Concerti grossi con due violini, viola e violoncello di concertino obligati, e due altri violini e basso di concerto grosso

Concerti grossi con due violini, viola e violoncello di concertino obligati, e due altri violini e basso di concerto grosso PDF Author: Francesco Geminiani
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Languages : en
Pages : 98

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Concerti grossi con due violini, viola e violoncello di concertino obligati, e due altri violini e basso di concerto grosso

Concerti grossi con due violini, viola e violoncello di concertino obligati, e due altri violini e basso di concerto grosso PDF Author: Francesco Geminiani
Publisher:
ISBN:
Category :
Languages : en
Pages : 98

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Concerti Grossi con Due Violini, viola, e Violoncello di Concertino obligati, e Due altri Violini, e Basso di Concerto Grosso ... Da Francesco Geminiani Composti delli Sei Soli della prima parte dell'Opera Quinta d'Arcangelo Corelli

Concerti Grossi con Due Violini, viola, e Violoncello di Concertino obligati, e Due altri Violini, e Basso di Concerto Grosso ... Da Francesco Geminiani Composti delli Sei Soli della prima parte dell'Opera Quinta d'Arcangelo Corelli PDF Author: Arcangelo Corelli
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Category :
Languages : it
Pages : 76

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Concerti Grossi Con Due Violini Viola e Violoncello di Concertino obligati, e Due altri Violini e Basso di Concerto Grosso da Francesco Geminiani Composti delli Sei Soli della prima parte dell'Opera Quinta d'Arcangelo Corelli, etc

Concerti Grossi Con Due Violini Viola e Violoncello di Concertino obligati, e Due altri Violini e Basso di Concerto Grosso da Francesco Geminiani Composti delli Sei Soli della prima parte dell'Opera Quinta d'Arcangelo Corelli, etc PDF Author: Arcangelo Corelli
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Category :
Languages : en
Pages : 24

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A Descriptive Catalogue of the Music Collection at Burghley House, Stamford

A Descriptive Catalogue of the Music Collection at Burghley House, Stamford PDF Author: Gerald Gifford
Publisher: Routledge
ISBN: 1351786121
Category : Social Science
Languages : en
Pages : 394

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This title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.

CONCERTI GROSSI Con due Violini, Viola e Violoncello di Concertino Obligati, e due altri Violini e Basso di Concerto Grosso. Dedicati ALLA SACRA MAESTA DI GIORGIO Re della gran Bretagna Francia ed Ibernia. & c. DA FRANCESCO GEMINIANI. Composti della Prima e Seconda parte dell'Opera Quinta D'ARCANGELO CORELLI Gravé Par Joseph Renou

CONCERTI GROSSI Con due Violini, Viola e Violoncello di Concertino Obligati, e due altri Violini e Basso di Concerto Grosso. Dedicati ALLA SACRA MAESTA DI GIORGIO Re della gran Bretagna Francia ed Ibernia. & c. DA FRANCESCO GEMINIANI. Composti della Prima e Seconda parte dell'Opera Quinta D'ARCANGELO CORELLI Gravé Par Joseph Renou PDF Author: Arcangelo Corelli
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ISBN:
Category :
Languages : en
Pages : 45

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Concerti grossi con due violini, violoncello, e viola di concertino obligati, e due altri violini, e basso di concerto grosso ad arbitrio

Concerti grossi con due violini, violoncello, e viola di concertino obligati, e due altri violini, e basso di concerto grosso ad arbitrio PDF Author: Francesco Geminiani
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ISBN:
Category : Concerti grossi
Languages : en
Pages : 126

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Concerti Grossi Con Due Violini, Viola E Violoncello Di Concertino Obligati, E Due Altri Violoni E Basso Di Concerto Grosso. Opera Terza

Concerti Grossi Con Due Violini, Viola E Violoncello Di Concertino Obligati, E Due Altri Violoni E Basso Di Concerto Grosso. Opera Terza PDF Author: Francesco Geminiani
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Category :
Languages : en
Pages :

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Liber Amicorum John Steele

Liber Amicorum John Steele PDF Author:
Publisher: Pendragon Press
ISBN: 9780945193807
Category : Juvenile Nonfiction
Languages : en
Pages : 500

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John Steele was educated at Victoria University of Wellington, and at Cambridge University, where he was a student of Thurston Dart. Steele was the first New Zealander to become a professional musicologist, and the first to achieve international repute, largely for his work on Italian music of the late sixteenth and early seventeenth centuries. This volume has been undertaken by the New Zealand Musicological Society as a tribute to its most distinguished member on the occasion of his retirement from Otago University. The main focus of the collection is the music of the sixteenth to eighteenth centuries.

A Catalogue of the Shaw-Hellier Collection

A Catalogue of the Shaw-Hellier Collection PDF Author: Ian Ledsham
Publisher: Routledge
ISBN: 042984221X
Category : Social Science
Languages : en
Pages : 386

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Book Description
In this compilation, first published in 1999, Ian Ledsham compiles an extensive catalogue of the Shaw-Hellier Collection, complete with diagrams regarding how we use text.

The Scoring of Baroque Concertos

The Scoring of Baroque Concertos PDF Author: C. R. F. Maunder
Publisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304

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Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.