Author: David Vallins
Publisher: A&C Black
ISBN: 144119505X
Category : Literary Criticism
Languages : en
Pages : 387
Book Description
While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing together leading international writers, Coleridge, Romanticism and the Orient is the first substantial exploration of Coleridge's literary and scholarly representations of the east and the ways in which these were influenced by and went on to influence his own work and the orientalism of the Romanticists more broadly. Bringing together postcolonial, philsophical, historicist and literary-critical perspectives, this groundbreaking book develops a new understanding of 'Orientalism' that recognises the importance of colonial ideologies in Romantic representations of the East as well as appreciating the unique forms of meaning and value which authors such as Coleridge asscoiated with the Orient.
Coleridge, Romanticism and the Orient
Author: David Vallins
Publisher: A&C Black
ISBN: 144119505X
Category : Literary Criticism
Languages : en
Pages : 387
Book Description
While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing together leading international writers, Coleridge, Romanticism and the Orient is the first substantial exploration of Coleridge's literary and scholarly representations of the east and the ways in which these were influenced by and went on to influence his own work and the orientalism of the Romanticists more broadly. Bringing together postcolonial, philsophical, historicist and literary-critical perspectives, this groundbreaking book develops a new understanding of 'Orientalism' that recognises the importance of colonial ideologies in Romantic representations of the East as well as appreciating the unique forms of meaning and value which authors such as Coleridge asscoiated with the Orient.
Publisher: A&C Black
ISBN: 144119505X
Category : Literary Criticism
Languages : en
Pages : 387
Book Description
While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing together leading international writers, Coleridge, Romanticism and the Orient is the first substantial exploration of Coleridge's literary and scholarly representations of the east and the ways in which these were influenced by and went on to influence his own work and the orientalism of the Romanticists more broadly. Bringing together postcolonial, philsophical, historicist and literary-critical perspectives, this groundbreaking book develops a new understanding of 'Orientalism' that recognises the importance of colonial ideologies in Romantic representations of the East as well as appreciating the unique forms of meaning and value which authors such as Coleridge asscoiated with the Orient.
Ottomania
Author: Roderick Cavaliero
Publisher: Bloomsbury Publishing
ISBN: 0857715402
Category : History
Languages : en
Pages : 272
Book Description
Romanticism had its roots in fantasy and fed on myth'. So Roderick Cavaliero introduces the European Romantic obsession with the Orient.Cavaliero draws on a life-time's research in Romantic literature and introduces a rich cast of leading Romantic writers,artists,musicians and travellers,including Beckford,Byron, Shelley,Walter Scott,Pierre Loti,Thomas Moore,Rossini,Eugene Delacroix,Thackeray and Disraeli,and a host of other Romantics,who were drawn to the Orient in the 18th and 19th centuries.They luxuriate in its exotic sights,sounds,literature and,above all, in the prevailing mythology.Cavaliero analyses the Romantic vision where,as Byron writes, there are 'virgins soft as the roses they twine',but lays bare an underlying vision of cruelty and oppression, and of societies based on domestic or prisoner slavery - anathema to the 19th-century Romantic. The overarching myth was that of the Ottoman Empire,a huge and exotic superpower,an empire to rival Rome,a major threat to Europe, with an invincible military record ruled by a Sultan with absolute, even feckless, power of life and death over his subjects who lived to 'delight his senses'.But to the Romantics,fear of the absolute ruler was overlaid by frissons of oriental luxury. Thus the Ottoman Sultans were the heirs of the iconic Caliphate of Harun ar Rashid in the fabulous Arabian Nights Entertainments.Coleridge's dream of the Orient in Kubla Khan was not of the barbaric grandeur of the global Mongol empire but that of a 'stately pleasure dome in Xanadu' among incense-bearing trees and untroubled forests. Moore's Lalla Rookh was set in his visionary vale of Kashmir and is a love story in 'a land of kingfishers and golden orioles' with the backdrop of the mighty Moghul Empire. Scott was obsessed by the chivalry of the Crusades on both sides and Disraeli was fascinated by the interplay of the Abrahamic faiths and the hopes of peace in the Holy Land. Dualism runs through Romantic writing even when European realpolitik and modern nationalism are involved - as in the Greek revolt against Ottoman rule and the decline of Turkey as a great power. But above all for the Romantics the Orient remained mysterious and inviting. Cavaliero's Ottomania will delight all readers interested in tales of the exotic Orient, and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travellers.
