Comparative Study of Antonio Buero Vallejo and Alphonso Sastre PDF Download
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Author:
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ISBN:
Category :
Languages : en
Pages : 1809
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Author:
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ISBN:
Category :
Languages : en
Pages : 1809
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Author: Jane Harrington Bethune
Publisher:
ISBN:
Category :
Languages : en
Pages : 348
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Author: Marsha Forys
Publisher: Scarecrow Press
ISBN: 9780810821002
Category : Performing Arts
Languages : en
Pages : 238
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Author: Catherine O'Leary
Publisher: Tamesis Books
ISBN: 9781855661110
Category : Biography & Autobiography
Languages : en
Pages : 346
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This monograph examines the complex relationship between Antonio Buero Vallejo [1916 - 2000] and the ideologies of Francoist and post-Franco Spain. This monograph examines the complex relationship between Antonio Buero Vallejo [1916 - 2000] and the ideologies of Francoist and post-Franco Spain. The central focus of the study is Buero's political theatre and his employment ofmyth and history to challenge the notion of an España eterna. It also considers Buero's creation of his own myths and his revision of history in order to rationalize and justify his own stance. In his determination towrite and stage committed drama in a repressive society, Buero's choice, with its inherent contradictions and ambiguities, was posibilismo. This book looks at this pragmatic employment of language and silence, both in his art and in his dealings with the censors and with other representatives of the hegemony and analyses how posibilismo both aided and limited him. The monograph also considers Buero's neglected post-Franco theatre, examining the reasons for its initial negative reception and its renewed importance in today's Spain. In these days of digging up the past, Buero's post-Franco insistence on rejecting the pacto de olvido is perhaps more relevantthan ever before. CATHERINE O'LEARY lectures in Spanish at the National University of Ireland, Maynooth
Author: Antonio Buero Vallejo
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 328
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"This masterful translation of four tragedies by Antonio Buero-Vallejo (1916-2000), Spain's most important dramatist since the 1930s, allows English-speaking audiences to experience the most deeply moving and intellectually rich works by one of the twentieth century's great authors. Patricia W. O'Connor complements vivid translations with generous supporting materials, including a reader-friendly introduction to the playwright's life and work, commentaries on the plays, and photographs of productions and playwright." "Buero-Vallejo's emblematic first play, Story of a Stairway (1949), chronicling decades in the lives of struggling Madrid families, catapulted the young author into prominence. Appearing here for the first time in English, Before Dawn (1953) is a whodunit and the riveting odyssey of one woman 's search for truth that recalls Greek tragedy. The Basement Window (1967), an Orwellian science-fiction experiment, portrays the moral climate of the late twentieth century as judged by ethically enlightened researchers of a distant future. In the first English translation of the author's poignantly relevant final play, Mission to the Deserted Village (1999), a wartime attempt to save an El Greco painting raises questions about how much of its own treasure a culture will destroy to keep it out of enemy hands." "Readers who know Buero-Vallejo's plays will celebrate O'Connor's sparkling translations. Those who haven't yet read Buero-Vallejo will find a very moving introduction in this collection."--BOOK JACKET.
Author: Farris Anderson
Publisher: Ardent Media
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 176
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Author: Antonio Buero Vallejo
Publisher: Liverpool University Press
ISBN: 0856685534
Category : Drama
Languages : en
Pages : 209
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Book Description
Buero Vallejo is Spain's most important living playwright. His profound, innovative theatre has earned him success and respect since 1949. Each new play has been an exciting experiment with dramatic form as well as a powerful expression of a tragic view of human life and Spanish society. A Dreamer for the People was first performed in 1958.
Author: John London
Publisher: MHRA
ISBN: 9780901286833
Category : Spain
Languages : en
Pages : 300
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Book Description
The book constitutes the first attempt to provide an overview of the reception of foreign drama in Spain during the Franco dictatorship. John London analyses performance, stage design, translation, censorship, and critical reviews in relation to the works of many authors, including Noel Coward, Arthur Miller, Eugene Ionesco, and Samuel Beckett. He compares the original reception of these dramatists with the treatment they were given in Spain. However, his study is also a reassessment of the Spanish drama of the period. Dr London argues that only by tracing the reception of non-Spanish drama can we understand the praise lavished on playwrights such as Antonio Buero Vallejo and Alfonso Sastre, alongside the simultaneous rejection of Spanish avant-garde styles. A concluding reinterpretation of the early plays of Fernando Arrabal indicates the richness of an alternative route largely ignored in histories of Spanish theatre.
Author: Andreea Iulia Sprinceana
Publisher:
ISBN:
Category :
Languages : en
Pages : 221
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This dissertation explores the manifestations, uses and appropriations of history in key Spanish plays from the 1950s to the present. The relationship between the stage and history casts new light on Spain's most critical phases in recent history. The authors studied were and are conscious of making history under the dictatorship, during the Transition and at the dawn of the 21st century. As instruments of civic action, their plays perform that awareness and invite spectators to recognize themselves as players in the process. The dissertation opens with a comparative analysis of plays written by Antonio Buero Vallejo and Alfonso Sastre between the 1950s and the Transition (1977). While scholars have tended to contrast these two playwrights focusing on their responses to censorship, I propose that Buero and Sastre gravitated towards a poetics of forgiveness through the model of the failed tragic hero. The following chapter explores plays written by José Sanchis Sinisterra during the Transition and the outset of the new democracy (1977-1994), that problematize the tension between the new political order and the old, imperial rhetoric of the Franco regime. Turning to Juan Mayorga in Chapter 3, I consider how his dramas transmit a bitter image of humanity's decadence and loss of moral sensitivity. Largely influenced by a European perspective, Mayorga deploys cartoonish characters in real historical circumstances in order to cast a detached comic eye on the role of the bourgeoisie in the mapping of history during the past two centuries. My final chapter analyzes the topic of religion within the new Spanish democracy in three comic plays by Fermín Cabal, Concha Romero and Carmen Resino. This chapter proposes that the powerful role of religion has not waned since Franco's death and continues to shape Spanish culture, despite the nation's reconfiguration of its Catholic views. These authors dramatize the tensions between modern secularization and traditional Catholic faith, turning to comedy and satire to explore the complex presence of religion in the lives of Spaniards.
Author:
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ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 548
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