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Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1302
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Book Description
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1302
Get Book Here
Book Description
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1662
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Book Description
Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1092
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Book Description
Author: H. W. J. Vekeman
Publisher:
ISBN:
Category : Art
Languages : de
Pages : 348
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Book Description
Author: M. Knoedler & Co
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 424
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Book Description
Author: Francis Haskell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 714
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Book Description
Author: Robert Jensen
Publisher: Princeton University Press
ISBN: 9780691029269
Category : Art
Languages : en
Pages : 380
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Book Description
In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective.
Author: Anthea Callen
Publisher: Reaktion Books
ISBN: 178023418X
Category : Art
Languages : en
Pages : 338
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Book Description
In The Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the “plein air” oil sketch in particular were the key drivers of change in artistic practice in the nineteenth century—leading to the Impressionist revolution. Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.
