Author: Douglas Kearney
Publisher: Wave Books
ISBN: 1950268624
Category : Poetry
Languages : en
Pages : 90
Book Description
2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
Sho
Author: Douglas Kearney
Publisher: Wave Books
ISBN: 1950268624
Category : Poetry
Languages : en
Pages : 90
Book Description
2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
Publisher: Wave Books
ISBN: 1950268624
Category : Poetry
Languages : en
Pages : 90
Book Description
2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
Franz Liszt’s Songs for Voice and Piano
Author: Małgorzata Gamrat
Publisher: BRILL
ISBN: 9004548866
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
How does a Romantic composer approach the poetry he sets: as raw material to be remade, a pretext for self-expression, a sanctified artefact, or a message to be illustrated with music? In my book, I examine Franz Liszt’s songs for voice and piano, which remain little known to scholars, artists, and music lovers alike. The objective is to present Liszt’s songs in all their complexity and diversity as well as identifying the key elements of the composer’s broadly understood song-writing technique – both those that make him unique and those that relate him to the European tradition. This approach also makes it possible to shed light on a major though previously neglected aspect of the composer’s workshop, namely, his work with the poetic text, which to Liszt was just as important as the musical setting.
Publisher: BRILL
ISBN: 9004548866
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
How does a Romantic composer approach the poetry he sets: as raw material to be remade, a pretext for self-expression, a sanctified artefact, or a message to be illustrated with music? In my book, I examine Franz Liszt’s songs for voice and piano, which remain little known to scholars, artists, and music lovers alike. The objective is to present Liszt’s songs in all their complexity and diversity as well as identifying the key elements of the composer’s broadly understood song-writing technique – both those that make him unique and those that relate him to the European tradition. This approach also makes it possible to shed light on a major though previously neglected aspect of the composer’s workshop, namely, his work with the poetic text, which to Liszt was just as important as the musical setting.
Leaving CLE
Author: Janice A. Lowe
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 116
Book Description
Poetry. Literary Nonfiction. African & African American Studies. LEAVING CLE is made from the detritus of reverse migration. Its poems move from Cleveland to New York City to Tuscaloosa's "schoolhouse door" and back again. They travel and party with a musical Cleveland from Art Tatum's 1920's to Albert Ayler and from Ohio Funk to Bone Thugs-n-Harmony. They collage a shifting sense of home and negotiate the gift horse of flashbulb memory. Remembering is a character. Houses speak. "LEAVING CLE is a beautiful document of eccentric return. A collection of unforecast surprise, it keeps giving home away, disbursing and dispersing hard, pleasurable weather like a new kind of lake effect. Cleveland is Brooklyn is Chicago and elsewhere, everywhere in a set of absolute specificities, upSouth, back east, out and out. There's a black cosmology of "difference without separation" of which Denise Ferreira da Silva, sociologist, speaks. Janice A. Lowe, poet, sings it so hard, makes her air such an irreducible element of the general air, that you couldn't get away from it if you tried, which is fine, because that's the last thing you'll want. Her sound, her time, is everything you do." Fred Moten "The magic trick is that Lowe makes you feel through all the flux there is something unshakable at center. Words untangle and recombine, then land with stunning clarity. A stealth memoir emerges as Lowe turns an ode to family and city into music." Rachel Sheinkin "In LEAVING CLE, Janice Lowe's debut collection, she imagines poems as scores for socially-charged lyric and performative possibility. These poems explore the psychic and material spaces and traces of Cleveland and other cities through forms that leap off the page. Lowe transforms life's arcs into song: 'Sing back to me bright as Sunday' and she does." John Keene"
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 116
Book Description
Poetry. Literary Nonfiction. African & African American Studies. LEAVING CLE is made from the detritus of reverse migration. Its poems move from Cleveland to New York City to Tuscaloosa's "schoolhouse door" and back again. They travel and party with a musical Cleveland from Art Tatum's 1920's to Albert Ayler and from Ohio Funk to Bone Thugs-n-Harmony. They collage a shifting sense of home and negotiate the gift horse of flashbulb memory. Remembering is a character. Houses speak. "LEAVING CLE is a beautiful document of eccentric return. A collection of unforecast surprise, it keeps giving home away, disbursing and dispersing hard, pleasurable weather like a new kind of lake effect. Cleveland is Brooklyn is Chicago and elsewhere, everywhere in a set of absolute