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Author: Caricature Carvers of America
Publisher: Schiffer Craft
ISBN: 9780764338731
Category : Crafts & Hobbies
Languages : en
Pages : 0
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Book Description
Whether running, jumping, or walking, subtle twists or turns of the body can ultimately give a carving a sense of motion. That concept is proven here. Caricature Carvers of America members offer up a variety of carvings of figures in motion. All of them are humorous and several carvings share a similar "theme." Among them are a cowboy on a "quick" trip to the outhouse and another who has been there, met up with a bee's nest, and is making a fast getaway. Sports figures, superheroes, dancers, a fireman, and even a surfing chicken are among the delightful characters who move their way through this book. Phil Bishop provides step-by-step instructions for carving that "Green Apple Quick Step." Suggestions are also provided for painting and finishing. Other chapters feature the individual carvers with information about them and their works, along with photos of the works in progress, and beautiful studio photographs of the finished pieces. Patterns are provided for readers who want to carve these pieces, giving them their own personal twist.
Author: Tom Richmond
Publisher:
ISBN: 9780983576709
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
MAD magazine illustrator Tom Richmond teaches how to draw caricatures, with an emphasis on aspects of the head and face.
Author: Martin Pope
Publisher: Walter Foster
ISBN: 1600583008
Category : Art
Languages : en
Pages : 130
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Book Description
Guides the reader through the stages of creating a successful caricature.
Author: Harry Hamernik
Publisher: Penguin
ISBN: 1600613780
Category : Art
Languages : en
Pages : 311
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Book Description
Discover the fast, fun art of drawing comic portraits! Face Off shows you how to draw life like never before. Caricaturist Harold Hamernik shares the secrets to capturing the sillier side of friends, family, celebrities, strangers—any face that crosses your path. 40 step-by-step demonstrations show you how to sketch whimsical and expressive likenesses while developing your own quick, loose, improvisational style. You'll get expert instruction on: • Drawing eyes, noses, mouths and other features. • Creating portraits in front, three-quarter and profile views. • Adding color to your caricatures, either by hand or via computer—instruction you won't find in any other book! • Tips for making a likeness more masculine (skip the eyelashes), more feminine (lengthen the neck), younger, older, sexier, goofier—all while making a portrait your subject will love. • How to draw hair as two simple lines, why drawing the parts of a face in the same order every time can cut minutes off your work, and tons of other handy tricks of the craft! Practice the simple techniques in this book, then start drawing! It's the most fun you can have with paper, pencils and markers!
Author: Alex Hughes
Publisher: HarperCollins (UK)
ISBN:
Category : Art
Languages : en
Pages : 68
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Book Description
Instructional step-by-step book for beginners covers the four main types of caricatures - portrait, political, stylized and quick-sketch.
Author: Greg Houston
Publisher: The Monacelli Press, LLC
ISBN: 1580935648
Category : Art
Languages : en
Pages : 177
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Book Description
A truly comprehensive and laser-focused examination of a really wonderful, expressive art form. Understanding Caricature offers artists, aspiring artists, students, journalists, bloggers, etc. a lively guide to an old and respected art form. A great caricature is one that not only captures the subject's look and personality but amplifies them significantly. They are almost always funny and very often (but not always) mean spirited. Eyes, ears, nose, mouth, hairline, cheeks, eyebrows, teeth, chin: There’s no facial feature (or any other body part, for that matter) that can escape the sardonic scrutiny of caricaturist and illustrator Greg Houston. But though he cleverly twists, exaggerates, and distorts each subject’s image, he always makes sure the person remains recognizable—an absolute must for successful caricature. Whether on assignment or simply drawing for his own perverse pleasure, Houston loves skewering the high and mighty—movie stars, moguls, politicians, and assorted other VIPs—especially when they misbehave. Caricature, says Houston, is a very sharp weapon for the powerless to use against the powerful, and he can teach you to wield it, too. After defining caricature, differentiating it from other forms of portraiture, and delving into its centuries-long history, Houston gets down to the nitty gritty of how to do it. He focuses sequentially on the face, the hair, the body, and what he calls “accoutrements”—distinctive items of clothing that help viewers immediately identify celebrities. You yourself will learn to poke artistic fun at the famous through a series of demonstrations that let you follow Houston as he constructs caricatures of Jake Gyllenhaal, Masie Williams, Dwayne Johnson, Rainn Wilson, and other notable victims of his wicked pen. But Houston doesn’t focus solely on his own approach. A whole chapter of Understanding Caricature is devoted to other contemporary caricaturists and the signature mediums they work in, ranging from traditional oils and watercolors, to digital drawing and painting, to sculpture and even puppet-making. And the book’s final chapter displays the work of students who’ve studied with Houston at his Baltimore academy. Brilliant in their own right, these pieces also demonstrate how any artist, with Houston’s guidance, can become a skilled practitioner of the caricaturist’s art.
