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Author: Wilfrid Wilson Gibson
Publisher:
ISBN:
Category :
Languages : en
Pages : 808
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Book Description
Author: Wilfrid Wilson Gibson
Publisher:
ISBN:
Category :
Languages : en
Pages : 808
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 530
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Book Description
Author: Bessie Graham
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 662
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Book Description
Author: Simon Shepherd
Publisher: Taylor & Francis
ISBN: 1000812987
Category : Performing Arts
Languages : en
Pages : 176
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Book Description
The English Theatrical Avant-Garde, 1900–1925 unearths an extensive range of hitherto forgotten or ignored theatre practices. In doing so it reveals some of the well-known figures of the early twentieth-century English theatre in a strikingly new light. It fluently describes an intensity of innovation and experiment that together made the Edwardian theatre rather more radical, and rather more queer, than we’ve ever thought. Where the majority of writing on the early twentieth-century theatrical avant-garde is concerned with European movements and experiments, English activity of the period is often seen as parochial and conservative – mainly realism and issues-based drama. This book presents a new model of how avant-gardes might work; a model based not on masculine individualism but on communal inclusion. In describing this fascinating material, the author introduces us to many new figures and shows familiar ones in different ways: there’s Florence Farr, independent woman; Bob Trevelyan, radical pacifist and music drama pioneer; Granville Barker doing fairy plays while de-dramatising drama; Laurence Housman, socialist, homosexual, scripting St Francis; and the oddly modern J.M. Barrie. Together they made theatre practices rich in their diversity but consistent in their attempt to be new, producing a theatrical avant-garde unlike any other. This is a vital and indispensable new study for scholars and students of early twentieth-century theatre in England and beyond.
Author: Ernest Rhys
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 460
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Book Description
Author: T. Bose
Publisher: UBC Press
ISBN: 0774844833
Category : Literary Collections
Languages : en
Pages : 538
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Book Description
The Colbeck collection was formed over half a century ago by the Bournemouth bookseller Norman Colbeck. Focusing primarily on British essayists and poets of the nineteenth century from the Romantic Movement through the Edwardian era, the collection features nearly 500 authors and lists over 13,000 works. Entries are alphabetically arranged by author with copious notes on the condition and binding of each copy. Nine appendices provide listings of selected periodicals, series publications, anthologies, yearbooks, and topical works.
Author: Geoffrey Hill
Publisher:
ISBN: 0199234485
Category : Literary Criticism
Languages : en
Pages : 827
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Book Description
The Collected Critical Writings gathers more than forty years of Hill's published criticism, in a revised final form, and also adds much new work. It will serve as the canonical volume of criticism by Hill, the pre-eminent poet-critic whom A. N. Wilson has called "probably the best writer alive, in verse or in prose." In his criticism Hill ranges widely, investigating both poets (including Jonson, Dryden, Hopkins, Whitman, Eliot, and Yeats ) and prose writers (such as Tyndale, Clarendon, Hobbes, Burton, Emerson, and F. H. Bradley). He is also steeped in the historical context - political, poetic, and religious - of the writers he studies. Most importantly, he brings texts and contexts into new and telling relations, neither reducing texts to the circumstances of their utterance nor imagining that they can float free of them. A number of the essays have already established themselves as essential reading on particular subjects, such as his analysis of Vaughan's "The Night", his discussion of Gurney's poetry, and his critical account of The Oxford English Dictionary. Others confront the problems of language and the nature of value directly, as in "Our Word is Our Bond", "Language, Suffering, and Value", and "Poetry and Value". In all his criticism, Hill reveals literature to be an essential arena of civic intelligence.
Author: George Watson
Publisher: CUP Archive
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 746
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Book Description
More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Author: Lynn Parker
Publisher: Northcote House Pub Limited
ISBN: 074630899X
Category : Literary Criticism
Languages : en
Pages : 109
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Book Description
The Georgian movement in literature began as a reaction against late Victorian sensibilities, but world events soon turned this nascent movement upside down, killing two of its most famous members and dispersing the rest amidst a harsher intellectual climate. This introductory study helps to set the Georgians in their original context, and revises the critical balance in favour of three lesser known writers whose contribution to early twentieth-century letters was viewed as significant before the 1930s. The author makes use of archive sources and reviews as wellas recent historicist accounts, bringing these engaging, mysterious and humane writers into focus for the present time.
Author: Stephen Town
Publisher: Routledge
ISBN: 1317181867
Category : Music
Languages : en
Pages : 387
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Book Description
The rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.
