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Author: Corinne May Botz
Publisher: The Monacelli Press, LLC
ISBN: 1580932916
Category : Photography
Languages : en
Pages : 210
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Book Description
“When I was between the ages of five and eight, my sister and I slept in a large attic bedroom. At nightfall the room was filled with gypsies who glided around in clusters. They wore colorful thin flowing dresses and rummaged greedily through my drawers and books as if they would steal everything. I lay in bed as stiff as a board, trying to will myself invisible, praying they would not notice me looking . . . Daylight obliterated the gypsies, rendering them as thoroughly insubstantial as they had been real in the dark. I had a vague understanding that my vision was private, so I never told my family what I saw.” So began Corinne May Botz’s fascination with the invisible, a phenomenon that has profoundly influenced her approach to photography in style and subject matter. For more than ten years, she searched for ghost stories in buildings across the United States. She ventured into these haunted places with both camera and tape recorder in hand; her photographs, accompanied by first-person narratives, reveal a rare glimpse into American interiors, both physical and psychological. This book includes more than eighty haunted buildings, from the legendary to the ordinary, including Edgar Allan Poe’s house in Baltimore, a New Jersey tavern, and a Massachusetts farmhouse, a log cabin in Kentucky, and a number of private residences. The text includes ghost stories told to the author by those who lived through the moving rugs, creaking floors, apparitions, disappearing—and reappearing—objects, cries in the night, mysteriously burning candles, and other unexplained occurrences.
Author: Corinne May Botz
Publisher: The Monacelli Press, LLC
ISBN: 1580932916
Category : Photography
Languages : en
Pages : 210
Get Book Here
Book Description
“When I was between the ages of five and eight, my sister and I slept in a large attic bedroom. At nightfall the room was filled with gypsies who glided around in clusters. They wore colorful thin flowing dresses and rummaged greedily through my drawers and books as if they would steal everything. I lay in bed as stiff as a board, trying to will myself invisible, praying they would not notice me looking . . . Daylight obliterated the gypsies, rendering them as thoroughly insubstantial as they had been real in the dark. I had a vague understanding that my vision was private, so I never told my family what I saw.” So began Corinne May Botz’s fascination with the invisible, a phenomenon that has profoundly influenced her approach to photography in style and subject matter. For more than ten years, she searched for ghost stories in buildings across the United States. She ventured into these haunted places with both camera and tape recorder in hand; her photographs, accompanied by first-person narratives, reveal a rare glimpse into American interiors, both physical and psychological. This book includes more than eighty haunted buildings, from the legendary to the ordinary, including Edgar Allan Poe’s house in Baltimore, a New Jersey tavern, and a Massachusetts farmhouse, a log cabin in Kentucky, and a number of private residences. The text includes ghost stories told to the author by those who lived through the moving rugs, creaking floors, apparitions, disappearing—and reappearing—objects, cries in the night, mysteriously burning candles, and other unexplained occurrences.
Author: Alice E. Goudey
Publisher:
ISBN:
Category : Seashore
Languages : en
Pages : 32
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Book Description
Author: Sally J. Smith
Publisher:
ISBN: 1591866723
Category : Crafts & Hobbies
Languages : en
Pages : 195
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Book Description
Add an exquisite flourish of design to your beloved green space or garden by adding tiny fairy homes inter-woven with nature. Fairy Houses gives you the instruction and inspiration you need to start! Have you ever seen a real fairy house? Not the ceramic ones at cavernous home improvement stores, but a real fairy house made from natural elements? Well, now you can build your own miniature magical abode - the perfect addition to your garden. Step-by-step instructions for constructing exquisite fairy houses are revealed in Fairy Houses, explained by master fairy house architect Sally Smith. Smith has been creating one-of-a-kind DIY fairy houses out of natural artifacts for years, now she passes her miniature construction knowledge to you. Imagine, a fairy garden with homes that have butterfly wings as stained-glass windows, twigs for window frames, birch bark for walls, dried mushrooms for shingles; it's all possible with a little instruction and inspiration from Fairy Houses. Begin by flipping through an inspiration gallery, find which elements appeal to you, and how they fit together. From there, you’ll learn about building materials (found and natural), on-site fairy house construction, and how to light a fairy house.
