Coleridge, Emerson, and the Prophet's Vision PDF Download
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Author: Gregory Miller Haynes
Publisher:
ISBN:
Category :
Languages : en
Pages : 558
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Author: Gregory Miller Haynes
Publisher:
ISBN:
Category :
Languages : en
Pages : 558
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Author: Mariam Moussa
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
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Author: Gregory Miller Haynes
Publisher:
ISBN:
Category :
Languages : en
Pages : 558
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Author: Sanja Sostaric
Publisher: Universal-Publishers
ISBN: 1581121997
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
This work elaborates R. W. Emerson s modification of S. T. Coleridge s central philosophical-aesthetic notions, such as imagination, reason, genius and symbol. Although Kant s and Schelling s idealistic philosophy, various pantheistic theories and Neoplatonism are identified as Coleridge s and Emerson s congenial intellectual and spiritual background, the author draws yet more attention to subtle differences between the English Romantic Coleridge and the American transcendentalist Emerson, which allow us to recognize that we deal with two distinct philosophical and poetic theories. The first part concentrates on Coleridge s intellectual development from the eager empiricist disciple to a philosopher dedicated to the impossible enterprise of formulating the unified theory of life, which would incorporate Kant s transcendental philosophy, pantheism and Christianity. Coleridge s letters, diary entries and notebook citations reveal a thinker unwilling to sacrifice neither the fervor of his Christian belief nor the poetic potential of pantheistic doctrines to the cool intellectuality of any single philosophic system. The outcome of Coleridge s synthesizing effort was thus the Romantic aesthetics which was not a substitute for religion, but religion artistically redefined. Within this context, particular attention has been given to Coleridge s radical adjustment of Kant s differentiation between reason and understanding on the one hand, and of the neoclassicist differentiation between imagination and fancy on the other hand, to his own needs. Coleridge s tendency to use Christian arguments as the cohesive force that would secure the unity of his theory made Coleridge over-emphasize the spiritual dimension at the cost of the intellectual and thus fascilitate a significant shift in thinking, which was responsible for the creative misinterpretation of his theories by the next generation of thinkers in the United States. As it is shown, James Marsh's publication of Coleridge's Aids to Reflection!, in which Coleridge elaborates his concept of the spiritual religion and of the notion of reason which approximates the inner light theories and nearly erases the Christian balance between the Creator and the Creation, plays an exceptionally important role in this process. In the second part, the author delineates Emerson's transformation from the Unitarian to the transcendentalist and explores in detail to what extent Emerson's formulation of his transcendentalist philosophy derived from his inclination to read Coleridge as a mystic, that is, to regard Coleridge's Christian bias as a whim which does not essentially affect the core of Coleridge's theory. It is shown that Emerson, neglecting flatly Coleridge's careful distinctions aimed at preserving the balance between dualism and monism, resolves Coleridge's theoretical ambiguity by exclusively concentrating on the part of Coleridge's system which favors the irrational and the unconscious dimension. As a consequence, Emerson's philosophy and aesthetics, with their emphasis on reason and imagination understood as inspiration, that is, the inflow of the divine into the mind of the artist, represent a radicalized version of Coleridge's neatly supressed monistic tendencies. In Emerson's interpretation, Coleridgean imagination becomes equated with Plotinian soul, that is, Coleridgean reason becomes a synonym for the utter mystical depersonalization. Finally, the delicate and easily overlooked Emersonian shifts with regard to Coleridge's theory point at the significance of Emerson's theoretical solutions in the transition from romanticim to modernism, a transition to which, ironically enough, Coleridge himself unintentionally and indirectly gave valuable contribution.
