Soloistic English Horn Literature from 1736-1984 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Soloistic English Horn Literature from 1736-1984 PDF full book. Access full book title Soloistic English Horn Literature from 1736-1984 by William Wallace McMullen. Download full books in PDF and EPUB format.
Author: William Wallace McMullen
Publisher: Pendragon Press
ISBN: 9780918728784
Category : Juvenile Nonfiction
Languages : en
Pages : 280
Get Book Here
Book Description
New York Times critic Harold Schonberg once commented that solo concerti for the English horn are as rare as fish with fur. Indeed, the common impression is that works composed specifically for the instrument are few and far between . However, William McMullen's thematic catalogue admirably refutes this notion, with 200 works that are originally written for a soloistic English horn; works that allow the player an opportunity to illustrate the instrument's unique expressive qualities in a solo setting. Each entry in the catalogue is divided into two main parts - one dealing with information about the composer, and the other supplying details about the work (instrumentation; date and place of composition/publication; numbers, titles and timings of movements; first performance dates; comments from the composer; and a description of any unusual technical demands upon the soloist). Thematic incipits are also included.
Author: William Wallace McMullen
Publisher: Pendragon Press
ISBN: 9780918728784
Category : Juvenile Nonfiction
Languages : en
Pages : 280
Get Book Here
Book Description
New York Times critic Harold Schonberg once commented that solo concerti for the English horn are as rare as fish with fur. Indeed, the common impression is that works composed specifically for the instrument are few and far between . However, William McMullen's thematic catalogue admirably refutes this notion, with 200 works that are originally written for a soloistic English horn; works that allow the player an opportunity to illustrate the instrument's unique expressive qualities in a solo setting. Each entry in the catalogue is divided into two main parts - one dealing with information about the composer, and the other supplying details about the work (instrumentation; date and place of composition/publication; numbers, titles and timings of movements; first performance dates; comments from the composer; and a description of any unusual technical demands upon the soloist). Thematic incipits are also included.
Author: Judy Hindley
Publisher: Candlewick Press
ISBN: 1536221384
Category : Juvenile Fiction
Languages : en
Pages : 40
Get Book Here
Book Description
"Story hour alert! Here’s a book with a clever premise, a bouncy text, and sunny, funny pictures. . . . Supremely satisfying." — Booklist (starred review) Mama Duck has a good hunch that the big brown creature waddling behind her babies is no duck! As the foxy impostor sneaks closer and closer to Mama Duck’s trailing brood, little ones will delight in shouting out his identity. Infectious rhythms and fresh, expressive watercolors liven up the pursuit, which ends when Mama Duck confronts the villain, beak to snout, and beats him at his own game.
Author: Vincent Persichetti
Publisher:
ISBN:
Category : Concertos (English horn with string orchestra)
Languages : en
Pages : 44
Get Book Here
Book Description
Author: Geoffrey Browne
Publisher:
ISBN: 9780952730002
Category : English horn
Languages : en
Pages : 42
Get Book Here
Book Description
Author: Michael Steinberg
Publisher: Oxford University Press
ISBN: 019802634X
Category : Music
Languages : en
Pages : 523
Get Book Here
Book Description
Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.
Author: John Link
Publisher: Cambridge University Press
ISBN: 0521769760
Category : History
Languages : en
Pages : 509
Get Book Here
Book Description
"Elliott Carter was born four months after Orville Wright demonstrated the Wright Brothers' Flyer to the U.S. Army, and he died two months after the Voyager 1 spacecraft left the heliosphere at the threshold of interstellar space. Carter's remarkable longevity, and the unusual trajectory of his life and work through more than a century of disruptive change, has affected the reception history of his music in ways that we are only beginning to acknowledge. Over the course of a nearly eighty-year-long career, Carter leveraged his advantages and turned obstacles into opportunities with admirable persistence. He chose projects that not only interested him but also fit into the plans for artistic and professional development that he cultivated assiduously over decades. And he paid close attention to how his artistic objectives could be presented most effectively to the performers, listeners, and patrons on whom his career depended. Together with his wife Helen Frost-Jones Carter, he skillfully steered a course through the turbulent waters of the twentieth and early twenty-first centuries with steadily increasing success. The story of Carter's artistic life, as he told it and as it was promoted by several generations of advocates, is one of independence, uncompromising vision, and technical progress. It was astutely tailored to the beliefs and values of its intended audience and, as autobiography, it reports selectively and glosses over or omits events and attitudes deemed unhelpful in building Carter's reputation and authority, and promoting his music"--
Author: David Daniels
Publisher: Rowman & Littlefield
ISBN: 1442275219
Category : Music
Languages : en
Pages : 1464
Get Book Here
Book Description
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
Author: Neil Butterworth
Publisher: Routledge
ISBN: 1136790233
Category : Music
Languages : en
Pages : 1359
Get Book Here
Book Description
The Dictionary of American Classical Composers covers over 650 composers active from the 18th century to today. Covering all classical styles, it offers the most comprehensive overview of key composers in the United States available. Entries include basic biographical information and critical analysis of each composer's key works and ideas. Entries also include worklists and bibliographic information. Whenever possible, the entries will have been checked by the composers themselves to assure greatest possible accuracy. This new edition, completely updated and expanded from the 1984 edition, also includes over 200 historic photographs.
Author: Stephen Pettitt
Publisher: Faber & Faber
ISBN: 0571287476
Category : Biography & Autobiography
Languages : en
Pages : 196
Get Book Here
Book Description
Dennis Brain is recognized as perhaps the greatest horn player the world has known. He helped rescue the horn from the obscurity in which it had languished for over a century, and revived the public's faith in it as a major solo instrument. Brain restored to the concert platform concertos by Mozart and Haydn, and inspired contemporary composers to write for the horn, most notably the Serenade for Tenor, Horn and Strings by Benjamin Britten, composed during World War II, a piece which is now central to the repertoire of tenors and horn players. Brain died at the tragically young age of thirty-six in a car crash. The beauty of his playing and his untimely death captured the public imagination like no horn player before or since. This biography was reissued thirty years after his death, and includes a discography. The book also contains an appreciation by Benjamin Britten. 'A clear account of Dennis Brain's brilliant career ...' Times Literary Supplement '...an absorbing and extremely well-written account of the orchestral scene in England.'
Author: William Phemister
Publisher: Rowman & Littlefield
ISBN: 1538112345
Category : Music
Languages : en
Pages : 321
Get Book Here
Book Description
The second edition of William Phemister’s The American Piano Concerto Compendium reveals to professional and amateurs pianists alike a vast collection of available compositions by American composers. Analysis expands outside mainstream concerto styles to include those considered experimental or popular derivatives. The range of music flows from Pulitzer Prize winners like Samuel Barber, Gail Kubik, and John LaMontaine, to lesser-known multi-ethnic composers such as Tania León and Samuel Zyman, to old standards like Edward MacDowell and the first piano concerto written by an American-born composer, Otis B. Boise (1875), to the cutting-edge avant-garde of Milton Babbitt and Elliott Carter, just to name a few. These all contribute to the varied narrative that animates American piano music. With forty percent more works described, documented, and reviewed than were listed in the 1985 first edition from the College Music Society, this second edition is a valuable resource not only for pianists and conductors, but also for orchestras, teachers, students, music historians and critics, collectors, and concert attendees.
