Author: W. V. Davies
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 280
Book Description
This volume arises from the International Colloquium on Colour and Painting in Ancient Egypt, organized by the Department of Egyptian Antiquities in the British Museum in 1996. Contributions range from the search for accurate methods of recording painted scenes on the monuments, through ancient painting techniques, to the symbolic meaning of colour to the ancient Egyptians, an understanding of which allows a better appreciation of their artistic creations. The application of the latest scientific techniques to ancient pigments is also well represented, a field of study that casts new light on the materials used to create the artistic masterpieces of Egypt.
Colour and Painting in Ancient Egypt
Author: W. V. Davies
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 280
Book Description
This volume arises from the International Colloquium on Colour and Painting in Ancient Egypt, organized by the Department of Egyptian Antiquities in the British Museum in 1996. Contributions range from the search for accurate methods of recording painted scenes on the monuments, through ancient painting techniques, to the symbolic meaning of colour to the ancient Egyptians, an understanding of which allows a better appreciation of their artistic creations. The application of the latest scientific techniques to ancient pigments is also well represented, a field of study that casts new light on the materials used to create the artistic masterpieces of Egypt.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 280
Book Description
This volume arises from the International Colloquium on Colour and Painting in Ancient Egypt, organized by the Department of Egyptian Antiquities in the British Museum in 1996. Contributions range from the search for accurate methods of recording painted scenes on the monuments, through ancient painting techniques, to the symbolic meaning of colour to the ancient Egyptians, an understanding of which allows a better appreciation of their artistic creations. The application of the latest scientific techniques to ancient pigments is also well represented, a field of study that casts new light on the materials used to create the artistic masterpieces of Egypt.
Life in Ancient Egypt Coloring Book
Author: John Green
Publisher: Courier Corporation
ISBN: 0486261301
Category : Juvenile Nonfiction
Languages : en
Pages : 52
Book Description
Wonderful introduction to ancient Egypt features 44 detailed, full-page drawings of Cleopatra, Ramses II, arts and crafts, architectural monuments, and more. Detailed, informative captions. Also, handy source of royalty-free graphics.
Publisher: Courier Corporation
ISBN: 0486261301
Category : Juvenile Nonfiction
Languages : en
Pages : 52
Book Description
Wonderful introduction to ancient Egypt features 44 detailed, full-page drawings of Cleopatra, Ramses II, arts and crafts, architectural monuments, and more. Detailed, informative captions. Also, handy source of royalty-free graphics.
Tan Men/Pale Women
Author: Mary Ann Eaverly
Publisher: University of Michigan Press
ISBN: 0472119117
Category : Art
Languages : en
Pages : 192
Book Description
Investigating the history behind color as a method of gender differentiation in ancient Greek and Egyptian art
Publisher: University of Michigan Press
ISBN: 0472119117
Category : Art
Languages : en
Pages : 192
Book Description
Investigating the history behind color as a method of gender differentiation in ancient Greek and Egyptian art
Egyptian Wall Painting
Author: Francesco Tiradritti
Publisher: Abbeville Press
ISBN:
Category : Architecture
Languages : en
Pages : 400
Book Description
"Egyptian Wall Painting focuses on two-dimensional depictions in ancient Egypt, examining them as part of an elaborate code designed to maintain the so-called Maat - or Cosmic Order, Truth-Justice, and Universal Harmony - and thus integral to Egyptian lives and beliefs. It conducts this study through two different lenses: that of Western rational analysis, with its emphasis on methods and techniques, and that of ancient Egyptian spirituality, which these complex works have handed down to our own time." "Illustrated with 350 color plates, including numerous full-page details printed on a special matte paper designed to simulate the feel of the stuccoed limestone on which the original images were painted, Egyptian Wall Painting illuminates an art, language, and culture of extraordinary richness. The definitive treatment of its subject, it is sure to appeal to art historians, Egyptologists, linguist, and connoisseurs interested in one of history's most complex and influential civilizations."--BOOK JACKET.
