Commodity Culture and Social Class in Dublin 1850-1916 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Commodity Culture and Social Class in Dublin 1850-1916 PDF full book. Access full book title Commodity Culture and Social Class in Dublin 1850-1916 by Stephanie Rains. Download full books in PDF and EPUB format.
Author: Stephanie Rains
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 258
Get Book Here
Book Description
Links the growth of the commodity culture to development of mass-produced goods, spread of urban rail and tram systems, and expansion of the middle class in Ireland between the Famine and the 1916 Rising. Charts changing conceptions of shopping as a social or political practice and experiences of Dublin shop workers.
Author: Stephanie Rains
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 258
Get Book Here
Book Description
Links the growth of the commodity culture to development of mass-produced goods, spread of urban rail and tram systems, and expansion of the middle class in Ireland between the Famine and the 1916 Rising. Charts changing conceptions of shopping as a social or political practice and experiences of Dublin shop workers.
Author: Mary Hatfield
Publisher: Oxford University Press, USA
ISBN: 0198843429
Category : History
Languages : en
Pages : 296
Get Book Here
Book Description
Why do we send children to school? Who should take responsibility for children's health and education? Should girls and boys be educated separately or together? These questions provoke much contemporary debate, but also have a longer, often-overlooked history. Mary Hatfield explores these questions and more in this comprehensive cultural history of childhood in nineteenth-century Ireland. Many modern ideas about Irish childhood have their roots in the first three-quarters of the nineteenth century, when an emerging middle-class took a disproportionate role in shaping the definition of a 'good' childhood, with childhood seen as a fluid concept with a variety of meanings and responsibilities dependent on class, gender, and religious identity. This study deconstructs several key changes in medical care, educational provision, and ideals of parental care. It takes an innovative holistic approach to the middle-class child's social world, by synthesising a broad base of documentary, visual, and material sources, including clothes, books, medical treatises, religious tracts, photographs, illustrations, and autobiographies. It offers invaluable new insights into Irish boarding schools, the material culture of childhood, and the experience of boys and girls in education.
Author: Ciara Breathnach
Publisher: Oxford University Press
ISBN: 019263528X
Category : History
Languages : en
Pages : 289
Get Book Here
Book Description
Ordinary Lives, Death, and Social Class focuses on the evolution of the Dublin City Coroner's Court and on Dr Louis A. Bryne's first two years in office. Wrapping itself around the 1901 census, the study uses gender, power, and blame as analytical frameworks to examine what inquests can tell us about the impact of urban living from lifecycle and class perspectives. Coroners' inquests are a combination of eyewitness testimony, expert medico-legal language, detailed minutiae of people, places, and occupational identities pinned to a moment in time. Thus they have a simultaneous capacity to reveal histories from both above and below. Rich in geographical, socio-economic, cultural, class, and medical detail, these records collated in a liminal setting about the hour of death bear incredible witness to what has often been termed 'ordinary lives'. The subjects of Dr Byrne's court were among the poorest in Ireland and, apart from common medical causes problems linked to lower socio-economic groups, this volume covers preventable cases of workplace accidents, neglect, domestic abuse, and homicide.
Author: Conor Heffernan
Publisher: Springer Nature
ISBN: 3030637271
Category : History
Languages : en
Pages : 290
Get Book Here
Book Description
This book is the first to deal with physical culture in an Irish context, covering educational, martial and recreational histories. Deemed by many to be a precursor to the modern interest in health and gym cultures, physical culture was a late nineteenth and early twentieth century interest in personal health which spanned national and transnational histories. It encompassed gymnasiums, homes, classrooms, depots and military barracks. Prior to this work, physical culture’s emergence in Ireland has not received thorough academic attention. Addressing issues of gender, childhood, nationalism, and commerce, this book is unique within an Irish context in studying an Irish manifestation of a global phenomenon. Tracing four decades of Irish history, the work also examines the influence of foreign fitness entrepreneurs in Ireland and contrasts them with their Irish counterparts.
Author: Maria McGarrity
Publisher: Taylor & Francis
ISBN: 1003857612
Category : Literary Criticism
Languages : en
Pages : 175
Get Book Here
Book Description
Modern Irish Literature and the Primitive Sublime reveals the primitive sublime as an overlooked aspect of modern Irish literature as central to Ireland’s artistic production and the wider global cultural production of postcolonial literature. A concern for and anxiety about the primitive persists within modern Irish culture. The “otherness” within and beyond Ireland’s borders offers writers, from the Celtic Revival through independence and partition to post-9/11, a seductive call through which to negotiate Irish identity. Ultimately, the disquieting awe of the primitive sublime is not simply a momentary recognition of Ireland’s primitive indigenous history but a repeated rhetorical gesture that beckons a transcendent elation brought about by the recognition of the troubled, ritualistic and sacrificial Irish past to reveal a fundamental aspect of the capacity to negotiate identity, viewed through another but intimately reflective of the self, within the long emerging twentieth-century Irish nation.
