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Author: Oliver Marchart
Publisher: National Geographic Books
ISBN: 3956792041
Category : Art
Languages : en
Pages : 0
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Book Description
A new political theory of art and artistic praxis. Leaping into current debates about the political efficacy of art, the essays in Conflictual Aesthetics critique the supposition that all art is inherently political. Opposed to the political art defended by art world functionaries that hides behind “simplistic complexity,” Oliver Marchart argues for a straightforwardly political theory of art and artistic praxis. At the intersection of art theory and radical politics, he proposes an aesthetics of agitating, propagating, and organizing, through which he problematizes and evaluates art in relation to activism or political propaganda, and addresses the radical potential of dance, theater, artistic re- and pre-enactments, public art, the curator, and the biennial.
Author: Oliver Marchart
Publisher: National Geographic Books
ISBN: 3956792041
Category : Art
Languages : en
Pages : 0
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Book Description
A new political theory of art and artistic praxis. Leaping into current debates about the political efficacy of art, the essays in Conflictual Aesthetics critique the supposition that all art is inherently political. Opposed to the political art defended by art world functionaries that hides behind “simplistic complexity,” Oliver Marchart argues for a straightforwardly political theory of art and artistic praxis. At the intersection of art theory and radical politics, he proposes an aesthetics of agitating, propagating, and organizing, through which he problematizes and evaluates art in relation to activism or political propaganda, and addresses the radical potential of dance, theater, artistic re- and pre-enactments, public art, the curator, and the biennial.
Author: Martin Lang
Publisher: Bloomsbury Publishing
ISBN: 1350346764
Category : Political Science
Languages : en
Pages : 249
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Book Description
In 2008 an Iraqi artist was waterboarded as performance art. In 2010 artists upturned police cars in Russia. But what exactly do we mean by militant art and aesthetics? Bringing together the philosophy of art and politics, Martin Lang provides a comprehensive examination of militant art activism: its history, its advocates and the aesthetic theory behind it. Protest art is not a new concept and yet this book argues that after the terrorist attacks of 9/11 distinctly 21st-century forms of art activism emerged. On the one hand these became militant as artists retained belief in the possibility of radical political change through art. On the other hand, this belief developed in a hostile environment, when anti-terror legislations reclassified activists and artists as terrorists. Through first-hand interviews and experiences, Militant Aesthetics sheds light on numerous international case studies of modern art activism and the different ways they can be classified as militant. Many artists and collectives, including Grupo Etcétera in Buenos Aries, are prepared to break the law and risk arrest for their art. Others like Thomas Bresolin's Militant Training Camp utilise military uniforms in violent performances that connect with public anger, and artists such as Zthoven in the Czech Republic occupy, hack, antagonise and disrupt in increasingly militant ways. Combining these examples with the pioneering thought of Badiou, iek, Rancière and Mouffe, as well as up-to-date scholarship from Bishop, Léger and others, Lang investigates the instances, attributes and rules of militant art in order to introduce a new overall theory of 21st-century militant aesthetics.
Author: Anne Ring Petersen
Publisher: Taylor & Francis
ISBN: 1003810810
Category : Art
Languages : en
Pages : 261
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Book Description
This is the first book to develop a postmigrant analytical perspective for the study of art, concentrating on how postmigration reopens the study of contemporary art and migration. The book introduces art historians and other scholars with a methodological interest in cultural analysis to the innovative concept of postmigration, offering a comprehensive introduction to the various meanings and uses of the term as well as translating it methodologically to an art historical context. The book analyses art projects from Denmark, Germany and Great Britain, which address some of the current challenges to European societies of immigration, and by drawing on theory from fields such as migration studies, transcultural studies and feminist, postcolonial and political theory, as well as re-engaging established concepts such as imagination, commemoration, belonging, identity, racialization, community, public space and participation. The book will be of interest to scholars working in art history, art and politics, migration studies, and transcultural studies.
Author: Meg Harris Williams
Publisher: Phoenix Publishing House
ISBN: 1912567059
Category : Philosophy
Languages : en
Pages : 289
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Book Description
Donald Meltzer coined the term 'aesthetic conflict' to describe the emotional complexities of the 'apprehension of beauty'. It had its roots in art, literature, infant observation, and above all, in clinical experience. This concept affirmed and illustrated Bion's formula of L, H, K (Love, Hate, and Knowledge), together with its negative (minus L, H, K) as a revision of Klein's fundamental emotional dynamics of Envy and Gratitude. As such, any emotional situation may be read in terms of either struggling with or retreating from the aesthetic conflict that occurs naturally at all key points of psychic development. Meltzer could be said to have encapsulated the essence of Bion's post-Kleinian trajectory when he wrote that 'If we follow Bion's thought closely, we see that the new idea presents itself as an emotional experience of the beauty of the world and its wondrous organisation.' The contributions in this book are by analysts and therapists from a wide variety of countries working with both children and adults. They have all, in individual ways, found 'aesthetic conflict' a useful frame of reference in terms of illuminating the significance of clinical observation, understanding countertransference responses, or practising the psychoanalytic method itself.
