzes newly-discovered artworks, maps, and manuscript pages.
Author: Debra Romanick Baldwin
Publisher: Taylor & Francis
ISBN: 1040047084
Category : Literary Criticism
Languages : en
Pages : 387
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Book Description
The Routledge Companion to Joseph Conrad attests to the global significance and enduring importance of Conrad’s works, reception, and legacy. This volume brings together an international roster of scholars who consider his works in relation to biography, narrative, politics, women’s studies, comparative literature, and other forms of art. They offer approaches as diverse as re-examining Conrad’s sea voyages using newly available digital materials, analyzing his archipelagic narrative techniques, applying Chinese philosophy to Lord Jim, interrogating gendered epistemology in the neglected story “The Tale,” considering Conrad alongside W.E.B. Du Bois, Graham Greene, Virginia Woolf, or Orhan Pamuk, or alongside sound, gesture, opera, graphic novels, or contemporary events. An invaluable resource for students and scholars of Conrad and twentieth-century literature, this groundbreaking collection shows how Conrad’s works – their artistry, vision, and ideas – continue to challenge, perplex, and delight.
Author: Alice M. Kelly
Publisher: Liverpool University Press
ISBN: 1800855222
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
With the pressing work of decolonising our reading lists gaining traction in UK higher educational contexts, Decolonising the Conrad Canon shows how those author-Gods most associated with the colonial literary canon can also be retooled through decolonial, queer, feminist readings. This book finds pockets of powerful anti-colonial resistance and queer dissonance in Joseph Conrad’s lesser-known works – breathing spaces from the colonial rhetoric that dominates his novels – and traces the female characters who voice them off the page and into their transmedia (digital/illustrative/cinematic) afterlives. From Immada and Edith’s queer gaze in The Rescue and the periodical illustrations that accompanied its initial serialization, to Aïssa’s sustained critique of imperialism in An Outcast of the Islands and her portrayal on mass-market paperback book covers, to the structural female bonds of Almayer’s Folly and Nina’s embodiment in Chantal Akerman’s adaptation La Folie Almayer, this book centres Conrad’s female characters as viable, meaning-making citizens of the canon. Through this intervention, Decolonising the Conrad Canon proposes an innovative model for teaching, reading and studying not just Joseph Conrad’s work but the colonial literary canon more broadly.
Author: Andrew Glazzard
Publisher: Springer
ISBN: 1137559179
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Detectives, police informers, spies and spymasters, anarchists and terrorists, swindlers: these are the character types explored in Conrad's Popular Fictions. This book shows how Joseph Conrad experimented creatively with genres such as crime and espionage fiction, and sheds new light on the sources and contexts of his work.
Author: Yael Levin
Publisher: Oxford University Press
ISBN: 0192633341
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
The book builds on current interventions in modernist scholarship in order to rethink Joseph Conrad's contribution to literary history. It utilizes emerging critical modernisms, the work of Henri Bergson and Gilles Deleuze, and late modernist fiction, to stage an encounter between Conrad and a radically different literary tradition. It does so in order to uncover critical blind spots that have limited our appreciation of his poetics. The purpose of this investigation is threefold: first, to participate in recent critical attempts to correct a neglect of ontological preoccupations in Conrad's writing and uncover the author's exploration of a human subject beyond the Cartesian cogito. Second, to demonstrate the manner in which such an exploration is accompanied by the reconfiguration of the very building blocks of fiction: character, narration, focalization, language and plot have to be rethought to accommodate a subject who is no longer conceived of as autonomous and whole but is rendered permeable and interdependent. Third, to show how this redrawing of the literary imaginary communicates with the projects of late modernist writers such as Samuel Beckett, writers whose literary endeavours have long been held separate from Conrad's. In the spirit of current re-examinations of modernism and critical endeavours to think it anew outside the commonplaces that once defined it, this study returns to Conrad's art with an eye to twentieth-century shifts in the way we process, understand and evaluate information. Thematic, stylistic and philosophical instantiations of the slow are offered here as a gauge for this meaningful transformation.
Author: Moore
Publisher: BRILL
ISBN: 9004648240
Category : Literary Criticism
Languages : en
Pages : 173
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Book Description
From the contents: Conrad's debt to Marguerite Poradowska (Susan Jones).- Conrad and Alfred Russel Wallace (Amy Houston).- Conrad's The idiots and Maupassant's La mere aux monstres (Gene M. Moore).- Conrad, Anatole France, and the early French Romantic tradition: some influences (Owen Knowles).- 'One can learn something from Balzac': Conrad and Balzac (J.H. Stape).