Author: David Dickson
Publisher: Harvard University Press
ISBN: 0674744446
Category : History
Languages : en
Pages : 753
Get Book Here
Book Description
As rich and diverse as its subject, Dickson’s magisterial history brings 1,400 years of Dublin vividly to life: from its medieval incarnation through the neoclassical eighteenth century, the Easter Rising that convulsed the city in 1916, the bloody civil war following the handover of power by Britain, to end-of-millennium urban renewal efforts.
Author: Fintan Cullen
Publisher: Routledge
ISBN: 1351562118
Category : Art
Languages : en
Pages : 408
Get Book Here
Book Description
Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions in Irish cities that displayed art, from the Royal Hibernian Academy, founded in the 1820s, to Hugh Lane's Municipal Art Gallery, opened in Dublin in 1908. Throughout, the book explores the battle between the display of a unionist ethos and a nationalist point of view, a constant that resurfaces over the period. By highlighting the tension between unionist and nationalist viewpoints, Cullen uses the display of art to investigate the complexities of Irish cultural life before the founding of the Free State.
Author: Paige Reynolds
Publisher: Oxford University Press
ISBN: 0198881053
Category : Literary Criticism
Languages : en
Pages : 241
Get Book Here
Book Description
Modernism in Irish Women's Contemporary Writing examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world. Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse.
Author: Bénédicte Coste
Publisher: Routledge
ISBN: 1317265076
Category : Literary Criticism
Languages : en
Pages : 247
Get Book Here
Book Description
Charting the period that extends from the 1860s to the 1940s, this volume offers fresh perspectives on Aestheticism and Modernism. By acknowledging that both movements had a passion for the ‘new’, it goes beyond the alleged divide between Modernism and its predecessors. Rather than reading the modernist credo, ‘Make it New!’, as a desire to break away from the past, the authors of this book suggest reading it as a continuation and a reappropriation of the spirit of the ‘New’ that characterizes Aestheticism. Basing their arguments on recent reassessments of Aestheticism and Modernism and their articulation, contributors take up the challenge of interrogating the connections, continuities, and intersections between the two movements, thus revealing the working processes of cultural and aesthetic change so as to reassess the value of the new for each. Attending to well-known writers such as Waugh, Woolf, Richardson, Eliot, Pound, Ford, Symons, Wilde, and Hopkins, as well as to hitherto neglected figures such as Lucas Malet, L.S. Gibbon, Leonard Woolf, or George Egerton, they revise assumptions about Aestheticism and Modernism and their very definitions. This collection brings together international scholars specializing in Aestheticism or Modernism who push their analyses beyond their strict period of expertise and take both movements into account through exciting approaches that borrow from aesthetics, philosophy, or economics. The volume proposes a corrective to the traditional narratives of the history of Aestheticism and Modernism, revitalizing definitions of these movements and revealing new directions in aestheticist and modernist studies.
Author: Williams Keith Williams
Publisher: Edinburgh University Press
ISBN: 1474463851
Category : Literary Criticism
Languages : en
Pages : 367
Get Book Here
Book Description
Investigates how the cinematic tendency of Joyce's writing developed from media predating filmFirst comprehensive consideration of Joyce in the context of pre-filmic 'cinematicity'.Research and analysis based on recent 'media archaeology'.Examines the shaping of Joyce's fiction by late-Victorian visual culture and science.Shows that key aspects of his literary experimentation derive from 'forgotten' popular cultural practices and 'vernacular modernism'.Shows Joyce's interaction with and critique of Modernity's developing 'media cultural imaginary'.In this book, Keith Williams explores Victorian culture's emergent 'cinematicity' as a key creative driver of Joyce's experimental fiction, showing how Joyce's style and themes share the cinematograph's roots in Victorian optical entertainment and science. The book reveals Joyce's references to optical toys, shadowgraphs, magic lanterns, panoramas, photographic analysis and film peepshows. Close analyses of his works show how his techniques elaborated and critiqued their effects on modernity's 'media-cultural imaginary'.
