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Author: Norman Del Mar
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 244
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Book Description
It might be thought presumptuous to detail every thought, beat, and gesture in conducting the standard repertoire, for the art of interpretation must always, by its very nature, be a personal one. But from his lifelong experience in conducting the Beethoven symphonies Norman Del Mar is able to lead us in a discussion of them with passion and great insight. This is an essential guide for students of these great works and a starting-point for young conductors. Del Mar offers an analysis of the music's structure, pointing out key events in the score and offering advice on how to achieve the desired effect. He also compares variant readings in the different editions. But his book further traces the development of Beethoven's style and that of the symphony over the twenty-four years of their composition, from the inspired yet simple First, so evocative of Haydn and Mozart, to the supreme peak of the `Choral', one of the greatest masterpieces of the symphonic form. Del Mar is thus able to speak to all devotees of Beethoven's symphonic output, and enhance our appreciation of these works.
Author: Norman Del Mar
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 244
Get Book Here
Book Description
It might be thought presumptuous to detail every thought, beat, and gesture in conducting the standard repertoire, for the art of interpretation must always, by its very nature, be a personal one. But from his lifelong experience in conducting the Beethoven symphonies Norman Del Mar is able to lead us in a discussion of them with passion and great insight. This is an essential guide for students of these great works and a starting-point for young conductors. Del Mar offers an analysis of the music's structure, pointing out key events in the score and offering advice on how to achieve the desired effect. He also compares variant readings in the different editions. But his book further traces the development of Beethoven's style and that of the symphony over the twenty-four years of their composition, from the inspired yet simple First, so evocative of Haydn and Mozart, to the supreme peak of the `Choral', one of the greatest masterpieces of the symphonic form. Del Mar is thus able to speak to all devotees of Beethoven's symphonic output, and enhance our appreciation of these works.
Author: Walter Frisch
Publisher: Yale University Press
ISBN: 9780300099652
Category : Music
Languages : en
Pages : 244
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Book Description
In this title, Walter Frisch provides a sensitive, analytical commentary on Braham's four symphonies as well as a consideration of their place within his oeuvre, within the symphonic repertory of his day, and within the broader musical culture of 19th-century Germany and Austria.
Author: Christopher Dyment
Publisher: Boydell & Brewer
ISBN: 1783271000
Category : Music
Languages : en
Pages : 270
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Book Description
How did Brahms conduct his four symphonies? What did he want from other conductors when they performed these works, and to which among them did he give his approval? And crucially, are there any stylistic pointers to these performances in early recordings of the symphonies made in the first half of the twentieth century? For the first time, Christopher Dyment provides a comprehensive and in-depth answer to these important issues. Drawing together thestrands of existing research with extensive new material from a wide range of sources - the views of musicians, contemporary journals, memoirs, biographies and other critical literature - Dyment presents a vivid picture of historic performance practice in Brahms's era and the half-century that followed. Here is a remarkable panorama showcasing Brahms himself conducting, together with those conductors whom he heard, among them Levi, Richter, Nikisch, Weingartner and Fritz Steinbach, and their disciples, such as Toscanini, Stokowski, Boult and Fritz Busch. Here, too, are other famed Brahms conductors of the early twentieth century, including Furtwängler and Abendroth, whose connections with the Brahms tradition are closely examined. Dyment then analyses recordings of the symphonies by these conductors and highlights aspects which the composer might well have commended. Finally, Dyment suggests the importanceof his conclusions for those contemporary conductors who are currently attempting to rediscover genuine performance traditions in their own re-creations of the symphonies. This major study is complemented with forty photographs and a frontispiece. It is sure to fascinate musicians, Brahms enthusiasts and those interested in the history of recorded music. CHRISTOPHER DYMENT is author of Felix Weingartner: Recollections and Recordings(Triad Press 1976) and Toscanini in Britain (The Boydell Press 2012). He has published many articles about historic conductors over the last forty years.
Author: Katy Hamilton
Publisher: Cambridge University Press
ISBN: 1316061329
Category : Music
Languages : en
Pages : 425
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Book Description
Johannes Brahms was a consummate professional musician, and a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms' public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making.