Publisher: Bloomsbury Publishing
ISBN: 0857715402
Category : History
Languages : en
Pages : 272
Book Description
Romanticism had its roots in fantasy and fed on myth'. So Roderick Cavaliero introduces the European Romantic obsession with the Orient.Cavaliero draws on a life-time's research in Romantic literature and introduces a rich cast of leading Romantic writers,artists,musicians and travellers,including Beckford,Byron, Shelley,Walter Scott,Pierre Loti,Thomas Moore,Rossini,Eugene Delacroix,Thackeray and Disraeli,and a host of other Romantics,who were drawn to the Orient in the 18th and 19th centuries.They luxuriate in its exotic sights,sounds,literature and,above all, in the prevailing mythology.Cavaliero analyses the Romantic vision where,as Byron writes, there are 'virgins soft as the roses they twine',but lays bare an underlying vision of cruelty and oppression, and of societies based on domestic or prisoner slavery - anathema to the 19th-century Romantic. The overarching myth was that of the Ottoman Empire,a huge and exotic superpower,an empire to rival Rome,a major threat to Europe, with an invincible military record ruled by a Sultan with absolute, even feckless, power of life and death over his subjects who lived to 'delight his senses'.But to the Romantics,fear of the absolute ruler was overlaid by frissons of oriental luxury. Thus the Ottoman Sultans were the heirs of the iconic Caliphate of Harun ar Rashid in the fabulous Arabian Nights Entertainments.Coleridge's dream of the Orient in Kubla Khan was not of the barbaric grandeur of the global Mongol empire but that of a 'stately pleasure dome in Xanadu' among incense-bearing trees and untroubled forests. Moore's Lalla Rookh was set in his visionary vale of Kashmir and is a love story in 'a land of kingfishers and golden orioles' with the backdrop of the mighty Moghul Empire. Scott was obsessed by the chivalry of the Crusades on both sides and Disraeli was fascinated by the interplay of the Abrahamic faiths and the hopes of peace in the Holy Land. Dualism runs through Romantic writing even when European realpolitik and modern nationalism are involved - as in the Greek revolt against Ottoman rule and the decline of Turkey as a great power. But above all for the Romantics the Orient remained mysterious and inviting. Cavaliero's Ottomania will delight all readers interested in tales of the exotic Orient, and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travellers.
The Orient and the Young Romantics
Author: Andrew Warren
Publisher: Cambridge University Press
ISBN: 1316123774
Category : Literary Criticism
Languages : en
Pages : 295
Book Description
Through close readings of major poems, this book examines why the second-generation Romantic poets - Byron, Shelley, and Keats - stage so much of their poetry in Eastern or Orientalized settings. It argues that they do so not only to interrogate their own imaginations, but also as a way of criticizing Europe's growing imperialism. For them the Orient is a projection of Europe's own fears and desires. It is therefore a charged setting in which to explore and contest the limits of the age's aesthetics, politics and culture. Being nearly always self-conscious and ironic, the poets' treatment of the Orient becomes itself a twinned criticism of 'Romantic' egotism and the Orientalism practised by earlier generations. The book goes further to claim that poems like Shelley's Revolt of Islam, Byron's 'Eastern' Tales, or even Keats's Lamia anticipate key issues at stake in postcolonial studies more generally.