Author: Samantha C Harvey
Publisher: Edinburgh University Press
ISBN: 0748681388
Category : Literary Criticism
Languages : en
Pages : 229
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This new study argues that Coleridge was so influential in America because he provided a framework for American intellectuals to address one of the great questions of European Romanticism: what is the relationship between the Romantic triad of nature, spi
Author: Anthony John Harding
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773564039
Category : History
Languages : en
Pages : 204
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This movement radically revised the interpretation of the Bible as an "inspired" book and also helped to redefine the inspiration attributed to poets, since many poets of the period, including Coleridge himself, wished to emulate the prophetic voice of biblical tradition. Coleridge's mastery of this new study and his search for a new understanding of the Bible on which to ground his faith are the focus of this book. Beginning with an exposition of Coleridge's double role as theologian and poet, Anthony Harding analyses the development and transmission of Coleridge's views of inspiration - both biblical and poetic - and provides a history of his theological and poetic ideas in their second generation, in England especially in the work of F.D. Maurice and John Sterling, and in America in that of Ralph Waldo Emerson. Harding argues that Coleridge's emphasis on the human integrity of the scriptural authors provided his contemporaries with a poetics of inspiration that seemed likely to restore to literature a "biblical" sense of the divine as a presence in the world. Coleridge's treatment of biblical inspiration is thus an important contribution to Romantic poetics as well as to biblical scholarship. His concept of inspiration is also linked directly to his literary theory and thus to the current debate over the reader's relation to text and author.
Author: John Oliver Beaver
Publisher:
ISBN:
Category : Aesthetics in literature
Languages : en
Pages : 642
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Author: Anthony John Harding
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773510081
Category : History
Languages : en
Pages : 208
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Book Description
Samuel Taylor Coleridge was the central figure in the dissemination of higher criticism, the analytical and historical study of the Bible begun in Germany in the late eighteenth century by Lessing, Herder, and Eichorn.
Author: Frederick Burwick
Publisher: Oxford University Press
ISBN: 0191651087
Category : Literary Criticism
Languages : en
Pages : 779
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Book Description
A practical and comprehensive reference work, the Oxford Handbook provides the best single-volume source of original scholarship on all aspects of Coleridge's diverse writings. Thirty-seven chapters, bringing together the wisdome of experts from across the world, present an authoritative, in-depth, and up-to-date assessment of a major author of British Romanticism. The book is divided into sections on Biography, Prose Works, Poetic Works, Sources and Influences, and Reception. The Coleridge scholar today has ready access to a range of materials previously available only in library archives on both sides of the Atlantic. The Bollingen edition, of the Collected Works of Samuel Taylor Coleridge, forty years in production was completed in 2002. The Coleridge Notebooks (1957-2002) were also produced during this same period, five volumes of text with an additional five companion volumes of notes. The Clarendon Press of Oxford published the letters in six volumes (1956-1971). To take full advantage of the convenient access and new insight provided by these volumes, the Oxford Handbook examines the entire range and complexity of Coleridge's career. It analyzes the many aspects of Coleridge's literary, critical, philosophical, and theological pursuits, and it furnishes both students and advanced scholars with the proper tools for assimilating and illuminating Coleridge's rich and varied accomplishments, as well as offering an authoritative guide to the most up-to-date thinking about his achievements.
Author: Alan D. Hodder
Publisher: Penn State University Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 192
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Throughout the history of American literature, Emerson's Nature, his little book of 1836, has remained something of an anomaly. Is it a naturalist's monograph or a metaphysician's scheme? In this provocative study of the development and discourse of Emerson's first book, Alan Hodder supersedes the characterizations of previous scholars, as well as Nature's own feints and calculated misrepresentations, in showing that its closest affiliations are actually with the Christian Bible, and in particular the Book of Revelation. Tracing the development of Nature from Emerson's earliest letters, journals, and sermons, this book documents the persisting apocalypticism in Emerson's thought and, in contrast to the received view of Emerson as a radical religious innovator, shows how in regard to questions of religious piety he remained a quite conservative religious thinker. Survival of the distinctive themes and imagery of apocalyptic vision in Emerson's essays and later writing suggests that its crucial movement was for him the double one of the destruction of the world and the creation of the new heaven and earth. Nature, Hodder argues, is the showpiece of this vision and presents for the first time the formula for Emerson's revelation that the essays of the next decade will continue to develop. Though conceived increasingly as Emerson's paradigm for poetic creation and the practical basis for his emerging doctrine of Self-reliance, this apocalyptic formula has its origins in an apocalyptic sensibility and a traditional form of piety modeled after Christ's kenosis and conditioned for him by Mary Moody Emerson, his Calvinist forebears, and the Quaker Friends. Leading his own readers through an exploration of Nature's biblical designs and revisions, close analyses of its rhetorical strategies and multivalence, and a consideration of the impact of these upon Emerson's reader, Hodder evokes a fresh reading of this elusive classic and demonstrates how it repeats and revises the revelations of Saint John through an internalization of its vision.