Author: William Freedman
Publisher: Univ of South Carolina Press
ISBN: 1611173078
Category : Literary Criticism
Languages : en
Pages : 191
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Book Description
An alternate view of the perplexing and often contradictory fiction of an elusive author Few if any writers in the English language have been cited, praised, chided, or marveled at more routinely than Joseph Conrad for the perplexing evasiveness, contradictoriness, and indeterminacy of their fiction. William Freedman argues that the explanations typically offered for these identifying characteristics of much of Conrad's work are inadequate if not mistaken. Freedman's claim is that the illusiveness of a coherent interpretation of Conrad's novels and shorter fictions is owed not primarily to the inherent slipperiness or inadequacy of language or the consequence of a willful self-deconstruction. Nor is it a product of the writer's philosophical nihilism or a realized aesthetic of suggestive vagueness. Rather, Freedman argues, the perplexing elusiveness of Conrad's fiction is the consequence of a pervasive ambivalence toward threatening knowledge, a protective reluctance and recoil that are not only inscribed in Conrad's tales and novels, but repeatedly declared, defended, and explained in his letters and essays. Conrad's narrators and protagonists often set out on an apparent quest for hidden knowledge or are drawn into one. But repelled or intimidated by the looming consequences of their own curiosity and fervor, they protectively obscure what they have barely glimpsed or else retreat to an armory of practiced distractions. The result is a confusingly choreographed dance of approach and withdrawal, fascination and revulsion, revelation and concealment. The riddling contradictions of these fictions are thus in large measure the result of this ambivalence, their evasiveness the mark of intimidation's triumph over fascination. The idea of dangerous and forbidden knowledge is at least as old as Genesis, and Freedman provides a background for Conrad's recoil from full exposure in the rich admonitory history of such knowledge in theology, myth, philosophy, and literature. He traces Conrad's impassioned, at times pleading case for protective avoidance in the writer's letters, essays, and prefaces, and he elucidates its enactment and its connection to Conrad's signature evasiveness in a number of short stories and novels, with special attention to The Secret Agent, Heart of Darkness, Lord Jim, Under Western Eyes, and The Rescue.
Author: Todd K. Bender
Publisher: Taylor & Francis
ISBN: 9780815319436
Category : Art and literature
Languages : en
Pages : 192
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Book Description
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
Author: Kathy M. Krause
Publisher: University Press of Florida
ISBN: 0813063906
Category : Literary Criticism
Languages : en
Pages : 189
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Book Description
"These innovative essays are outstanding because they examine well-known works and genres in new ways, and they revise and revitalize our thinking about them."-- Rupert T. Pickens, University of Kentucky These essays explore the various manifestations of the heroine in medieval French literature and her multiple relationships with discourse, both medieval and modern. From a discussion of 12th-century saints’ lives to an examination of 15th-century farce, they span the Middle Ages, both chronologically and generically. Focused yet considering a wide range of texts, they shine new light on the heroine and how she behaves, including how she herself uses discourse. Contents Introduction, by Kathy M. Krause Part I. Saintly Women: Hagiography, Miracle, and Epic 1. "Cume lur cumpaine et lur veisine": Women's Roles in Anglo-Norman Hagiography, by Duncan Robertson 2. Virgin, Saint, and Sinners: Women in Gautier de Coinci's Miracles de Nostre Dame, by Kathy M. Krause 3. Women’s Voices Raised in Prayer: On the "Epic Credo" in Adenet le Roi's Berte as grans pies, by David Wrisley Part II. Amorous Women: Romance and Lyric 4. Melusine's Double Binds: Foundation, Transgression, and the Genealogical Romance, by Ana Pairet 5. On Fenice’s Vain Attempts to Revise a Romantic Archetype and Chrétien’s Fabled Hostility to the Tristan Legend, by Joan Grimbert 6. The Lyric Lady in Narrative, by William D. Paden Part III. Dissenting Women: Lyric and Farce 7. "Fine Words on Closed Ears": Impertinent Women, Discordant Voices, Discourteous Words, by Nadine Bordessoule 8. Poetic Justice: The Revenge of La Guignarde in the Livre des Cent Ballades, by Sally Tartline Carden 9. Woman's Cry: Broken Language, Marital Disputes, and the Poetics of Medieval Farce, by Christopher Lucken Kathy M. Krause, assistant professor of French at the University of Missouri, Kansas City, is the author of articles in Le Moyen Age 102.2, Arizona Medieval and Renaissance Studies, and European Medieval Drama.
