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Author: James Houston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
The author discusses his years living in the Arctic from 1948 to 1962, where he pursued his art career and encouraged the natural artistic abilities of the Inuit people, helping them find outlets for their work.
Author: James Houston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
The author discusses his years living in the Arctic from 1948 to 1962, where he pursued his art career and encouraged the natural artistic abilities of the Inuit people, helping them find outlets for their work.
Author: Canadian Children's Book Centre
Publisher:
ISBN: 9780929095028
Category :
Languages : en
Pages : 17
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Book Description
Author: James Houston
Publisher:
ISBN: 9780771042867
Category : Inuit
Languages : en
Pages : 320
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Book Description
These memoirs of James Houston's life in the Canadian Arctic from 1948 to 1962 present a colorful and compelling adventure story of real people living through a time of great change. It is extraordinarily rich material about a fascinating, distant world. Houston, a young Canadian artist, was on a painting trip to Moose Factory at the south end of Hudson Bay in 1948. A bush pilot friend burst into his room with the news that a medical emergency meant that he could get a free flight into the heart of the eastern Arctic. When they arrived, Houston found himself surrounded by smiling Inuit - short, strong, utterly confident people who wore sealskins and spoke no English. By the time the medical plane was about to leave, Houston had decided to stay. It was a decision that changed his life. For more than a dozen years he spent his time being educated by those kindly, patient people who became his friends. He slept in their igloos, ate raw fish and seal meat, wore skin clothing, traveled by dog team, hunted walrus, and learned how to build a snowhouse. While doing so, he helped change the North. Impressed by the natural artistic skills of the people, he encouraged the development of outlets in the South for their work, and helped establish co-ops in the North for Inuit carvers and print-makers. Since that time, after trapping as a way of gaining income began to disappear, Inuit art has brought millions of dollars to its creators, and has affected art galleries around the world. In the one hundred short chapters that make up this book, James Houston tells about his fascinating and often hilarious adventures in a very different culture. He tells of raising a family in the Arctic(his sons bursting into tears on being told they were not really Inuit), and of the failure to introduce soccer to a people who refused to look on other humans as opponents. He tells about great characters - Inuit and "kallunait - who populated the Arctic in these long-lost days when, as a Government go-between, he found himself grappling with Northern customs that broke Southern laws. A remarkable, modestly told story by a truly remarkable man.
Author: James A. Houston
Publisher:
ISBN: 9780788157974
Category :
Languages : en
Pages : 0
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Book Description
Author: James Houston
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152059248
Category : Juvenile Fiction
Languages : en
Pages : 306
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Book Description
See:
Author: Mariana Gosnell
Publisher: Knopf
ISBN: 0307791467
Category : Nature
Languages : en
Pages : 793
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Book Description
Like the adventurer who circled an iceberg to see it on all sides, Mariana Gosnell, former Newsweek reporter and author of Zero Three Bravo, a book about flying a small plane around the United States, explores ice in all its complexity, grandeur, and significance.More brittle than glass, at times stronger than steel, at other times flowing like molasses, ice covers 10 percent of the earth’s land and 7 percent of its oceans. In nature it is found in myriad forms, from the delicate needle ice that crunches underfoot in a winter meadow to the massive, centuries-old ice that forms the world’s glaciers. Scientists theorize that icy comets delivered to Earth the molecules needed to get life started, and ice ages have shaped much of the land as we know it.Here is the whole world of ice, from the freezing of Pleasant Lake in New Hampshire to the breakup of a Vermont river at the onset of spring, from the frozen Antarctic landscape that emperor penguins inhabit to the cold, watery route bowhead whales take between Arctic ice floes. Mariana Gosnell writes about frostbite and about the recently discovered 5,000-year-old body of a man preserved in an Alpine glacier. She discusses the work of scientists who extract cylinders of Greenland ice to study the history of the earth’s climate and try to predict its future. She examines ice in plants, icebergs, icicles, and hail; sea ice and permafrost; ice on Mars and in the rings of Saturn; and several new forms of ice developed in labs. She writes of the many uses humans make of ice, including ice-skating, ice fishing, iceboating, and ice climbing; building ice roads and seeding clouds; making ice castles, ice cubes, and iced desserts. Ice is a sparkling illumination of the natural phenomenon whose ebbs and flows over time have helped form the world we live in. It is a pleasure to read, and important to read—for its natural science and revelations about ice’s influence on our everyday lives, and for what it has to tell us about our environment today and in the future.
Author: Richard C. Crandall
Publisher: McFarland
ISBN: 1476607435
Category : Art
Languages : en
Pages : 465
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Book Description
Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.
Author: William Closson James
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889207577
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Where do Canadians encounter religious meaning? Not where they used to! In ten lively and wide-ranging essays, William Closson James examines various derivations of the sacred in contemporary Canadian culture. Most of the essays focus on the religious aspects of modern Canadian English fiction — for example, in essays on the fiction of Hugh MacLennan, Morley Callaghan, Margaret Atwood and Joy Kogawa. But James also explores other, non-literary events and activities in which Canadians have found something transcendant or revelatory. Each of the chapters in Locations of the Sacred can be read independently as a discrete analysis of its subject. Taken as a whole, the essays make up a powerful argument for a new way of looking at the religious in contemporary Canada — not in the traditional ways of being religious, but in activities and locations previously thought to be “secular.” Thus, the domains and modes of the religious are expanded, not restricted.
Author: W. Jackson Rushing III
Publisher: Routledge
ISBN: 1136180109
Category : Art
Languages : en
Pages : 260
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Book Description
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Author: Charles Gordon
Publisher: McClelland & Stewart
ISBN: 1551994712
Category : Fiction
Languages : en
Pages : 300
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Book Description
Modern management has come to The World Beacon. This means that a new editor, Fred Morgan, has been sent to inspire everyone to get out and write newspaper stories that will matter to their readers, stories about their lives, their children, their careers – and cloth. Cloth? Clearly, the new editor is making some unusual plans and Parker MacVeigh, our hero, senses an opportunity. Parker – divorced, 40-ish – is ready for serious career advancement. When his stories about cloth get him into Fred’s good graces, and a local professor reveals that there are Saturnians among us, wreaking havoc, Fred puts him in charge of the top-secret Saturnian task-force. How Parker befriends the professor and turns his staff of Tony Fruscilla (hard-nosed young reporter) and Juanita Eldridge (soft-nosed Ivy League graduate) onto a real story is the stuff of – well, of newspaper satire. For Uncle Bob, the legendary American evangelist and fishing trophy winner is coming to town, and the Chamber of Commerce expects millions of dollars to flow in as a result. The newspaper cast in this novel ranges from a man with a genius for creating the dullest headlines in the world to a freelancer who writes the stamp column under “M.U. Cilage.” Then there’s Shirley Davis, Business Editor in her University of Manitoba sweater, Orville and Smokey, the old guys from type-setting, and, of course, the Russian immigrant cartoonist who keeps trying to slip in his cartoon of the Grim Pig, a confused combination of a pig and the grim reaper. This is delightful satire in the tradition of William Weintraub’s Why Rock the Boat? and Evelyn Waugh’s Scoop, and any similarity between this novel and a newspaper in a box near you is purely coincidental.