Publisher: Cambridge University Press
ISBN: 1316123774
Category : Literary Criticism
Languages : en
Pages : 295
Book Description
Through close readings of major poems, this book examines why the second-generation Romantic poets - Byron, Shelley, and Keats - stage so much of their poetry in Eastern or Orientalized settings. It argues that they do so not only to interrogate their own imaginations, but also as a way of criticizing Europe's growing imperialism. For them the Orient is a projection of Europe's own fears and desires. It is therefore a charged setting in which to explore and contest the limits of the age's aesthetics, politics and culture. Being nearly always self-conscious and ironic, the poets' treatment of the Orient becomes itself a twinned criticism of 'Romantic' egotism and the Orientalism practised by earlier generations. The book goes further to claim that poems like Shelley's Revolt of Islam, Byron's 'Eastern' Tales, or even Keats's Lamia anticipate key issues at stake in postcolonial studies more generally.
British Romanticism in Asia
Author: Alex Watson
Publisher: Springer
ISBN: 9811330018
Category : Literary Criticism
Languages : en
Pages : 416
Book Description
This book examines the reception of British Romanticism in India and East Asia (including China, Japan, Korea and Taiwan). Building on recent scholarship on “Global Romanticism”, it develops a reciprocal, cross-cultural model of scholarship, in which “Asian Romanticism” is recognized as itself an important part of the Romantic literary tradition. It explores the connections between canonical British Romantic authors (including Austen, Blake, Byron, Shelley, and Wordsworth) and prominent Asian writers (including Natsume Sōseki, Rabindranath Tagore, and Xu Zhimo). The essays also challenge Eurocentric assumptions about reception and periodization, exploring how, since the early nineteenth century, British Romanticism has been creatively adapted and transformed by Asian writers.
Publisher: Springer
ISBN: 9811330018
Category : Literary Criticism
Languages : en
Pages : 416
Book Description
This book examines the reception of British Romanticism in India and East Asia (including China, Japan, Korea and Taiwan). Building on recent scholarship on “Global Romanticism”, it develops a reciprocal, cross-cultural model of scholarship, in which “Asian Romanticism” is recognized as itself an important part of the Romantic literary tradition. It explores the connections between canonical British Romantic authors (including Austen, Blake, Byron, Shelley, and Wordsworth) and prominent Asian writers (including Natsume Sōseki, Rabindranath Tagore, and Xu Zhimo). The essays also challenge Eurocentric assumptions about reception and periodization, exploring how, since the early nineteenth century, British Romanticism has been creatively adapted and transformed by Asian writers.
Coleridge and Kantian Ideas in England, 1796-1817
Author: Monika Class
Publisher: A&C Black
ISBN: 1441180753
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Examines the influence of Kant - and in particular the neglected influence of his moral and political philosophy - on the work of Coleridge.
Publisher: A&C Black
ISBN: 1441180753
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Examines the influence of Kant - and in particular the neglected influence of his moral and political philosophy - on the work of Coleridge.
Islam and Romanticism
Author: Jeffrey Einboden
Publisher: Simon and Schuster
ISBN: 1780745672
Category : Religion
Languages : en
Pages : 241
Book Description
Revealing Islam’s formative influence on literary Romanticism, this book recounts a lively narrative of religious and aesthetic exchange, mapping the impact of Muslim sources on the West’s most seminal authors. Spanning continents and centuries, the book surveys Islamic receptions that bridge Romantic periods and personalities, unfolding from Europe, to Britain, to America, embracing iconic figures from Goethe, to Byron, to Emerson, as well as authors less widely recognized, such as Joseph Hammer-Purgstall. Broad in historical scope, Islam and Romanticism is also particular in personal detail, exposing Islam’s role as a creative catalyst, but also as a spiritual resource, with the Qur’an and Sufi poetry infusing the literary publications, but also the private lives, of Romantic writers. Highlighting cultural encounter, rather than political exploitation, the book differs from previous treatments by accenting Western receptions that transcend mere “Orientalism”, finding the genesis of a global literary culture first emerging in the Romantics’ early appeal to Islamic traditions.
