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Author: Martin Geck
Publisher: Houghton Mifflin Harcourt
ISBN: 9780151006489
Category : Biography & Autobiography
Languages : en
Pages : 764
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Book Description
Publisher Description
Author: Martin Geck
Publisher: Houghton Mifflin Harcourt
ISBN: 9780151006489
Category : Biography & Autobiography
Languages : en
Pages : 764
Get Book Here
Book Description
Publisher Description
Author: David Mikics
Publisher: Yale University Press
ISBN: 030013522X
Category : Reference
Languages : en
Pages : 364
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Book Description
A New Handbook of Literary Terms offers a lively, informative guide to words and concepts that every student of literature needs to know. Mikics’s definitions are essayistic, witty, learned, and always a pleasure to read. They sketch the derivation and history of each term, including especially lucid explanations of verse forms and providing a firm sense of literary periods and movements from classicism to postmodernism. The Handbook also supplies a helpful map to the intricate and at times confusing terrain of literary theory at the beginning of the twenty-first century: the author has designated a series of terms, from New Criticism to queer theory, that serves as a concise but thorough introduction to recent developments in literary study. Mikics’s Handbook is ideal for classroom use at all levels, from freshman to graduate. Instructors can assign individual entries, many of which are well-shaped essays in their own right. Useful bibliographical suggestions are given at the end of most entries. The Handbook’s enjoyable style and thoughtful perspective will encourage students to browse and learn more. Every reader of literature will want to own this compact, delightfully written guide.
Author: Javier Patiño Loira
Publisher: Rutgers University Press
ISBN: 1644533464
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
A craze for intricate metaphors, referred to as conceits, permeated all forms of communication in seventeenth-century Italy and Spain, reshaping reality in highly creative ways. The Age of Subtlety: Nature and Rhetorical Conceits in Early Modern Europe situates itself at the crossroads of rhetoric, poetics, and the history of science, analyzing technical writings on conceits by such scholars as Baltasar Gracián, Matteo Peregrini, and Emanuele Tesauro against the background of debates on telescopic and microscopic vision, the generation of living beings, and the boundaries between the natural and the artificial. It contends that in order to understand conceits, we must locate them within the early modern culture of ingenuity that was also responsible for the engineer’s machines, the juggler’s sleight of hand, the wiles of the statesman, and the discovery of truths about nature.
Author: Derek Edyvane
Publisher: Routledge
ISBN: 0415890470
Category : Philosophy
Languages : en
Pages : 174
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Book Description
There is a growing perception of ethical crisis in public life. This book articulates a new perspective on public morality in uncertain times by defending a radical re-orientation of civic ethics away from the pursuit of the good society and towards the prevention of the great evils of human existence.
Author: Javier Muguerza
Publisher: Rodopi
ISBN: 9789042018815
Category : Dialogue
Languages : en
Pages : 238
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Book Description
Dialogical reason requires dialogue among the members of a community. Thinkers like Habermas and Apel have proposed that judgments of both fact and value become objects of public debate. The debate should determine whether these judgments can earn the assent of the community. If so, they attain a degree of intersubjective validity. Javier Muguerza's Ethics and Perplexity makes a highly original contribution to the debate over dialogical reason. The work opens with a letter that establishes a parallel between Ethics and Perplexity and Maimonides's classic Guide of the Perplexed. It concludes with an interview that repeatedly strikes sparks on Spanish philosophy's emergence from its "long quarantine," as Muguerza puts it. These informal pieces--witty, informative, conversational--orbit the nucleus of the work: a formidable critique of dialogical reason. The result is a volume by turns vivid and profound. Muguerza insists that the experience of perplexity is inseparable from the exercise of philosophy. Perplexity is linked to aporia and wonder, which the ancients identified as the origin of their activity. The only solidarity among philosophers is that of searching, and philosophy is hardly more than a set of questions unceasingly posed and posed again, of forever open problems, of perplexities that assail us over and over again. Perplexity avoids both the certainty of dogmatism and the ignorance of skepticism. In fact, it is the only philosophical ailment capable of immunizing us against both. Philosophy is always a guide to the perplexed. The series Philosophy in Spain, founded to bring Spanish philosophy to the attention of English-speaking philosophers, seeks outstanding works by classic and contemporary Spanish thinkers as well as books on Spanish philosophy.
