Author: Greg Jackson
Publisher: Inner3
ISBN: 145371944X
Category : Music
Languages : en
Pages : 396
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Book Description
Congas Full Circle satisfies a missing link in percussion literature. This is the first book for congas and hand drumming that breaks down the patterns of various styles (almost 50!) into small sections that can be digested easier. Although there are many high quality books for hand drummers, the books merely notate the patterns without teaching the reader how to play the rhythms. Congas Full Circle will fill that void. The book includes many exercises to teach the reader how to play rudiments on congas while improving your quality of sound. There are also examples of styles for djembe, batá, bongos, and cajones with music spanning from early African patterns to modern day Salsa and Timba. With almost 400 pages, this is the most comprehensive book on congas available.
Author: Gregory Jackson
Publisher: Inner3
ISBN: 1456326821
Category : Music
Languages : en
Pages : 184
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Book Description
Pandora is a collection of 4 mallet marimba literature from Greg Jackson. The compositions are ideal for graduate level percussion recitals and professional concerts; with some works that can be handled by most advanced high school and collegiate percussionists. Pandora contains a total of 12 works; 11 are for solo marimba and 1 piece for marimba and cello. Three of the compositions are featured on the CD "Darkest Hour". For more information about the music in this collection and program notes, please visit www.inner3.com.
Author: Alan Dworsky
Publisher: SCB Distributors
ISBN: 0985739835
Category : Music
Languages : en
Pages : 223
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Book Description
This book--which won the 2000 DRUM Magazine Readers' Poll for "Best Instructional Book"--is a complete, step-by-step course on conga drumming. It's the book we looked for but couldn't find when we were first learning to drum. We did everything we could to make it user-friendly, so even non-musicians could understand it. The book teaches families of drum parts for several authentic Afro-Caribbean rhythms, including rumba, bomba, calypso, conga, and bembe. The instruction is clear and step-by-step, and the writing creates the intimate feel of private lessons. The charts are big and easy to read. Life-like illustrations clearly demonstrate proper technique for each stroke. Please note: audio files of the CD that comes with the print version of this book are not included in this ebook version (but are available separately).
Author: Greg Jackson
Publisher: Inner3
ISBN: 1461055148
Category : Music
Languages : en
Pages : 102
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Book Description
"Legendary, Op. 44" is a collection of conga solos composed by best selling author Dr. Greg Jackson. This is the first book of solo literature ever published for the instrument. Each solo uses traditional music notation, as well as indications for which hand is recommended to play a certain drum. The different sounds are also thoroughly notated for each piece for those who are new to reading music. "Legendary" features 13 pieces for 2 to 5 congas and incorporates some traditional marchas, as well as newer forms such as timba. Each piece is designed for concert performance settings, or for the conguero in need of a solo during a song break. This book is also an excellent study tool for learning to design your own solos in a band type of setting. Level: Beginner to Professional
Author: Gregory Jackson
Publisher: Inner3
ISBN: 1463507526
Category : Music
Languages : en
Pages : 114
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Book Description
The Well-Tempered Marimbist is a set of compositions for the two mallet percussionist. The collection consists of 24 etudes, each in a different key, similar to the pivotal Well-Tempered Clavier by J.S. Bach. Most of the new music available is for 4-mallets, leaving those learning keyboard percussion without much of a selection for music that is current. This book contains music that fits many genres from traditional melodic development to music that would be classified as modern or 21st Century. WTM includes a wide range of solos for the beginning mallet player to the advanced level percussionist. The easier pieces are great for sight-reading practice as well. These solos are excellent pieces for recitals and solo performances as audiences will love the outstanding melodies. The percussionist will enjoy how well each piece lays on the instrument. This book is sure to become a classic for many generations and is an excellent source to have in the library of every percussionist.
Author: Chuck Ryan
Publisher:
ISBN: 9780974868011
Category : Poetry
Languages : en
Pages : 438
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Book Description
One man's journey from a small town entrepreneur to Federal inmate and home.
Author: Ted Reed
Publisher: Alfred Music
ISBN: 9781457412257
Category : Music
Languages : en
Pages : 24
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Book Description
Basic rhythms, variations, fill-ins, short solos for the bolero, cha-cha, merengue, mambo, guaracha, rumba, modern jazz and more.
Author: Kalani
Publisher: Alfred Music Publishing
ISBN: 9780739033494
Category : Music
Languages : en
Pages : 48
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Book Description
In-depth coverage of popular percussion instruments, including history, tuning, maintenance, techniques, exercises, ensembles, and more, from a world-renowned educator and performer, Kalani. Each book comes with an enhanced CD featuring additional multimedia content, including demonstrations of all rhythms and techniques and tuning instructions.
Author: Bob Evans
Publisher: Alfred Music
ISBN: 9781457445934
Category : Music
Languages : en
Pages : 36
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Book Description
A complete study, including illustrations, on all the Latin rhythms.
Author: Colter Harper
Publisher: Univ. Press of Mississippi
ISBN: 1496849876
Category : Music
Languages : en
Pages : 216
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Book Description
From the 1920s through the 1960s, Pittsburgh’s Hill District was the heart of the city’s Black cultural life and home to a vibrant jazz scene. In Jazz in the Hill: Nightlife and Narratives of a Pittsburgh Neighborhood, Colter Harper looks at how jazz shaped the neighborhood and created a way of life. Beyond backdrops for remarkable careers, jazz clubs sparked the development of a self-determined African American community. In delving into the history of entrepreneurialism, placemaking, labor organizing, and critical listening in the Hill District, Harper forges connections to larger political contexts, processes of urban development, and civil rights struggles. Harper adopts a broad approach in thinking about jazz clubs, foregrounding the network of patrons, business owners, and musicians who were actively invested in community building. Jazz in the Hill provides a valuable case study detailing the intersections of music, political and cultural history, public policy, labor, and law. The book addresses distinctive eras and issues of twentieth century American urban history, including notions of “vice” during the Prohibition Era (1920–1934); “blight” during the mid-twentieth century boom in urban redevelopment (1946–1973); and workplace integration during the civil rights era (1954–1968). Throughout, Harper demonstrates how the clubs, as a nexus of music, politics, economy, labor, and social relations, supported the livelihood of residents and artists while developing cultures of listening and learning. Though the neighborhood has undergone an extensive socioeconomic transformation that has muted its nightlife, this musical legacy continues to guide current development visions for the Hill on the cusp of its remaking.
