Conducting the Wind Orchestra: Meaning, Gesture, and Expressive Potential

Conducting the Wind Orchestra: Meaning, Gesture, and Expressive Potential PDF Author:
Publisher: Cambria Press
ISBN: 1621969584
Category :
Languages : en
Pages : 224

Get Book Here

Book Description

Conducting the Wind Orchestra: Meaning, Gesture, and Expressive Potential

Conducting the Wind Orchestra: Meaning, Gesture, and Expressive Potential PDF Author:
Publisher: Cambria Press
ISBN: 1621969584
Category :
Languages : en
Pages : 224

Get Book Here

Book Description


“A” Conductor's Guide for Beethoven's Symphony No. 4

“A” Conductor's Guide for Beethoven's Symphony No. 4 PDF Author: Clotilde Mafalda Pereira Carneiro Otranto
Publisher:
ISBN:
Category : Conducting
Languages : en
Pages : 92

Get Book Here

Book Description
Chapter Four presents a description of the musical events and the corresponding recommended expressive gestures. As a result of this chapter, the investigator has identified a list of basic musical and non-musical phenomena that should be transmitted by the conductor through expressive conducting gestures. In Chapter Five the investigator concludes that the choice of expressive gestures for a specific moment should depend on a combination of all basic musical and non-musical phenomena described previously. There is not one specific gesture for forte, for instance, but many possibilities depending on the musical context. However, there are gestural concepts that are common among accomplished conductors. Students are encouraged to create their own gestures in accordance with those concepts. This attempt to investigate music's expressive qualities through rational analysis and intuitive feeling should help conductors develop a vocabulary of conscious movements and some instinct for involuntary gestures. This approach hopefully will also develop a trend toward a more creative method for teaching conducting.

Pedagogical Approaches to Conducting Gesture in Contemporary Music

Pedagogical Approaches to Conducting Gesture in Contemporary Music PDF Author: Katherine Kilburn
Publisher:
ISBN:
Category : Body language
Languages : en
Pages : 148

Get Book Here

Book Description
Conducting is non-verbal communication of musical ideas through the use of gestures made by the hands, arms, and body, as well as expressions made by the face. It is at once physical, psychological, mental, and potentially even spiritual, requiring presence, an ability to listen, respond, guide, catalyze, shape, lead, sometimes follow, and most of all, invite and inspire musicians. This document addresses gesture as a manifestation of musical sound and how conductors approach these physical, non-verbal motions to affect musical sound and how they might be interpreted by performers. Using anthropologist Ray Birdwhistell's Kinesics in Context, and studies by psychologist Paul Ekman and his colleagues, I relate kinesics and categories of non-verbal communication to conducting and the teaching of gesture, and how this non-verbal language communicates musical intention. Through information gleaned from interviews with preeminent American conducting pedagogues as well as my own experience as a student and teacher of conducting, I present several approaches to teaching conducting aimed at helping developing conductors improve and cultivate their craft. I also offer a compilation and expansion of exercises that encourage conductors to maximize their expressive potential and most effectively communicate with their ensemble. Finally, this document addresses how the standard idea of gesture applies to Gerard Grisey's Partiels from his Espaces Acoustiques and Witold Lutoslawski's Chain 1, taking into account new notational elements. The purpose of this document is to elucidate the gestural language of conducting and the visual aspect of effectively communicated sound, and provide a fresh pedagogical approach to conducting.

Index to Theses with Abstracts Accepted for Higher Degrees by the Universities of Great Britain and Ireland and the Council for National Academic Awards

Index to Theses with Abstracts Accepted for Higher Degrees by the Universities of Great Britain and Ireland and the Council for National Academic Awards PDF Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 704

Get Book Here

Book Description
Theses on any subject submitted by the academic libraries in the UK and Ireland.

The Techniques of Orchestral Conducting by Ilia Musin

The Techniques of Orchestral Conducting by Ilia Musin PDF Author: Ilia Musin
Publisher:
ISBN: 9780773400511
Category : Music
Languages : en
Pages : 701

Get Book Here

Book Description
An English translation of the conducting methodolgy of Professor Ilia Musin, the creator of the Leningrad/St Petersburg school of conducting. It offers English-speaking conducting students, pedagogues, and professional conductors access to Ilia Musin's legacy.