Publisher: Simon and Schuster
ISBN: 1780745672
Category : Religion
Languages : en
Pages : 241
Book Description
Revealing Islam’s formative influence on literary Romanticism, this book recounts a lively narrative of religious and aesthetic exchange, mapping the impact of Muslim sources on the West’s most seminal authors. Spanning continents and centuries, the book surveys Islamic receptions that bridge Romantic periods and personalities, unfolding from Europe, to Britain, to America, embracing iconic figures from Goethe, to Byron, to Emerson, as well as authors less widely recognized, such as Joseph Hammer-Purgstall. Broad in historical scope, Islam and Romanticism is also particular in personal detail, exposing Islam’s role as a creative catalyst, but also as a spiritual resource, with the Qur’an and Sufi poetry infusing the literary publications, but also the private lives, of Romantic writers. Highlighting cultural encounter, rather than political exploitation, the book differs from previous treatments by accenting Western receptions that transcend mere “Orientalism”, finding the genesis of a global literary culture first emerging in the Romantics’ early appeal to Islamic traditions.
Oriental Wells
Author: Md. Monirul Islam
Publisher: Bloomsbury Publishing
ISBN: 9389812534
Category : Poetry
Languages : en
Pages : 288
Book Description
Oriental Wells explores the manifold ways in which the East was a major source of inspiration for the British Romantic poets, who generously borrowed from the Eastern sources in their effort to reinvent the British poetic tradition. It examines the “orientalization” of Romantic poetry, using works of William Blake, William Wordsworth, Samuel Taylor Coleridge, Robert Southey, and Walter Savage Landor. Analyzing the Romantic poets' multifaceted engagement with the East, the book raises the questions: · What led Blake to formulate his thesis that “All Religions Are One”? · Why do Coleridge's poetry and the play Osorio echo some of the passages from Wilkins' translation of The Bhagvat-Geeta as well as other prominent Eastern religious texts? · What made Southey write his “Hindu epic” The Curse of Kehama and his “Islamic” tale Thalaba, the Destroyer? · What was the exact nature of the negotiations between William Jones' Orientalism and Wordsworth's poetics as formulated in the Preface to Lyrical Ballads, The Prelude, and other poems? The book convincingly argues that the introduction of “cultural goods” from the East played a crucial role in shaping the form and substance of British Romanticism, while acknowledging that the Romantics' reception of the East was tempered by their ideological concerns and religious background.
Publisher: Bloomsbury Publishing
ISBN: 9389812534
Category : Poetry
Languages : en
Pages : 288
Book Description
Oriental Wells explores the manifold ways in which the East was a major source of inspiration for the British Romantic poets, who generously borrowed from the Eastern sources in their effort to reinvent the British poetic tradition. It examines the “orientalization” of Romantic poetry, using works of William Blake, William Wordsworth, Samuel Taylor Coleridge, Robert Southey, and Walter Savage Landor. Analyzing the Romantic poets' multifaceted engagement with the East, the book raises the questions: · What led Blake to formulate his thesis that “All Religions Are One”? · Why do Coleridge's poetry and the play Osorio echo some of the passages from Wilkins' translation of The Bhagvat-Geeta as well as other prominent Eastern religious texts? · What made Southey write his “Hindu epic” The Curse of Kehama and his “Islamic” tale Thalaba, the Destroyer? · What was the exact nature of the negotiations between William Jones' Orientalism and Wordsworth's poetics as formulated in the Preface to Lyrical Ballads, The Prelude, and other poems? The book convincingly argues that the introduction of “cultural goods” from the East played a crucial role in shaping the form and substance of British Romanticism, while acknowledging that the Romantics' reception of the East was tempered by their ideological concerns and religious background.
Romanticism: A Very Short Introduction
Author: Michael Ferber
Publisher: Oxford University Press
ISBN: 019956891X
Category : Art
Languages : en
Pages : 169
Book Description
The only short introduction to Romanticism that incorporates not only the English but the Continental movements, and not only literature but music, art, religion, and philosophy.-publisher description.
Publisher: Oxford University Press
ISBN: 019956891X
Category : Art
Languages : en
Pages : 169
Book Description
The only short introduction to Romanticism that incorporates not only the English but the Continental movements, and not only literature but music, art, religion, and philosophy.-publisher description.
