Complete Course in Modern Harmony, Composition and Orchestration PDF Download
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Author: Lyle Murphy
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages :
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Book Description
Author: Lyle Murphy
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages :
Get Book Here
Book Description
Author: Lyle Murphy
Publisher:
ISBN: 9781882597000
Category : Composition (Music)
Languages : en
Pages : 107
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Book Description
Author: Lyle Murphy
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 32
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Book Description
Author: David Huron
Publisher: MIT Press
ISBN: 026233545X
Category : Music
Languages : en
Pages : 273
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Book Description
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.
Author: Johann Bernhard Logier
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 348
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Book Description
Author: Lyle Murphy
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 30
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Book Description
Author: Nikolay Rimsky-Korsakov
Publisher: e-artnow
ISBN:
Category : Music
Languages : en
Pages : 430
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Book Description
Principles of Orchestration, with Musical Examples Drawn from His Own Works is a book by a famous Russian composer Nikolai Rimsky-Korsakov, member of the group of composers known as The Five. The book presents a notable attempt to show all of the nuances of orchestration. The author describes everything one needs to know about arranging parts for a string or full orchestra. The book is concise, articulate and excels at being both a book of reference and a book of general knowledge.
Author: Johann Bernhard Logier
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 316
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Book Description
Author:
Publisher: Hal Leonard Corporation
ISBN: 1476863121
Category : Music
Languages : en
Pages : 130
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Book Description
(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.
Author: Johann Bernhard Logier
Publisher: Nabu Press
ISBN: 9781295681839
Category :
Languages : en
Pages : 336
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Logier's Comprehensive Course In Music, Harmony, And Practical Composition Johann Bernhard Logier, Hector Berlioz Carl Stein C. Fischer, 1920 Music; Instruction & Study; General; Composition (Music); Conducting; Harmony; Instrumentation and orchestration; Music / Instruction & Study / General
