Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 1457476029
Category : Music
Languages : en
Pages : 34
Book Description
Expertly arranged flute solo by Wolfgang Amadeus Mozart from the Kalmus Edition series. This is from the Classical era.
Flute Concerto No. 2 in D Major, K. 314
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 1457476029
Category : Music
Languages : en
Pages : 34
Book Description
Expertly arranged flute solo by Wolfgang Amadeus Mozart from the Kalmus Edition series. This is from the Classical era.
Publisher: Alfred Music
ISBN: 1457476029
Category : Music
Languages : en
Pages : 34
Book Description
Expertly arranged flute solo by Wolfgang Amadeus Mozart from the Kalmus Edition series. This is from the Classical era.
Concerto No.2 in D Major, K.314 for Flute and Piano
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 21
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 21
Book Description
Concerto No. 2 in D Major-K.314, for Flute and Piano
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Concertos (Flute)
Languages : en
Pages : 21
Book Description
Publisher:
ISBN:
Category : Concertos (Flute)
Languages : en
Pages : 21
Book Description
Ornamentation and Improvisation in Mozart
Author: Frederick Neumann
Publisher: Princeton University Press
ISBN: 0691656843
Category : Music
Languages : en
Pages : 315
Book Description
This book is a sequel to Frederick Neumann's Ornamentation in Baroque and Post-Baroque Music, With Special Emphasis on J.S. Bach (Princeton, 1978). In the present volume, the first work on this subject for Mozart's music, the author continues his important contributions to the search for historically correct performance practices, and to the liberation of the performer from improperly conceived and overly restrictive interpretation of musical scores. The first part of this book attempts to free ornamentation in Mozart from rigorism that has resulted from confusing the pure abstraction of ornament tables with concrete musical situations. The second part deals with pitches that were not written in the score yet often intended to be added when Mozart left "white spots" in his notation. These additions range from single notes to lengthy cadenzas. The problem addressed is the question of where such additions are possible or necessary and how they might best be designed. Professor Neumann draws on an immense knowledge of the literature written during Mozart's time and on his own comprehension of the subtleties of Mozart's music and musical styles. Refusing to interpret the sources dogmatically, he frees performers of Mozart from the rigid princples too often imposed by modern scholars. Frederick Neumann is Professor of Music Emeritus at the University of Richmond. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 0691656843
Category : Music
Languages : en
Pages : 315
Book Description
This book is a sequel to Frederick Neumann's Ornamentation in Baroque and Post-Baroque Music, With Special Emphasis on J.S. Bach (Princeton, 1978). In the present volume, the first work on this subject for Mozart's music, the author continues his important contributions to the search for historically correct performance practices, and to the liberation of the performer from improperly conceived and overly restrictive interpretation of musical scores. The first part of this book attempts to free ornamentation in Mozart from rigorism that has resulted from confusing the pure abstraction of ornament tables with concrete musical situations. The second part deals with pitches that were not written in the score yet often intended to be added when Mozart left "white spots" in his notation. These additions range from single notes to lengthy cadenzas. The problem addressed is the question of where such additions are possible or necessary and how they might best be designed. Professor Neumann draws on an immense knowledge of the literature written during Mozart's time and on his own comprehension of the subtleties of Mozart's music and musical styles. Refusing to interpret the sources dogmatically, he frees performers of Mozart from the rigid princples too often imposed by modern scholars. Frederick Neumann is Professor of Music Emeritus at the University of Richmond. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Concerto No. 2 in D-Major
Author: Jean-Pierre Rampal
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Mozart for Flute
Author: MIZZY MCCASKILL
Publisher: Mel Bay Publications
ISBN: 1610650816
Category : Music
Languages : en
Pages : 112
Book Description
Mozart for Flute features a wide variety of enjoyable arrangements for flute and piano. This collection is enhanced by a sonata for flute and piano written by Mozart as a child prodigy. Excellent for use in recital and contest programming as well as the teaching studio. Audio available online.
Publisher: Mel Bay Publications
ISBN: 1610650816
Category : Music
Languages : en
Pages : 112
Book Description
Mozart for Flute features a wide variety of enjoyable arrangements for flute and piano. This collection is enhanced by a sonata for flute and piano written by Mozart as a child prodigy. Excellent for use in recital and contest programming as well as the teaching studio. Audio available online.
La Flute de Pan, Op. 15
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769270630
Category : Music
Languages : en
Pages : 40
Book Description
Mouquet's best known work is his Sonata for Flute and Piano, "La Flute de Pan." He taught at the Conservatoire de Paris in the early 1900's as professor of harmony. Late romantic and impressionist composers were his main creative influences. Includes: Pan et les Bergers * Pan et les Oiseaux * Pan et les Nymphes.
Publisher: Alfred Music Publishing
ISBN: 9780769270630
Category : Music
Languages : en
Pages : 40
Book Description
Mouquet's best known work is his Sonata for Flute and Piano, "La Flute de Pan." He taught at the Conservatoire de Paris in the early 1900's as professor of harmony. Late romantic and impressionist composers were his main creative influences. Includes: Pan et les Bergers * Pan et les Oiseaux * Pan et les Nymphes.
The Cambridge Companion to the Concerto
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344
Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344
Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Adagio and rondo in C minor, K. 617, for piano, flute, oboe, viola and cello
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music Publishing
ISBN: 9780769281889
Category : Music
Languages : en
Pages : 36
Book Description
Mozart's Adagio and Rondo (K. 617) was written for the armonica, or musical glasses (a set of tuned glass bowls) and a quartet consisting of flute, oboe, viola, and cello. The music is effective played as an organ solo. The Adagio may be registered "forte," in the style of Mozart's Fantasia (K. 608). The Rondo should be played on the flute stops. Arranged for organ by E. Power Briggs.
Publisher: Alfred Music Publishing
ISBN: 9780769281889
Category : Music
Languages : en
Pages : 36
Book Description
Mozart's Adagio and Rondo (K. 617) was written for the armonica, or musical glasses (a set of tuned glass bowls) and a quartet consisting of flute, oboe, viola, and cello. The music is effective played as an organ solo. The Adagio may be registered "forte," in the style of Mozart's Fantasia (K. 608). The Rondo should be played on the flute stops. Arranged for organ by E. Power Briggs.
Selected Duets for Flute
Author: Himie Voxman
Publisher: Rubank Publications
ISBN: 9781423445319
Category : Music
Languages : en
Pages : 0
Book Description
(Ensemble Collection). This classic series of duets for like instruments is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. (Vol. I Easy to Medium, Vol. 2 Medium to Advanced)
Publisher: Rubank Publications
ISBN: 9781423445319
Category : Music
Languages : en
Pages : 0
Book Description
(Ensemble Collection). This classic series of duets for like instruments is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. (Vol. I Easy to Medium, Vol. 2 Medium to Advanced)