Publisher: Abbeville Press
ISBN:
Category : Architecture
Languages : en
Pages : 400
Book Description
"Egyptian Wall Painting focuses on two-dimensional depictions in ancient Egypt, examining them as part of an elaborate code designed to maintain the so-called Maat - or Cosmic Order, Truth-Justice, and Universal Harmony - and thus integral to Egyptian lives and beliefs. It conducts this study through two different lenses: that of Western rational analysis, with its emphasis on methods and techniques, and that of ancient Egyptian spirituality, which these complex works have handed down to our own time." "Illustrated with 350 color plates, including numerous full-page details printed on a special matte paper designed to simulate the feel of the stuccoed limestone on which the original images were painted, Egyptian Wall Painting illuminates an art, language, and culture of extraordinary richness. The definitive treatment of its subject, it is sure to appeal to art historians, Egyptologists, linguist, and connoisseurs interested in one of history's most complex and influential civilizations."--BOOK JACKET.
An Atlas of Rare & Familiar Colour
Author:
Publisher:
ISBN: 9780997593570
Category : ART
Languages : en
Pages : 224
Book Description
The Straus Center for Conservation and Technical Studies at the Harvard Art Museums possesses over 2500 of the world¿s rarest pigments. Visually and anthropologically excavating the extraordinary collection,Atelier Editions¿ monograph examines the contained artefacts¿ providence, composition, symbology and application. Whilst simultaneously exploringthe larger field of chromatics, utilising a variety of theoretical frameworks to interpret the collection anew. An introduction to the monograph is authored by Straus Center Director, Dr. Narayan Khandekar.
Publisher:
ISBN: 9780997593570
Category : ART
Languages : en
Pages : 224
Book Description
The Straus Center for Conservation and Technical Studies at the Harvard Art Museums possesses over 2500 of the world¿s rarest pigments. Visually and anthropologically excavating the extraordinary collection,Atelier Editions¿ monograph examines the contained artefacts¿ providence, composition, symbology and application. Whilst simultaneously exploringthe larger field of chromatics, utilising a variety of theoretical frameworks to interpret the collection anew. An introduction to the monograph is authored by Straus Center Director, Dr. Narayan Khandekar.
A Companion to Ancient Egyptian Art
Author: Melinda K. Hartwig
Publisher: John Wiley & Sons
ISBN: 1118325095
Category : Literary Criticism
Languages : en
Pages : 624
Book Description
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Publisher: John Wiley & Sons
ISBN: 1118325095
Category : Literary Criticism
Languages : en
Pages : 624
Book Description
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Art of Ancient Egypt
Author: Edith Whitney Watts
Publisher: Metropolitan Museum of Art
ISBN: 0870998536
Category : Art, Ancient
Languages : en
Pages : 185
Book Description
"[A] comprehensive resource, which contains texts, posters, slides, and other materials about outstanding works of Egyptian art from the Museum's collection"--Welcome (preliminary page).
Publisher: Metropolitan Museum of Art
ISBN: 0870998536
Category : Art, Ancient
Languages : en
Pages : 185
Book Description
"[A] comprehensive resource, which contains texts, posters, slides, and other materials about outstanding works of Egyptian art from the Museum's collection"--Welcome (preliminary page).
Hair and Death in Ancient Egypt
Author: Maria Rosa Valdesogo
Publisher: Blikvelduitgevers Publishers
ISBN: 9789492940087
Category :
Languages : en
Pages : 144
Book Description
In Hair and Death in Ancient Egypt Maria Rosa Valdesogo describes the relation between hair and these rites, and the role hair played in death in ancient Egypt.
Publisher: Blikvelduitgevers Publishers
ISBN: 9789492940087
Category :
Languages : en
Pages : 144
Book Description
In Hair and Death in Ancient Egypt Maria Rosa Valdesogo describes the relation between hair and these rites, and the role hair played in death in ancient Egypt.
