Author: Toledo Museum of Art
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 70

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Book Description

Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610

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Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)

Author: J. Stoddart
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 44

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Author: Enrico Caruso
Publisher:
ISBN:
Category : Italian wit and humor, Pictorial
Languages : en
Pages : 196

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 720

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Author: Edmund Berkeley, Jr
Publisher: New York : C. Scribner's Sons
ISBN:
Category : Reference
Languages : en
Pages : 600

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Author: Julie Anne Sadie
Publisher: Yale University Press
ISBN: 0300107501
Category : Reference
Languages : en
Pages : 450

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Book Description
Every musically curious traveler or reader will find this guidebook indispensable. Distinguished musicologists Julie Anne and Stanley Sadie have traveled across Europe to compile an unparalleled directory of more than three hundred houses and museums where composers have lived and worked. Lively commentary on each location is included.

Author: Theodore Gracyk
Publisher: Polity
ISBN: 0745649165
Category : Art
Languages : en
Pages : 225

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Book Description
"[This] is [an] ... introduction to current key issues and debates in aesthetics and philosophy of art. Chapters on standard topics are balanced by topics of interest to today's students, including creativity, authenticity, cultural appropriation, and te distinction between popular and fine art. Other topics include emotive expression, definitional strategies, and artistic value. ... Major current theories are set beside key ideas from Plato, Aristotle, [Immanuel] Kant, [Karl] Marx and [Georg Wilhelm Friedrich ] Hegel. ..."--Back cover.

Author: Carl B. Schmidt
Publisher: Clarendon Press
ISBN: 0191585165
Category : Music
Languages : en
Pages : 638

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Book Description
The name of Francis Poulenc (1899-1963) was first brought to prominence in the 1920s as a member of Les Six, a group of young French composers encouraged by Satie and Cocteau. His subsequent fame spread well beyond France, and he is coming to be regarded as one of this century's most significant composers. His compositions are heard constantly in concert halls the world over, and numerous recordings, including complete sets of songs and piano music, have been released. Books, articles and more than a dozen doctoral dissertations have discussed his music. Carl Schmidt's catalogue of Poulenc's works represents the first comprehensive attempt to list an oeuvre which numbers approximately 185 compositions written from his teenage years until his death at the age of 63. The Catalogue indentifies a number of unpublished works, and adds a small group of compositions to his musical canon for the first time. Each work, whether complete or unfinished, published or unpublished, is described fully. Catalogue entries list and describe all known printed editions (including reprints) and manuscript copies of each work. In addition, they provide detailed compositional histories based on numerous letters, documents, and press accounts, many of which have not been published previously. Russian interest in Poulenc's music, manifested in press runs exceeding one million copies, is also revealed for the first time.

Author: Chris Dromey
Publisher: Taylor & Francis
ISBN: 100089682X
Category : Music
Languages : en
Pages : 399

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Book Description
The Routledge Companion to Applied Musicology brings together academics, artist-researchers, and practitioners to provide readers with an extensive and authoritative overview of applied musicology. Once a field that addressed music’s socio-political or performative contexts, applied musicology today encompasses study and practice in areas as diverse as psychology, ecomusicology, organology, forensic musicology, music therapy, health and well-being, and other public-oriented musicologies. These rapid advances have created a fast-changing field whose scholarship and activities tend to take place in isolation from each other. This volume addresses that shortcoming, bringing together a wide-ranging survey of current approaches. Featuring 39 authors, The Routledge Companion to Applied Musicology falls into five parts—Defining and Theorising Applied Musicology; Public Engagement; New Approaches and Research Methods; Representation and Inclusion; and Musicology in/for Performance—that chronicle the subject’s rich history and consider the connections that will characterise its future. The book offers an essential resource for anyone exploring applied musicology.