specificities, upSouth, back east, out and out. There's a black cosmology of "difference without separation" of which Denise Ferreira da Silva, sociologist, speaks. Janice A. Lowe, poet, sings it so hard, makes her air such an irreducible element of the general air, that you couldn't get away from it if you tried, which is fine, because that's the last thing you'll want. Her sound, her time, is everything you do." Fred Moten "The magic trick is that Lowe makes you feel through all the flux there is something unshakable at center. Words untangle and recombine, then land with stunning clarity. A stealth memoir emerges as Lowe turns an ode to family and city into music." Rachel Sheinkin "In LEAVING CLE, Janice Lowe's debut collection, she imagines poems as scores for socially-charged lyric and performative possibility. These poems explore the psychic and material spaces and traces of Cleveland and other cities through forms that leap off the page. Lowe transforms life's arcs into song: 'Sing back to me bright as Sunday' and she does." John Keene"
Gabriel Fauré: The Songs and their Poets
Author: Graham Johnson
Publisher: Routledge
ISBN: 1351566113
Category : Music
Languages : en
Pages : 489
Book Description
The career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur‘s no longer merely a 'Master of Charms' circumscribed by the belleque. His status as a great composer of timeless
Publisher: Routledge
ISBN: 1351566113
Category : Music
Languages : en
Pages : 489
Book Description
The career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur‘s no longer merely a 'Master of Charms' circumscribed by the belleque. His status as a great composer of timeless
Songs from Tennyson's Maud. Op. 9
Author: Benjamin Whelpley
Publisher:
ISBN:
Category : Songs (Low voice) with piano
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Songs (Low voice) with piano
Languages : en
Pages : 32
Book Description
Ethnomusicology
Author: Helen Myers
Publisher: W. W. Norton & Company
ISBN: 9780393033786
Category : Music
Languages : en
Pages : 578
Book Description
Complementing Ethnomusicology: An Introduction, this volume of studies, written by world-acknowledged authorities, places the subject of ethnomusicology in historical and geographical perspective. Part I deals with the intellectual trends that contributed to the birth of the discipline in the period before World War II. Organized by national schools of scholarship, the influence of 19th-century anthropological theories on the new field of "comparative musicology" is described. In the second half of the book, regional experts provide detailed reviews by geographical areas of the current state of ethnomusicological research.
Publisher: W. W. Norton & Company
ISBN: 9780393033786
Category : Music
Languages : en
Pages : 578
Book Description
Complementing Ethnomusicology: An Introduction, this volume of studies, written by world-acknowledged authorities, places the subject of ethnomusicology in historical and geographical perspective. Part I deals with the intellectual trends that contributed to the birth of the discipline in the period before World War II. Organized by national schools of scholarship, the influence of 19th-century anthropological theories on the new field of "comparative musicology" is described. In the second half of the book, regional experts provide detailed reviews by geographical areas of the current state of ethnomusicological research.
Grove's Dictionary of Music and Musicians
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 884
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 884
Book Description
A Singer's Guide to the American Art Song: 1870-1980
Author: Victoria Etnier Villamil
Publisher: Scarecrow Press
ISBN: 1461655994
Category : Music
Languages : en
Pages : 480
Book Description
New in Paperback 2004. Probably the most comprehensive work on the American art song ever available, this book considers the lives and contributions of 144 significant composers in the field, including many for whom information has been extremely scarce. Most composers' entries consist of a biographical sketch; a brief discussion of his or her song writing characteristics (with emphasis on performers' concerns); a partial or complete listing of annotated songs; recording information; and the composer's individual bibliography. Song annotations include poet, publisher, date of composition (when known), voice type, range, duration, tempo indication, mood, subject matter, vocal style, special difficulties, general impression, artists who have recorded the song, and any other pertinent information. Thirty composers whose contributions are deemed of lesser import are summarized in brief essays. Appendixes include a supplement of recommended songs; a listing of American song anthologies and their contents; and the most recent information regarding publishers cited in the guide. There is also a general discography, a general bibliography, and indexes for both titles and poets. Documenting the most important 110 years in the development of American art song, this book is an indispensable tool for singers, teachers, coaches, accompanists, and libraries.