The Art of Ancient Egypt
Author: Gay Robins
Publisher: Harvard University Press
ISBN: 9780674030657
Category : Art
Languages : en
Pages : 278
Book Description
An illustrated history of over 3,000 years of Egyptian artwork arranged chronologically from the early dynastic period to the Ptolemaic period.
Publisher: Harvard University Press
ISBN: 9780674030657
Category : Art
Languages : en
Pages : 278
Book Description
An illustrated history of over 3,000 years of Egyptian artwork arranged chronologically from the early dynastic period to the Ptolemaic period.
We Can't Go Home Again
Author: Clarence E. Walker
Publisher: Oxford University Press
ISBN: 0195357302
Category : History
Languages : en
Pages : 210
Book Description
Afrocentrism has been a controversial but popular movement in schools and universities across America, as well as in black communities. But in We Can't Go Home Again, historian Clarence E. Walker puts Afrocentrism to the acid test, in a thoughtful, passionate, and often blisteringly funny analysis that melts away the pretensions of this "therapeutic mythology." As expounded by Molefi Kete Asante, Yosef Ben-Jochannan, and others, Afrocentrism encourages black Americans to discard their recent history, with its inescapable white presence, and to embrace instead an empowering vision of their African (specifically Egyptian) ancestors as the source of western civilization. Walker marshals a phalanx of serious scholarship to rout these ideas. He shows, for instance, that ancient Egyptian society was not black but a melange of ethnic groups, and questions whether, in any case, the pharaonic regime offers a model for blacks today, asking "if everybody was a King, who built the pyramids?" But for Walker, Afrocentrism is more than simply bad history--it substitutes a feel-good myth of the past for an attempt to grapple with the problems that still confront blacks in a racist society. The modern American black identity is the product of centuries of real history, as Africans and their descendants created new, hybrid cultures--mixing many African ethnic influences with native and European elements. Afrocentrism replaces this complex history with a dubious claim to distant glory. "Afrocentrism offers not an empowering understanding of black Americans' past," Walker concludes, "but a pastiche of 'alien traditions' held together by simplistic fantasies." More to the point, this specious history denies to black Americans the dignity, and power, that springs from an honest understanding of their real history.
Publisher: Oxford University Press
ISBN: 0195357302
Category : History
Languages : en
Pages : 210
Book Description
Afrocentrism has been a controversial but popular movement in schools and universities across America, as well as in black communities. But in We Can't Go Home Again, historian Clarence E. Walker puts Afrocentrism to the acid test, in a thoughtful, passionate, and often blisteringly funny analysis that melts away the pretensions of this "therapeutic mythology." As expounded by Molefi Kete Asante, Yosef Ben-Jochannan, and others, Afrocentrism encourages black Americans to discard their recent history, with its inescapable white presence, and to embrace instead an empowering vision of their African (specifically Egyptian) ancestors as the source of western civilization. Walker marshals a phalanx of serious scholarship to rout these ideas. He shows, for instance, that ancient Egyptian society was not black but a melange of ethnic groups, and questions whether, in any case, the pharaonic regime offers a model for blacks today, asking "if everybody was a King, who built the pyramids?" But for Walker, Afrocentrism is more than simply bad history--it substitutes a feel-good myth of the past for an attempt to grapple with the problems that still confront blacks in a racist society. The modern American black identity is the product of centuries of real history, as Africans and their descendants created new, hybrid cultures--mixing many African ethnic influences with native and European elements. Afrocentrism replaces this complex history with a dubious claim to distant glory. "Afrocentrism offers not an empowering understanding of black Americans' past," Walker concludes, "but a pastiche of 'alien traditions' held together by simplistic fantasies." More to the point, this specious history denies to black Americans the dignity, and power, that springs from an honest understanding of their real history.