Instrumental Music in an Age of Sociability

Instrumental Music in an Age of Sociability PDF Author: W. Dean Sutcliffe
Publisher: Cambridge University Press
ISBN: 110701381X
Category : Music
Languages : en
Pages : 613

Get Book Here

Book Description
Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).

Guide to Score Study for the Wind Band Conductor

Guide to Score Study for the Wind Band Conductor PDF Author: Frank Battisti
Publisher: Meredith Music
ISBN: 1476850674
Category : Music
Languages : en
Pages : 123

Get Book Here

Book Description
(Meredith Music Resource). This outstanding "one-of-a-kind" text was designed to assist the conductor in achieving a personal interpretation of music.

Music, Meaning and Transformation

Music, Meaning and Transformation PDF Author: Steve Dillon
Publisher: Cambridge Scholars Publishing
ISBN: 1443807443
Category : Music
Languages : en
Pages : 215

Get Book Here

Book Description
Music, Meaning and Transformation: meaningful music making for life, examines the musical experiences that students find meaningful and the ways in which teachers, parents and community music leaders might provide access to meaningful music education. This is particularly relevant today because school music often fails to provide sustainable access to music making for life, health and wellbeing beyond school. This book seeks to reframe the focus of music education within a pragmatist philosophy and provide a framework that is culturally and chronologically inclusive. The approach involves an intensely personal music teachers’ journey that privilege the voices of students and teachers of a music making community and sets these against rigorous long termed qualitative methodologies. Music education is shifting focus away from music as an object and process towards the meaning experienced by the student personally, socially and culturally. This is an important and fundamental issue for the development of philosophy for pre-service and practicing music teachers and community music project leaders. The focus now needs to be upon the 98% who could have music as a significant expressive force in their lives as a means of facilitating social inclusion, for mental health and well being and to have access to the sense of belonging that community music making can bring as a lifelong activity. The book aims to provide a comprehensive guide to music education that leads to a music education for all for life. This book emphasises the maker in context examining: the student as maker, the teacher as builder and designer and the school as village. The relationship between music making, education and health and well being has been and is the subject of many research projects and national and international reviews. Seldom though in these studies has there been any attempt to identify the qualities of successful and sustainable interactions with music making, the qualities of good teaching and good teaching practice. The focus of this book is to provide simple but effective tools for evaluating and testing the meaning evident in a music-making context, identify the modes of engagement and establish the unique expressive music making needs of twenty first century communities. For further information see http://savetodisc.net

Conducting Technique

Conducting Technique PDF Author: Brock McElheran
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 164

Get Book Here

Book Description
Conducting Technique has been accepted as a standard text for both choral and orchestral conducting courses taught at universities, colleges, and conservatories throughout the English-speaking world. For this revised edition the author has made a number of corrections and additions, includinga new preface.

Mozart in the Jungle

Mozart in the Jungle PDF Author: Blair Tindall
Publisher: Grove/Atlantic, Inc.
ISBN: 1555847463
Category : Music
Languages : en
Pages : 344

Get Book Here

Book Description
The memoir that inspired the two-time Golden Globe Award–winning comedy series: “Funny . . . heartbreaking . . . [and] utterly absorbing” (Lee Smith, New York Times–bestselling author of Guests on Earth). Oboist Blair Tindall recounts her decades-long professional career as a classical musician—from the recitals and Broadway orchestra performances to the secret life of musicians who survive hand to mouth in the backbiting New York classical music scene, where musicians trade sexual favors for plum jobs and assignments in orchestras across the city. Tindall and her fellow journeymen musicians often play drunk, high, or hopelessly hungover, live in decrepit apartments, and perform in hazardous conditions—working-class musicians who schlep across the city between low-paying gigs, without health-care benefits or retirement plans, a stark contrast to the rarefied experiences of overpaid classical musician superstars. An incisive, no-holds-barred account, Mozart in the Jungle is the first true, behind-the-scenes look at what goes on backstage and in the orchestra pit. The book that inspired the Amazon Original series starring Gael García Bernal and Lola Kirke, this is “a fresh, highly readable and caustic perspective on an overglamorized world” (Publishers Weekly).