Publisher: Scarecrow Press
ISBN: 1461655994
Category : Music
Languages : en
Pages : 480
Book Description
New in Paperback 2004. Probably the most comprehensive work on the American art song ever available, this book considers the lives and contributions of 144 significant composers in the field, including many for whom information has been extremely scarce. Most composers' entries consist of a biographical sketch; a brief discussion of his or her song writing characteristics (with emphasis on performers' concerns); a partial or complete listing of annotated songs; recording information; and the composer's individual bibliography. Song annotations include poet, publisher, date of composition (when known), voice type, range, duration, tempo indication, mood, subject matter, vocal style, special difficulties, general impression, artists who have recorded the song, and any other pertinent information. Thirty composers whose contributions are deemed of lesser import are summarized in brief essays. Appendixes include a supplement of recommended songs; a listing of American song anthologies and their contents; and the most recent information regarding publishers cited in the guide. There is also a general discography, a general bibliography, and indexes for both titles and poets. Documenting the most important 110 years in the development of American art song, this book is an indispensable tool for singers, teachers, coaches, accompanists, and libraries.
The Art Song in East Asia and Australia, 1900 to 1950
Author: Alison McQueen Tokita
Publisher: Taylor & Francis
ISBN: 1000849287
Category : Music
Languages : en
Pages : 281
Book Description
This book explores art song as an emblem of musical modernity in early twentieth-century East Asia and Australia. It appraises the lyrical power of art song – a solo song set to a poem in the local language in Western art music style accompanied by piano – as a vehicle for creating a localized musical identity, while embracing cosmopolitan visions. The study of art song reveals both the tension and the intimacy between cosmopolitanism and local politics and culture. In 20 essays, the book includes overviews of art song development written by scholars from each of the five locales of Japan, Korea, China, Taiwan, and Australia, reflecting perspectives of both established narratives and uncharted historiography. The Art Song in East Asia and Australia, 1900 to 1950 proposes listening to the songs of our neighbours across cultural and linguistic boundaries. Recognizing the colonial constraints experienced by art song composers, it hears trans-colonial expressions addressing musical modernity, both in earlier times and now. Readers of this volume will include musicologists, ethnomusicologists, singers, musicians, and researchers concerned with modernity in the fields of poetry and history, working within local, regional, and transnational contexts.
Publisher: Taylor & Francis
ISBN: 1000849287
Category : Music
Languages : en
Pages : 281
Book Description
This book explores art song as an emblem of musical modernity in early twentieth-century East Asia and Australia. It appraises the lyrical power of art song – a solo song set to a poem in the local language in Western art music style accompanied by piano – as a vehicle for creating a localized musical identity, while embracing cosmopolitan visions. The study of art song reveals both the tension and the intimacy between cosmopolitanism and local politics and culture. In 20 essays, the book includes overviews of art song development written by scholars from each of the five locales of Japan, Korea, China, Taiwan, and Australia, reflecting perspectives of both established narratives and uncharted historiography. The Art Song in East Asia and Australia, 1900 to 1950 proposes listening to the songs of our neighbours across cultural and linguistic boundaries. Recognizing the colonial constraints experienced by art song composers, it hears trans-colonial expressions addressing musical modernity, both in earlier times and now. Readers of this volume will include musicologists, ethnomusicologists, singers, musicians, and researchers concerned with modernity in the fields of poetry and history, working within local, regional, and transnational contexts.
The American Annual Cyclopedia and Register of Important Events of the Year ...
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 822
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 822
Book Description