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Author: Roger Benjamin
Publisher: Herbert F. Johnson Museum of Art Cornell University
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
This catalogue accompanies an exhibition organized by the Herbert F. Johnson Museum of Art at Cornell University, curated by Roger Benjamin and coordinated by Andrew C. Weislogel, associate curator and master teacher at the Johnson Museum.
Author: Roger Benjamin
Publisher: Herbert F. Johnson Museum of Art Cornell University
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
This catalogue accompanies an exhibition organized by the Herbert F. Johnson Museum of Art at Cornell University, curated by Roger Benjamin and coordinated by Andrew C. Weislogel, associate curator and master teacher at the Johnson Museum.
Author: Vanessa Russ
Publisher: Routledge
ISBN: 1000398684
Category : Art
Languages : en
Pages : 300
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Book Description
In this highly original study, Vanessa Russ examines the gradual invention of Aboriginal art within the Art Gallery of New South Wales. This process occurred as the social histories of Australia expanded and recognised Aboriginal people, through wars and political shifts, and as international organisations began placing pressure on nation states to expand, diversify, and respect multicultural perspectives. This book explores a state art institution as a case study to consider these complex narratives through a single history of Aboriginal art from early colonisation until today. The book will be of interest to scholars working in art history, museum studies, and Indigenous studies.
Author: Henry F. Skerritt
Publisher: Prestel
ISBN: 9783791358161
Category : ART
Languages : en
Pages : 0
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Book Description
"Traditionally used in Aboriginal funeral ceremonies, memorial poles have been transformed into compelling contemporary artworks. The memorial pole is made from the trunk of the Eucalyptus tetradonta, hollowed naturally by termites. When the bones of the deceased were placed inside, it signified the moment when the spirit had finally returned home--when they had left the "outside" world, and become one with the "inside" world of the ancestral realm. Today, these works of art have become a powerful symbol of Aboriginal culture's significance around the globe. The artists featured in the book--including John Mawurndjul, Djambawa Marawili, and Nyapanyapa Yunupingu--are some of Australia's most acclaimed contemporary artists. Taking their inspiration from ancient clan insignia, the designs on these poles are transformed in new and personal ways that offer a powerful reminder of the resilience and beauty of Aboriginal culture. This book features dazzling color images and impeccable scholarship and includes essays from some of the leading scholars in the field of Aboriginal art"--
Author: Canadian Ethnology Service
Publisher: Hull, Quebec : Canadian Museum of Civilization
ISBN:
Category : Architecture
Languages : en
Pages : 344
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Book Description
This book provides a glimpse of thirteenth-century life and death in a southern Ontario Iroquoian community. The renovation of a Toronto soccer field in 1997 resulted in the accidental discovery of an Iroquoian ossuary--a large pit containing the remains of at least 87 people. The pit was excavated and recorded, and the remains reburied in accordance with the wishes of the Six Nations Council of Oshweken. Scientific analyses of the bones resulted in a remarkably detailed demographic profile of the Moatfield people, along with indicators of their health and diet. The book reports these findings and includes a complete database of maps and profiles on an accompanying CD-ROM. Ronald F. Williamson is president of Archaeological Services Inc., Toronto. Susan Pfeiffer is professor of anthropology at the University of Toronto.
Author: Hetti Perkins
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
Featuring over 240 colour plates, this volume canvasses an extraordinary diverse range of Aboriginal art. The 27 essays by leading authorities and 13 interviews with key artists are accompanied by an extensive chronology.
Author: National Gallery of Australia
Publisher:
ISBN: 9780642334145
Category : Aboriginal Australians
Languages : en
Pages : 0
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Book Description
The National Gallery of Australia holds the largest collection of Australian Indigenous art in the world. Written by Indigenous authors and curators and other experts in the field, this new book features works of art which highlight the diversity, richness and excellence of the Gallery's collection. They range from rare 19th-century objects, historical and contemporary bark paintings, fabrics, dance masks, and headdresses to contemporary politically charged works by artist working in towns and cities in the 21st century. Frachesco Cubillo is a member of the Larrakia, Bardi, Wadaman, and Yanuwa Nations. She is senior curator Aboriginal and Torres Strait Islander art at the National Gallery of Australia. Wally Caruana is an independent curator, author, and consultant on Indigenous Australian art.
