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Author: Francisco Barrenechea
Publisher: Cambridge University Press
ISBN: 1107191165
Category : Drama
Languages : en
Pages : 215
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Book Description
Re-examines Aristophanes' engagement with Greek religion by studying his dramatization of traditional stories of religious experiences.
Author: Francisco Barrenechea
Publisher: Cambridge University Press
ISBN: 1108126154
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
This book opens up a new perspective on Aristophanic drama and its relationship to Greek religion. It focuses on the comedy Wealth, whose fantasy of universal enrichment is structured upon a rich and largely unexplored framework of traditional stories of Greek religious experiences, such as oracles, miracle cures, and the introduction of new gods. The book examines the form and function of these stories, and explores how the playwright adapts them for his own comic purposes, grounding his comic fantasy on stories of philanthropic divinities who dependably respond to the needs of their worshippers. The collaboration of these deities, who act in tandem with their worshippers, achieves the comic fantasy. Francisco Barrenechea also addresses the larger question of how comedy participated in the religion of its time by imagining and dramatizing beliefs, and reveals the salutary bond that can exist between humor and religion in general.
Author: Esther Eidinow
Publisher: Cambridge University Press
ISBN: 1316715213
Category : History
Languages : en
Pages : 443
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Book Description
Studied for many years by scholars with Christianising assumptions, Greek religion has often been said to be quite unlike Christianity: a matter of particular actions (orthopraxy), rather than particular beliefs (orthodoxies). This volume dares to think that, both in and through religious practices and in and through religious thought and literature, the ancient Greeks engaged in a sustained conversation about the nature of the gods and how to represent and worship them. It excavates the attitudes towards the gods implicit in cult practice and analyses the beliefs about the gods embedded in such diverse texts and contexts as comedy, tragedy, rhetoric, philosophy, ancient Greek blood sacrifice, myth and other forms of storytelling. The result is a richer picture of the supernatural in ancient Greece, and a whole series of fresh questions about how views of and relations to the gods changed over time.
Author: Michael Fontaine
Publisher: Oxford University Press
ISBN: 0199743541
Category : Drama
Languages : en
Pages : 913
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Book Description
The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.
Author: Aristophanes
Publisher:
ISBN:
Category : Lysistrata (Fictitious character)
Languages : en
Pages : 64
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Book Description
Author: Martin Revermann
Publisher: Cambridge University Press
ISBN: 0521760283
Category : Drama
Languages : en
Pages : 523
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Book Description
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Author: Christiane Sourvinou-Inwood
Publisher: Lexington Books
ISBN: 9780739104002
Category : Drama
Languages : en
Pages : 580
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Book Description
Stemming from Harvard University's Carl Newell Jackson Lectures, Christiane Sourvinou-Inwood's Tragedy and Athenian Religion sets out a radical reexamination of the relationship between Greek tragedy and religion. Based on a reconstruction of the context in which tragedy was generated as a ritual performance during the festival of the City Dionysia, Sourvinou-Inwood shows that religious exploration had been crucial in the emergence of what developed into fifth-century Greek tragedy. A contextual analysis of the perceptions of fifth-century Athenians suggests that the ritual elements clustered in the tragedies of Euripides, Aeschylus, and Sophocles provided a framework for the exploration of religious issues, in a context perceived to be part of a polis ritual. This reassessment of Athenian tragedy is based both on a reconstruction of the Dionysia and the various stages of its development and on a deep textual analysis of fifth-century tragedians. By examining the relationship between fifth-century tragedies and performative context, Tragedy and Athenian Religion presents a groundbreaking view of tragedy as a discourse that explored (among other topics) the problematic religious issues of the time and so ultimately strengthened Athenian religion even at a time of crisis in very complex ways-- rather than, as some simpler modern readings argue, challenging and attacking religion and the gods.
Author: Aristophanes
Publisher: Methuen Drama
ISBN:
Category : Drama
Languages : en
Pages : 276
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Book Description
Contains: Women in power; Wealth; The malcontent; The woman from Samos.
Author: Laurialan Reitzammer
Publisher: University of Wisconsin Pres
ISBN: 0299308200
Category : Art
Languages : en
Pages : 282
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Book Description
A fresh examination of a marginalized women's festival that influenced Athenian art, drama, philosophy, and public institutions.
Author: Walter Burkert
Publisher: Harvard University Press
ISBN: 9780674362819
Category : History
Languages : en
Pages : 514
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Book Description
A survey of the religious beliefs of ancient Greece covers sacrifices, libations, purification, gods, heroes, the priesthood, oracles, festivals, and the afterlife.
Author: Werner Riess
Publisher: Walter de Gruyter
ISBN: 3110245604
Category : Literary Criticism
Languages : en
Pages : 493
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Book Description
This book offers the first attempt at understanding interpersonal violence in ancient Athens. While the archaic desire for revenge persisted into the classical period, it was channeled by the civil discourse of the democracy. Forensic speeches, curse tablets, and comedy display a remarkable openness regarding the definition of violence. But in daily life, Athenians had to draw the line between acceptable and unacceptable behavior. They did so by enacting a discourse on violence in the performance of these genres, during which complex negotiations about the legitimacy of violence took place. Performances such as the staging of trials and comedies ritually defined the meaning of violence and its appropriate application. Speeches and curse tablets not only spoke about violence, but also exacted it in a mediated form, deriving its legitimate use from a democratic principle, the communal decision of the human jurors in the first case and the underworld gods in the second. Since discourse and reality were intertwined and the discourse was ritualized, actual violence might also have been partly ritualized. By still respecting the on-going desire to harm one’s enemy, this partial ritualization of violence helped restrain violence and thus contributed to Athens’ relative stability.
