Columbus Art League History: 1923-1935 PDF Download
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Languages : en
Pages : 438
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Author:
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Category :
Languages : en
Pages : 438
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Category :
Languages : en
Pages : 314
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Author: Marquis Who's Who, Inc
Publisher:
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Category : Biography & Autobiography
Languages : en
Pages : 658
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Author: Dominique H. Vasseur
Publisher: Ohio University Press
ISBN: 082141769X
Category : Art
Languages : en
Pages : 135
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Edna Boies Hopkins (1872-1937) is best known for herfloral woodblock prints that range from delicate Japanese-inspiredstylizations to boldly colored and progressivelymodernist works. In her brief twenty-year career, Hopkins producedseventy-four known woodblock prints, including figurativework and landscapes as well as floral compositions. This catalogueraisonné is the first in-depth study of this once well-known Americanartist. It illustrates all of Hopkins's known prints, related drawings, andstudies. Born in Hudson, Michigan, Hopkins attended the Art Academy of Cincinnatifrom 1895 to 1898. In 1899 she took classes with the influential artist ArthurWesley Dow, an advocate of Japanese art. Following her marriage in 1904, Hopkinsand her husband settled in Paris, where they remained until the outbreakof World War I. After returning to America, Hopkins became part of a smallgroup of artists in Provincetown, whose innovations in woodblock printmakinghave come to be known as the Provincetown print or the white line woodcut. In1917, a visit to the Cumberland Falls region of Kentucky provided the inspirationfor some of Hopkins's most important prints which predate the work ofAmerican regionalist painters and printmakers by a decade or more. In addition to the catalogue raisonné, Edna Boies Hopkins includes much new biographical research along with a census of her prints and a comprehensive list of her exhibitions. Exhibition Dates Columbus Museum of Art, Columbus, OH, December 14, 2007-March 2, 2008 Springfield Museum of Art, Springfield, OH, March 15-June 1, 2008 Provincetown Art Association and Museum, Provincetown, MA, June 1-Aug. 3, 2008 Cincinnati Art Museum, Cincinnati, OH, Feb. 20, 2010-May 2, 2010
Author: Lynne Blackman
Publisher: Univ of South Carolina Press
ISBN: 1611179556
Category : Art
Languages : en
Pages : 432
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Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Author: Bradley Polytechnic Institute (Peoria, Ill.). School of Fine and Applied Arts
Publisher:
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Category : Art
Languages : en
Pages : 24
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Author:
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Category : Biography
Languages : en
Pages : 2668
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Author: John E. Powers
Publisher:
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Category : Art
Languages : en
Pages : 630
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Author: John W. Leonard
Publisher:
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Category : United States
Languages : en
Pages : 2504
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Vols. 28-30 accompanied by separately published parts with title: Indices and necrology.
Author: Durward Howes
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1258
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