Author: Olivia Ferguson
Publisher:
ISBN: 100927421X
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
What was caricature to novelists in the Romantic period? Why does Jane Austen call Mr Dashwood's wife 'a strong caricature of himself'? Why does Mary Shelley describe the body of Frankenstein's creature as 'in proportion', but then 'distorted in its proportions' - and does caricature have anything to do with it? This book answers those questions, shifting our understanding of 'caricature' as a literary-critical term in the decades when 'the English novel' was first defined and canonised as a distinct literary entity. Novels incorporated caricature talk and anti-caricature rhetoric to tell readers what different realisms purported to show them. Recovering the period's concept of caricature, Caricature and Realism in the Romantic Novel sheds light on formal realism's self-reflexivity about the 'caricature' of artifice, exaggeration and imagination. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: David Antram
Publisher: Scribo
ISBN: 9781912904884
Category : Art
Languages : en
Pages : 0
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Book Description
Draw fantastic caricatures with easy to follow step-by-step instructions.
Author: David Antram
Publisher:
ISBN: 9781906370312
Category : Cartooning
Languages : en
Pages : 0
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Book Description
Learn how to draw a variety of cartoon animals and figures. Provides step-by-step instructions and uses different drawing materials, including pencil, pen, pastel, paint and charcoal with clear instructions for each. Explains different types of drawing technique. Suggested level: primary, intermediate.
Author: Harley Refsal
Publisher:
ISBN: 9781565238589
Category : Wood-carved figurines
Languages : en
Pages : 0
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Book Description
In this book, Harley shows you how to carve and paint engaging folk-art caricatures in the classic Scandinavian style.Carving Flat-Plane Style Caricatures presents more than 50 imaginative figure patterns for you to carve--from lumberjacks and golfers to trolls and elves.
Author: Mike Kelley
Publisher: MIT Press
ISBN: 9780262611787
Category : Art
Languages : en
Pages : 268
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Book Description
Critical writings and commentary by the Los Angeles based artist Mike Kelley. The work of artist Mike Kelley (b. 1954) embraces performance, installation, drawing, painting, video, and sculpture. Drawing distinctively on high art and vernacular traditions, including historical research, popular culture, and psychology, Kelley came to prominence in the 1980s with a series of sculptures composed of craft materials. His recent work offers dialogues with architecture and with repressed memory syndrome, and a sustained inquiry into his own aesthetic and social history. The subjects on which Kelley has written are as varied as his artistic media. They include the work of fellow artists, sound, caricature, the uncanny, UFOlogy, and gender-bending. This book offers a diverse collection of Kelley's writings from the last twenty-five years. It contains major critical texts on art, film, and the wider culture, including his piece on the aesthetic he calls "urban Gothic." It also contains essays, mostly commissioned for exhibition catalogs and journals, on the artists and groups David Askevold, Öyvind Fahlström, Douglas Huebler, John Miller, Survival Research Laboratories, and Paul Thek, among others. Kelley's voices are passionate, analytic, and ironic, and his critical intelligence is leavened with touches of whimsy.