Author: Susan Cochrane
Publisher: Cambridge Scholars Publishing
ISBN: 1443871001
Category : Art
Languages : en
Pages : 354
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Book Description
This volume investigates Pacific collections held in Australian museums, art galleries and archives, and the diverse group of 19th and 20th century collectors responsible for their acquisition. The nineteen essays reveal varied personal and institutional motivations that eventually led to the conservation, preservation and exhibition in Australia of a remarkable archive of Pacific Island material objects, art and crafts, photographs and documents. Hunting the Collectors benchmarks the importance of Pacific Collections in Australia and is a timely contribution to the worldwide renaissance of interest in Oceanic arts and cultures. The essays suggest that the custodial role is not fixed and immutable but fluctuates with the perceived importance of the collection, which in turn fluctuates with the level of national interest in the Pacific neighbourhood. This cyclical rise and fall of Australian interest in the Pacific Islands means many of the valuable early collections in state and later national repositories and institutions have been rarely exhibited or published. But, as the authors note, enthusiastic museum anthropologists, curators, collection managers and university-based scholars across Australia, and worldwide, have persisted with research on material collected in the Pacific. This volume is a very important one for anyone studying the art and material culture of the Pacific. It focuses on collections now in Australia. Even those well versed in museum collections from the Pacific will learn about many important but little-known collectors as well as better-known figures like the anthropologists F. E. Williams and Thomas Farrell, the husband of Queen Emma. This will be a treat for students and specialist alike. —Professor Robert L. Welsch, University of Dartmouth
Author: Art Gallery of Ontario
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
Together with important First Nations material, the Thomson Canadian Collection is the largest of all private holdings of Canadian art. There are rare and incomparable examples of Northwest Coast Aboriginal art. Krieghoff's inspired accounts of life in the Canadas, prior to Confederation, bring the light and atmosphere of history fully into the present. A staggering power to capture the fleeting and the fugitive in paint still distinguishes the work of the early 20th-century painter Morrice.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 354
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Book Description
The Collector’s Guide strives to be a trusted partner in the business of art by being the most knowledgeable, helpful and friendly resource to New Mexico’s artists, art galleries, museums and art service providers. Through a printed guidebook, the World Wide Web and weekly radio programs, we serve art collectors and others seeking information about the art and culture of New Mexico.
Author: Fred R. Myers
Publisher: Duke University Press
ISBN: 0822384167
Category : Social Science
Languages : en
Pages : 431
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Book Description
Painting Culture tells the complex story of how, over the past three decades, the acrylic "dot" paintings of central Australia were transformed into objects of international high art, eagerly sought by upscale galleries and collectors. Since the early 1970s, Fred R. Myers has studied—often as a participant-observer—the Pintupi, one of several Aboriginal groups who paint the famous acrylic works. Describing their paintings and the complicated cultural issues they raise, Myers looks at how the paintings represent Aboriginal people and their culture and how their heritage is translated into exchangeable values. He tracks the way these paintings become high art as they move outward from indigenous communities through and among other social institutions—the world of dealers, museums, and critics. At the same time, he shows how this change in the status of the acrylic paintings is directly related to the initiative of the painters themselves and their hopes for greater levels of recognition. Painting Culture describes in detail the actual practice of painting, insisting that such a focus is necessary to engage directly with the role of the art in the lives of contemporary Aboriginals. The book includes a unique local art history, a study of the complete corpus of two painters over a two-year period. It also explores the awkward local issues around the valuation and sale of the acrylic paintings, traces the shifting approaches of the Australian government and key organizations such as the Aboriginal Arts Board to the promotion of the work, and describes the early and subsequent phases of the works’ inclusion in major Australian and international exhibitions. Myers provides an account of some of the events related to these exhibits, most notably the Asia Society’s 1988 "Dreamings" show in New York, which was so pivotal in bringing the work to North American notice. He also traces the approaches and concerns of dealers, ranging from semi-tourist outlets in Alice Springs to more prestigious venues in Sydney and Melbourne. With its innovative approach to the transnational circulation of culture, this book will appeal to art historians, as well as those in cultural anthropology, cultural studies, museum studies, and performance studies.