Author: Robert Wilcher
Publisher: Cambridge University Press
ISBN: 9780521661836
Category : History
Languages : en
Pages : 424
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Book Description
In The Writing of Royalism, Robert Wilcher charts the political and ideological development of 'royalism' between 1628 and 1660. His study of the literature and propaganda produced by those who adhered to the crown during the civil wars and their aftermath takes in many kinds of writing to provide a comprehensive account of the emergence of a partisan literature in support of the English monarchy and Church. Wilcher situates a wide range of minor and canonical texts in the tumultuous political contexts of the time, helpfully integrating them into a detailed historical narrative. He illustrates the role of literature in forging a party committed to the military defence of royalist values and determined to sustain them in defeat. The Writing of Royalism casts light on the complex phenomenon of 'royalism' by making available a wealth of material that should be of interest to historians as well as literary scholars.
Author: Giulio Celotto
Publisher: University of Michigan Press
ISBN: 0472132873
Category : History
Languages : en
Pages : 243
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Book Description
Examines Lucan's literary adaptation of the cosmological dialectic of Love and Strife
Author: Scott Weiss
Publisher: Taylor & Francis
ISBN: 1000988759
Category : History
Languages : en
Pages : 246
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Book Description
During the reign of Nero, Roman culture produced some of its most spectacular works of art and literature, and some of its strangest. This study explores these effects across textual and visual media in an integrated way. Weiss' analysis allows for appreciation of the shared strategies of composition, overlaps between literary and visual rhetoric, the role of context in shaping the reception of a work, and the authority of the reader/viewer to generate meaning. The volume offers an account of Roman visual-literary interactions in the mid-first century ᴄᴇ that considers these dynamics as informing broad cultural phenomena. The results reveal features pervasive in a literary and artistic culture invested in exploring the edges of expression. The Neronian Grotesque is a fascinating study on the literary and artistic production in the Neronian period, and has wider implications for anyone working in the field of Roman cultural history and visual studies more broadly.
Author: Paolo Felice Sacchi
Publisher: Bloomsbury Publishing
ISBN: 1350281956
Category : History
Languages : en
Pages : 321
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Book Description
This volume makes a powerful argument for epitome (combining textual dismemberment and re-composition) as a broad hermeneutic field encompassing multifarious historical, conceptual and aesthetical concerns. The contributors gather from across the globe to present case studies of the 'summing up' of cultural artefacts, literary and artistic, in epitomic writing, and as a collective they demonstrate the importance of this genre that has been largely overlooked by scholars. The volume is divided into five sections: the first showcases the broad range of fields from which epitomic analysis can be made, from classics to postmodernism to cultural memory studies; the second focuses in on epitome as dismemberment in writing from late antiquity to the modern day; the third considers a 'productive negativity' of epitomic writings and how they are useful tools for investigating the very borders and paradoxes of language; the fourth brings this to bear on materiality; the fifth considers re-composition as a counterpart to dismemberment and problematises it. Across the volume, examples are taken from important late antique writers such as Ausonius, Clement of Alexandria, Macrobius, Nepos, Nonius Marcellus and Symphosius, and from modern authors such as Antonin Artaud, Barthes, Nabokov and Pascal Quignard. Epitomic writings about art from decorated tabulae to sarcophagi are also included, as are epitomic images themselves in the form of manuscript illustrations that sum up their text.
Author: Prof. Philip Hardie
Publisher: Univ of California Press
ISBN: 0520968425
Category : Religion
Languages : en
Pages : 304
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Book Description
After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works of key figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence marked a milestone in the reception of the classics of late Republican and early imperial poetry. In Classicism and Christianity in Late Antique Latin Poetry, Philip Hardie explores the ways in which poets writing on non-Christian and Christian subjects used the classical traditions of Latin poetry to construct their relationship with Rome’s imperial past and present, and with the by now not-so-new belief system of the state religion, Christianity. The book pays particular attention to the themes of concord and discord, the "cosmic sense" of late antiquity, novelty and renouatio, paradox and miracle, and allegory. It is also a contribution to the ongoing discussion of whether there is an identifiably late antique poetics and a late antique practice of intertextuality. Not since Michael Robert's classic The Jeweled Style has a single book had so much to teach about the enduring power of Latin poetry in late antiquity.