Author: Donald Meltzer
Publisher: Phoenix Publishing House
ISBN: 1912567083
Category : Psychology
Languages : en
Pages : 299
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Book Description
This volume has grown over the years as a family project of Martha Harris, her two daughters Meg and Morag and her husband, Donald Meltzer. It therefore has its roots in English literature and its branches waving wildly about in psychoanalysis. It is earnestly hoped that it will reveal more problems than it will solve.
Author: Kim Charnley
Publisher: Bloomsbury Publishing
ISBN: 1350008702
Category : Philosophy
Languages : en
Pages : 272
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Book Description
Since the turn of the millennium, protests, meetings, schoolrooms, reading groups and many other social forms have been proposed as artworks or, more ambiguously, as interventions that are somewhere between art and politics. This book surveys the resurgence of politicized art, tracing key currents of theory and practice, and mapping them against the dominant experience of the last decade: crisis. Drawing upon leading artists and theorists within this field – including Hito Steyerl, Marina Vishmidt, Art & Language, Gregory Sholette, John Roberts and Dave Beech – this book argues for a new interpretation of the relationship between socially-engaged art and neoliberalism. Kim Charnley explores the possibility that neoliberalism has destabilized the art system so that it is no longer able to absorb and neutralize dissent. As a result, the relationship between aesthetics and politics is experienced with fresh urgency and militancy.
Author: Donald Meltzer
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 240
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Book Description
Author: Samuel Cuff Snow
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111169995
Category : Philosophy
Languages : en
Pages : 246
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Book Description
The central claim of this comparative study of Kant and Kierkegaard is that the aesthetic experience of the sublime is both autonomous and formative for extra-aesthetic ends. Aesthetic autonomy is thus inseparable from aesthetic heteronomy. In Part I, through an examination of Kant’s Critique of Judgement and his essays on the French Revolution, the Kantian sublime is shown to conflict with our existing cognitive, moral and political frames of meaning, at the same time that the engagement of the aesthetic judge (Chapter 1) or the enthusiastic spectator (Chapter 2) with this conflict furthers our pursuit of cognitive, moral and political ends. The Kantian sublime is built on the autonomy of aesthetic judgement, which nevertheless has non-aesthetic value. Part II argues that certain aesthetic and ethical-religious figures in Kierkegaard’s work can be shown to be transfigurations of the Kantian sublime, despite the absence of the term. Antigone and the silhouettes from Either/Or embody what I coin the tragic sublime and sublime grief. The God-man in Practice in Christianity is interpreted as a sublime image of contradiction. The figures are submitted to aesthetic representation, while their contradictory interior lives are unrepresentable. The Kierkegaardian sublime is built on a radical critique of aesthetic autonomy, whose failure serves the end of ethico-religious self-formation.
Author: Peter Eckersall
Publisher: Routledge
ISBN: 1000379337
Category : Art
Languages : en
Pages : 218
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Book Description
Curating Dramaturgies investigates the transformation of art and performance and its impact on dramaturgy and curatorship. Addressing contexts and processes of the performing arts as interconnecting with visual arts, this book features interviews with leading curators, dramaturgs and programmers who are at the forefront of working in, with, and negotiating the daily practice of interdisciplinary live arts. The book offers a view of praxis that combines perspectives on theory and practice and looks at the way that various arts institutions, practitioners and cultural agents have been working to change the way that art and performance have developed and experienced by spectators in the last decade. Curating Dramaturgies argues that cultural producers and scholars are becoming more cognizant of this overlapping and transforming field. The introductory essay by the editors explores the rise of interdisciplinary live arts and its ramifications in cultural and political terms. This is further elaborated in the interviews with 15 diversely placed arts professionals who are at the forefront of rethinking and consolidatingthe ever-evolving field of the visual arts and performance.
Author: Francesca Bratton
Publisher: Edinburgh University Press
ISBN: 147448154X
Category : Biography & Autobiography
Languages : en
Pages : 349
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Book Description
This book examines the poetry of Hart Crane and his circle within transnational modernist periodical culture. It reappraises Crane's poetry and reception and introduces several lost works by the poet, including critical prose, reviews and 'Nopal', a poem written in Mexico. Through its exploration of Crane's close engagement with periodical culture, it provides a rich and detailed panorama of twentieth-century literary and artistic communities. In particular, this monograph offers a vivid portrait of forgotten periodicals and their artistic communities, examines the periodical contexts in which modernist poetry fused material and aesthetic experimentation and explores Crane's important and neglected influence on modern and contemporary poetry.
