Commercialism in the Fifteenth Century English Cycle Plays PDF Download
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Author: Kenneth Arthur Howe
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 352
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Book Description
Author: Kenneth Arthur Howe
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 352
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Book Description
Author: Sidney E. Berger
Publisher: Routledge
ISBN: 0429514670
Category : Literary Criticism
Languages : en
Pages : 425
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Book Description
Originally published in 1990, Medieval English Drama is an exhaustive bibliography of scholarship on medieval English drama. Each item has been annotated in the bibliography with considerable care; these annotations are descriptive rather than critical and give a clear synopsis of the content of each reference, the texts with which it deals, and a brief indication of its critical position. The bibliography is divided into two sections; editions and collections of plays, and critical works. The bibliography is exhaustive rather than selective and provides English annotations for foreign language works, as well as a list of reviews for most books. The book covers liturgical and folk drama, other forms of entertainment, and related material useful to researchers in the field. The book provides an update of sources not listed in Carl J. Stratman's comprehensive Bibliography of Medieval Drama published in 1972.
Author: Kevin J. Harty
Publisher: Routledge
ISBN: 1317947428
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
First published in 1993. Part of a series on medieval casebooks, this volume six looks at the Chester Mystery Cycle Play manuscripts and comparisons of the York and Chester Cycle. Theologically a product of the Middle Ages, historically a product of the Renaissance, what we today call the Chester Mystery Cycle is a series of twenty-four plays dramatizing the events of salvation history from Creation until Doomsday. One of four surviving English mystery cycles, the Chester Cycle, which originally included a twenty-fifth play of the Assumption surpressed sometime in the mid-sixteenth century, was, until more modern times, last performed in 1575.
Author: R. H. Britnell
Publisher: Manchester University Press
ISBN: 9780719050428
Category : Commerce
Languages : en
Pages : 312
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Book Description
The commercialisation of English society offers a major new interpretation of social and economic change in England over five centuries. By 1500 English livelihoods depended more upon money and commercial transactions than ever before; the institutional framework of markets had been transformed, and urban development was more pronounced. These changes were not, however, caused by any unilinear development of population, output or money supply. This pioneering study examines both institutional and economic transformation, and the social changes that resulted, and stresses the limited importance of formal trading institutions for the development of local trade. Commercial transition is throughout analysed from a broader perspective that looks at the changing power relations within medieval society (which might loosely be described as feudal), and considers how these relations were affected by such commercial development.
Author: Edelgard E. DuBruck
Publisher: Camden House
ISBN: 9781571132734
Category : History
Languages : en
Pages : 288
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Book Description
The focus of the volume, in addition to standard features such as the bibliographical update on 15th-c. theater, is on late-medieval authors as literary critics. Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, Fifteenth-Century Studies has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that has long been the stepchild of research. The fifteenthcentury defies consensus on fundamental issues: some scholars dispute, in fact, whether it belonged to the middle ages at all, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the verytenor of an age that stood under the influence of Gutenberg, Columbus, the Devotio Moderna, and Humanism. Along with the standard updating of bibliography on 15th-c. theater, this volume is devoted to research on late-medieval authors as literary critics. Thus, for the historian as well as the writer of fiction, the tenuous limits between truth and fantasy (and the role of doubt) are investigated. If there are several eyewitness accounts of an event, which one can be trusted? Medieval memorialists sometimes became advisors to princes and used a rhetoric of careful persuasion. Values such as chivalry, courtly love, and kingly self-representation come up for discussion here.Several essays ponder the structure of poetic forms and popular genres, and others consider more factual topics such as incunabula on medications, religious literature in the vernacular for everyday use, a student's notebook on magic, and late medieval merchants, money, and trade. Contributors: Edelgard DuBruck, Karen Casebier, Emma J. Cayley, Albrecht Classen, Michael G. Cornelius, Jean Dufornet, Catherine Emerson, Leonardas V. Gerulaitis, Kenneth Hodges, Sharon M. Loewald, Luca Pierdominici, Michel J. Raby, Elizabeth I. Wade. Edelgard E. DuBruck is professor emerita in the Modern Languages Department at Marygrove College in Detroit; Barbara I. Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 160
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Book Description
Author: John H. Astington
Publisher: Cambridge University Press
ISBN: 1108652891
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received.
Author: Carole Ferguson
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 68
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Book Description
Author: Richard Beadle
Publisher: Cambridge University Press
ISBN: 9780521459167
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
A comprehensive, illustrated companion to the perennially popular drama of the English Middle Ages.
Author: Craig E. Bertolet
Publisher: Routledge
ISBN: 1317168097
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
As residents of fourteenth-century London, Geoffrey Chaucer, John Gower, and Thomas Hoccleve each day encountered aspects of commerce such as buying, selling, and worrying about being cheated. Many of Chaucer’s Canterbury Tales address how pervasive the market had become in personal relationships. Gower's writings include praises of the concept of trade and worries that widespread fraud has harmed it. Hoccleve's poetry examines the difficulty of living in London on a slender salary while at the same time being subject to all the temptations a rich market can provide. Each writer finds that principal tensions in London focused on commerce - how it worked, who controlled it, how it was organized, and who was excluded from it. Reading literary texts through the lens of archival documents and the sociological theories of Pierre Bourdieu, this book demonstrates how the practices of buying and selling in medieval London shaped the writings of Chaucer, Gower, and Hoccleve. Craig Bertolet constructs a framework that reads specific Canterbury tales and pilgrims associated with trade alongside Gower's Mirour de L'Omme and Confessio Amantis, and Hoccleve's Male Regle and Regiment of Princes. Together, these texts demonstrate how the inherent instability commerce produces also produces narratives about that commerce.