Author: Gautham Rao
Publisher: University of Chicago Press
ISBN: 022636707X
Category : Business & Economics
Languages : en
Pages : 288
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Book Description
Epilogue: Charleston, 1832 -- Abbreviations -- Notes -- Index
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
Old-House Journal is the original magazine devoted to restoring and preserving old houses. For more than 35 years, our mission has been to help old-house owners repair, restore, update, and decorate buildings of every age and architectural style. Each issue explores hands-on restoration techniques, practical architectural guidelines, historical overviews, and homeowner stories--all in a trusted, authoritative voice.
Author: Linda Young
Publisher: Rowman & Littlefield
ISBN: 1442239778
Category : Business & Economics
Languages : en
Pages : 313
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Book Description
Historic House Museums in the United States and the United Kingdom: A History addresses the phenomenon of historic houses as a distinct species of museum. Everyone understands the special nature of an art museum, a national museum, or a science museum, but “house museum” nearly always requires clarification. In the United States the term is almost synonymous with historic preservation; in the United Kingdom, it is simply unfamiliar, the very idea being conflated with stately homes and the National Trust. By analyzing the motivation of the founders, and subsequent keepers, of house museums, Linda Young identifies a typology that casts light on what house museums were intended to represent and their significance (or lack thereof) today. This book examines: • heroes’ houses: once inhabited by great persons (e.g., Shakespeare’s birthplace, Washington’s Mount Vernon); • artwork houses: national identity as specially visible in house design, style, and technique (e.g., Frank Lloyd Wright houses, Modernist houses); • collectors’ houses: a microcosm of collecting in situ domesticu, subsequently presented to the nation as the exemplars of taste (e.g., Sir John Soane’s Museum, Isabella Stewart Gardner Museum); • English country houses: the palaces of the aristocracy, maintained thanks to primogeniture but threatened with redundancy and rescued as museums to be touted as the peak of English national culture; English country houses: the palaces of the aristocracy, maintained for centuries thanks to primogeniture but threatened by redundancy and strangely rescued as museums, now touted as the peak of English national culture; • Everyman/woman’s social history houses: the modern, demotic response to elite houses, presented as social history but tinged with generic ancestor veneration (e.g., tenement house museums in Glasgow and New York).
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 16
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Book Description
Author: Richard Hampton Jenrette
Publisher: Gibbs Smith
ISBN: 0941711765
Category : Architecture, Domestic
Languages : en
Pages : 232
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Book Description
This is the story of one man's adventures in acquiring and bringing back to life some of America's most enticing and historically significant dwellings. With the eye of a connoisseur, the business acumen derived from a legendary career in international finance, and a Jeffersonian grasp of classical architecture, Richard Hampton Jenrette reveals his charming, often risky, ventures in the world of old houses.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1134
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Book Description
Author: Daniela Bleichmar
Publisher: University of Pennsylvania Press
ISBN: 0812204964
Category : History
Languages : en
Pages : 390
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Book Description
In the early modern age more people traveled farther than at any earlier time in human history. Many returned home with stories of distant lands and at least some of the objects they collected during their journeys. And those who did not travel eagerly acquired wondrous materials that arrived from faraway places. Objects traveled various routes—personal, imperial, missionary, or trade—and moved not only across space but also across cultures. Histories of the early modern global culture of collecting have focused for the most part on European Wunderkammern, or "cabinets of curiosities." But the passion for acquiring unfamiliar items rippled across many lands. The court in Java marveled at, collected, and displayed myriad goods brought through its halls. African princes traded captured members of other African groups so they could get the newest kinds of cloth produced in Europe. Native Americans sought colored glass beads made in Europe, often trading them to other indigenous groups. Items changed hands and crossed cultural boundaries frequently, often gaining new and valuable meanings in the process. An object that might have seemed mundane in some cultures could become a target of veneration in another. The fourteen essays in Collecting Across Cultures represent work by an international group of historians, art historians, and historians of science. Each author explores a specific aspect of the cross-cultural history of collecting and display from the dawn of the sixteenth century to the early decades of the nineteenth century. As the essays attest, an examination of early modern collecting in cross-cultural contexts sheds light on the creative and complicated ways in which objects in collections served to create knowledge—some factual, some fictional—about distant peoples in an increasingly transnational world.