Author: David Hurwitz
Publisher: Continuum
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
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Book Description
"Brahms was a famously complex character: an irascible curmudgeon, and a famously learned composer who took tremendous pride in composing tuneful, expressive melodies of great popular appeal. This accounts at least in part for the enduring esteem that his symphonies enjoy among musicians, scholars, and the listening public alike. This duality between the learned and the popular sides of Brahms' musical personality has made his music as difficult to analyze and discuss as was his singularly complex and mysterious personal life. This book attempts to aid the general listener in bridging the gap between these two seemingly irreconcilable aspects of Brahms' character, aspects that are particularly in evidence, and balanced with particular poise, in his four symphonies. First, author David Hurwitz examines Brahms' place in the German symphonic tradition, his obsessive preoccupation with his place in the grand line of classical composers stretching back to Bach, and proceeding through Haydn, Mozart, Beethoven, and Schumann. Despite his ongoing struggle to master orchestral writing, Hurwitz argues that Brahms did achieve a unique symphonic style, one found nowhere else in his (or anyone else's) works in symphonic form. Finally, each symphony is described from two perspectives: in the most helpful musical context, and then also in movement by movement descriptions of Brahms' expressive argument. Finally, a list of recommended recordings concludes a discussion that shows today's music lovers that the riches contained in these perennially attractive works do not hide beneath the surface, but in fact lie liberally scattered in plain view, just waiting to be savored." --Back cover.
Author: Johannes Brahms
Publisher: Eulenburg
ISBN: 3795714036
Category : Music
Languages : en
Pages : 67
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Book Description
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Author: Michael Musgrave
Publisher: Cambridge University Press
ISBN: 9780521652735
Category : Music
Languages : en
Pages : 436
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Book Description
A great deal of evidence survives about how Brahms and his contemporaries performed his music. But much of this evidence - found in letters, autograph scores, treatises, publications, recordings, and more - has been hard to access, both for musicians and for scholars. This book brings the most important evidence together into one volume. It also includes discussions by leading Brahms scholars of the many issues raised by the evidence. The period spanned by the life of Brahms and the following generation saw a crucial transition in performance style. As a result, modern performance practices differ significantly from those of Brahms's time. By exploring the musical styles and habits of Brahms's era, this book will help musicians and scholars understand Brahms's music better and bring fresh ideas to present-day performance. The value of the book is greatly enhanced by the accompanying CD of historic recordings - including a performance by Brahms himself.
Author: John Mauceri
Publisher: Vintage
ISBN: 0451494032
Category : Music
Languages : en
Pages : 274
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Book Description
An exuberant, uniquely accessible, beautifully illustrated look inside the enigmatic art and craft of conducting, from a celebrated conductor whose international career has spanned half a century. John Mauceri brings a lifetime of experience to bear in an unprecedented, hugely informative, consistently entertaining exploration of his profession, rich with anecdotes from decades of working alongside the greatest names of the music world. With candor and humor, Mauceri makes clear that conducting is itself a composition: of legacy and tradition, techniques handed down from master to apprentice--and more than a trace of ineffable magic. He reveals how conductors approach a piece of music (a calculated combination of personal interpretation, imagination, and insight into the composer's intent); what it takes to communicate solely through gesture, with sometimes hundreds of performers at once; and the occasionally glamorous, often challenging life of the itinerant maestro. Mauceri, who worked closely with Leonard Bernstein for eighteen years, studied with Leopold Stokowski, and was on the faculty of Yale University for fifteen years, is the perfect guide to the allure and theater, passion and drudgery, rivalries and relationships of the conducting life.
Author: Leonard Slatkin
Publisher: Rowman & Littlefield
ISBN: 1538187205
Category : Music
Languages : en
Pages : 233
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Book Description
Based on his decades of experience conducting these works, Leonard Slatkin guides readers through eight of the most beloved orchestral pieces of the nineteenth century: · Ludwig van Beethoven’s Symphony No. 3, “Eroica” · Modest Mussorgsky’s Pictures at an Exhibition (orch. Maurice Ravel) · Hector Berlioz’s Symphonie Fantastique · Johannes Brahms’s Symphony No. 1 · Antonín Dvořák’s Symphony No. 9, “From the New World” · Jean Sibelius’s Symphony No. 2 · Nikolai Rimsky-Korsakov’s Scheherazade · Pyotr Ilyich Tchaikovsky’s Symphony No. 6, “Pathétique” Slatkin tackles problems conductors face before stepping onto the podium and highlights the many decisions they make during the study process, as well as in rehearsal and performance, to bring a score to life. He also shares tricks of the trade for leading efficient rehearsals and recounts engaging anecdotes from a lifetime of music making. This book will open the world of score study to conductors, other musicians, and students interested in expanding their knowledge of this essential repertoire.
Author: Gunther Schuller
Publisher: Oxford University Press
ISBN: 019984058X
Category : Music
Languages : en
Pages : 585
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Book Description
A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art. Courageous, eloquent, and brilliantly insightful, The Compleat Conductor throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.