Romantic Writings
Author: Stephen Bygrave
Publisher: Routledge
ISBN: 1351550624
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
Romantic Writings is an ideal introduction to the cultural phenomenon of Romanticism - one of the most important European literary movements and the cradle of 'Modern' culture. Here you will find an accessible introduction to the well-known male Romantic writers - Blake, Wordsworth, Coleridge, Byron, Shelley and Keats. Alongside are chapters dealing with poems by Charlotte Smith, Mary Robinson, Ann Barbauld, Elizabeth Barrett Browning which challenge the idea that these men are the only Romantic writers. As a further counterpoint the book also includes discussion of two German Romantic short stories by Kleist and Hoffman. Throughout, close-reading of texts is matched by an insistence on reading them in their historical context. Romantic Writings offers invaluable discussions of issues such as the notion of the Romantic artist; colonialism and the exotic; and the particular situation of women writers and readers.
Publisher: Routledge
ISBN: 1351550624
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
Romantic Writings is an ideal introduction to the cultural phenomenon of Romanticism - one of the most important European literary movements and the cradle of 'Modern' culture. Here you will find an accessible introduction to the well-known male Romantic writers - Blake, Wordsworth, Coleridge, Byron, Shelley and Keats. Alongside are chapters dealing with poems by Charlotte Smith, Mary Robinson, Ann Barbauld, Elizabeth Barrett Browning which challenge the idea that these men are the only Romantic writers. As a further counterpoint the book also includes discussion of two German Romantic short stories by Kleist and Hoffman. Throughout, close-reading of texts is matched by an insistence on reading them in their historical context. Romantic Writings offers invaluable discussions of issues such as the notion of the Romantic artist; colonialism and the exotic; and the particular situation of women writers and readers.
Configuring Romanticism
Author:
Publisher: BRILL
ISBN: 9004487670
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Configuring Romanticism focuses on the ways in which “Romanticism” continues to change shape in light of new discoveries, new readings, new approaches. To this end, some essays here gathered offer novel interpretations of Romantic “classics” such as Wordsworth, Blake, and Southey, or discuss the Celtic roots of Romanticism. Others address the relationship of Romantic literature, particularly the work of Scott, Shelley, and De Quincey, to issues of colonialism and imperialism. Yet others trace the “afterlife” of Romanticism and the Romantics, specifically Byron, Shelley, and Keats, in the writings of Leigh Hunt, Elizabeth Gaskell, James Thomson, Algernon Swinburne, William Michael Rosetti, James Clarence Mangan, Francis Parkman, Gilbert and Sullivan, and T.S. Eliot, as well as in Dutch nineteenth-century criticism. The volume closes with discussions of the Romantic aspects of World War II propaganda, twentieth-century translations of the Aeneid in view of Romantic principles, the Romantic face of recent Québecois fiction, and present-day film versions of Jane Austen’s Emma.
Publisher: BRILL
ISBN: 9004487670
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Configuring Romanticism focuses on the ways in which “Romanticism” continues to change shape in light of new discoveries, new readings, new approaches. To this end, some essays here gathered offer novel interpretations of Romantic “classics” such as Wordsworth, Blake, and Southey, or discuss the Celtic roots of Romanticism. Others address the relationship of Romantic literature, particularly the work of Scott, Shelley, and De Quincey, to issues of colonialism and imperialism. Yet others trace the “afterlife” of Romanticism and the Romantics, specifically Byron, Shelley, and Keats, in the writings of Leigh Hunt, Elizabeth Gaskell, James Thomson, Algernon Swinburne, William Michael Rosetti, James Clarence Mangan, Francis Parkman, Gilbert and Sullivan, and T.S. Eliot, as well as in Dutch nineteenth-century criticism. The volume closes with discussions of the Romantic aspects of World War II propaganda, twentieth-century translations of the Aeneid in view of Romantic principles, the Romantic face of recent Québecois fiction, and present-day film versions of Jane Austen’s Emma.