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Author: Robert Schumann
Publisher: Courier Corporation
ISBN: 0486245845
Category : Music
Languages : en
Pages : 194
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Book Description
Lovers of the rich burnished tones of the cello will appreciate the keynote of this volume: complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination, and individual interpretation of the concerto form. The works in this volume are Robert Schumann: Cello Concerto in A Minor, Op. 129; Camille Saint-Saens: Cello Concerto No. 1, Op. 33; and Antonin Dvo ak: Cello Concerto in B Minor, Op. 104. Generations of cellists and music lovers have savored these works for their unique qualities: the Schumann concerto for its ravishing interweaving of cello and orchestra; that of Saint-Saens for solid musical craftsmanship; the Dvo ak work for enchanting melodies and exceptionally rich invention. Now musicians can enjoy the felicities of each work, complete and unabridged, in this sturdy, attractive Dover volume. Reprinted directly from authoritative editions, this volume offers not only great music but also the quality features that musicians have come to expect from Dover: clear reproduction of musical notation; ample space for analysis, notes, fingerings, etc.; glossaries of musical terms; and more. For playing or study, this inexpensive edition is a must for every serious cellist. "
Author: Robert Schumann
Publisher: Courier Corporation
ISBN: 0486245845
Category : Music
Languages : en
Pages : 194
Get Book Here
Book Description
Lovers of the rich burnished tones of the cello will appreciate the keynote of this volume: complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination, and individual interpretation of the concerto form. The works in this volume are Robert Schumann: Cello Concerto in A Minor, Op. 129; Camille Saint-Saens: Cello Concerto No. 1, Op. 33; and Antonin Dvo ak: Cello Concerto in B Minor, Op. 104. Generations of cellists and music lovers have savored these works for their unique qualities: the Schumann concerto for its ravishing interweaving of cello and orchestra; that of Saint-Saens for solid musical craftsmanship; the Dvo ak work for enchanting melodies and exceptionally rich invention. Now musicians can enjoy the felicities of each work, complete and unabridged, in this sturdy, attractive Dover volume. Reprinted directly from authoritative editions, this volume offers not only great music but also the quality features that musicians have come to expect from Dover: clear reproduction of musical notation; ample space for analysis, notes, fingerings, etc.; glossaries of musical terms; and more. For playing or study, this inexpensive edition is a must for every serious cellist. "
Author: Jonathan Del Mar
Publisher:
ISBN:
Category : Concertos (Cello)
Languages : en
Pages : 58
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Book Description
Author: Antonín Dvořák
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: Antonín Dvořák
Publisher:
ISBN:
Category : Concertos (Cello)
Languages : en
Pages : 120
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Book Description
Author: Antonin Dvorak
Publisher: Petrucci Library Press
ISBN: 9781608741762
Category : Music
Languages : en
Pages : 262
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Book Description
Composed in the late summer of 1876, Dvorak's first effort at a full-blown concerto shows signs of an unusual amount of revision in the composer's hand - especially for the solo piano part. This might explain the delay in the concerto's premiere, which was given at the Provisional Theatre in Prague on March 24, 1878 with Karel Slavkovsky as soloist accompanied by the Provisional Theatre Orchestra under the baton of Adolf Cech. The composer himself wrote: "I see I am unable to write a Concerto for a virtuoso; I must think of other things." The ungainly solo part no doubt also played a role in the work's dely in publication, which didn't take place until 1883. Even after this, and despite much beauty in the music itself, performances were scarce due to the difficulty and charchter of the solo part. The solo part was revised heavily by the Czech pianist Vilém Kurz (1872-1945), whose version was premired by his daughter Ilona Kurzová and the Czech Philharmonic on December 9, 1919 and is the one most often performed today. This new study score is a digitally enhanced reissue of the full score first published in 1956 by the Czech State Publishers as part of the Dvorak collected works, edited by Jiri Berkovec and Karel Solc, which includes both the composer's original solo part and the re-arranged one made by Kurz. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.
Author: Antonín Dvořák
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Antonín Dvořák
Publisher:
ISBN:
Category : Concertos (Cello)
Languages : en
Pages : 122
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Book Description
Author: Antonín Dvořák
Publisher:
ISBN:
Category :
Languages : cs
Pages : 104
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Book Description
Author: Antonín Dvořák
Publisher: Schott & Company Limited
ISBN: 9783795766917
Category : Music
Languages : de
Pages : 104
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Book Description
(Schott). Revised edition.
Author: Jan Smaczny
Publisher: Cambridge University Press
ISBN: 9780521669030
Category : Music
Languages : en
Pages : 134
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Book Description
Dvorák's Cello Concerto, composed during his second stay in America, is one of the most popular works in the orchestral repertoire. This guide explores Dvorák's reasons for composing a concerto for an instrument which he at one time considered unsuitable for solo work, its relationship to his American period compositions and how it forms something of a bridge with his operatic interests. A particular focus is the concerto's unique qualities: why it stands apart in terms of form, melodic character and texture from the rest of Dvorák's orchestral music. The role of the dedicatee of the work, Hanus Wihan, in its creation is also considered, as are performing traditions as they have developed in the twentieth century. In addition the guide explores the extraordinary emotional background to the work which links it intimately to the woman who was probably Dvorák's first love.
