Coleridge and the Philosophy of Poetic Form PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Coleridge and the Philosophy of Poetic Form PDF full book. Access full book title Coleridge and the Philosophy of Poetic Form by Ewan James Jones. Download full books in PDF and EPUB format.
Author: Ewan James Jones
Publisher: Cambridge University Press
ISBN: 1107068444
Category : Literary Criticism
Languages : en
Pages : 261
Get Book Here
Book Description
This book argues that Coleridge's most important philosophical ideas were expressed not through theoretical argument but through his poems.
Author: Ewan James Jones
Publisher: Cambridge University Press
ISBN: 1107068444
Category : Literary Criticism
Languages : en
Pages : 261
Get Book Here
Book Description
This book argues that Coleridge's most important philosophical ideas were expressed not through theoretical argument but through his poems.
Author: Jacob Lloyd
Publisher: Springer Nature
ISBN: 3031418778
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
This book considers Samuel Taylor Coleridge’s engagement with ‘Whig poetry’: a tradition of verse from the eighteenth century which celebrated the political and constitutional arrangements of Britain as guaranteeing liberty. It argues that, during the 1790s, Coleridge was able to articulate radical ideas under the cover of widely accepted principles through his references to this poetry. He positioned his poetry within a mainstream discourse, even as he favoured radical social change. Jacob Lloyd argues that the poets Mark Akenside, William Lisle Bowles, and William Cowper each provided Coleridge with a kind of Whig poetics to which he responded. When these references are understood, much of Coleridge’s work which seems purely personal or imaginative gains a political dimension. In addition, Lloyd reassess Coleridge’s relationship with Thomas Percy’s Reliques of Ancient English Poetry, to provide an original, political reading of ‘The Rime of the Ancyent Marinere’. This book revises our understanding of the political and poetic development of a major poet and, in doing so, provides a new model for the origins of British Romanticism more broadly
Author: Joel Harter
Publisher: Mohr Siebeck
ISBN: 9783161508349
Category : Philosophy
Languages : en
Pages : 260
Get Book Here
Book Description
Revision of author's thesis (doctoral)--University of Chicago, 2008 under title: The word made flesh and the mazy page: symbol and allegory in Coleridge's philosophy of faith.
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 826
Get Book Here
Book Description
Author: Samuel Coleridge
Publisher: HarperCollins
ISBN: 1443442216
Category : Poetry
Languages : en
Pages : 12
Get Book Here
Book Description
Though left uncompleted, “Kubla Khan” is one of the most famous examples of Romantic era poetry. In it, Samuel Coleridge provides a stunning and detailed example of the power of the poet’s imagination through his whimsical description of Xanadu, the capital city of Kublai Khan’s empire. Samuel Coleridge penned “Kubla Khan” after waking up from an opium-induced dream in which he experienced and imagined the realities of the great Mongol ruler’s capital city. Coleridge began writing what he remembered of his dream immediately upon waking from it, and intended to write two to three hundred lines. However, Coleridge was interrupted soon after and, his memory of the dream dimming, was ultimately unable to complete the poem. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Author: Tom Marshall
Publisher: Springer Nature
ISBN: 3030527301
Category : Literary Criticism
Languages : en
Pages : 217
Get Book Here
Book Description
This book re-evaluates the philosophical status of Samuel Taylor Coleridge by providing an extended comparison between his work and the phenomenological theory of Edmund Husserl. Examining Coleridge’s accounts of the imagination, perception, poetic creativity and literary criticism, it draws a systematic and coherent structure out of a range of Coleridge’s philosophical writing. In addition, it also applies the principles of Coleridge’s philosophy to an interpretation of his own poetic output.
Author: Matthew Ward
Publisher: Oxford University Press
ISBN: 0198894775
Category : Literary Criticism
Languages : en
Pages : 273
Get Book Here
Book Description
The Romantic period witnessed decisive interest in how feeling might align with forms of artistic expression. Many critical studies have focused on the serious side and melancholic moods of Romantic poets. Romantic Poets and the Laughter of Feeling instead embraces the sublime and the ridiculous to offer an original and compelling new reading of British Romanticism. It reveals the decisive role laughter and the laughable play in Romantic aesthetics, emotions, and ethics. Matthew Ward shows that laughter was one of the primary means by which Romantics embraced and expanded upon, but also frequently aped and lampooned, sympathetic feeling. The laughter of feeling is both the expression of sympathy and an articulation of its implications, prejudices, and constraints. For Romantic poets like Wordsworth, Shelley, and Keats, the sound of laughter carries the hope that greater knowledge of others derives from feeling for and with them through poetry, and this might lead to a better understanding of oneself. Yet laughter also makes these poets acutely aware that our emotional lives are utterly unfamiliar and perhaps ultimately unknowable. Their prosody of laughter enlivens and exposes; it embodies their sense of?and ambitions for?poetry, and yet calls those matters into the most comical and gravest doubt. Laughter helps define what it is to be human. This book shows that it also defines what it is to be a 'Romantic' poet.
Author: Josh Robinson
Publisher: State University of New York Press
ISBN: 1438469853
Category : Philosophy
Languages : en
Pages : 290
Get Book Here
Book Description
Adorno's Poetics of Form is the first book-length examination of the elusive deployment of the concept of form in Adorno's writings on art and literature, and the first monograph to offer a comprehensive account of the relation of these writings to his broader philosophical project. It examines form within the constellation of concepts that exist around it, considering how it appears when seen in conjunction with and in opposition to content, expression, genre, and material. Illuminated from these angles, form is revealed as the site of a complex web of dynamic conceptual interactions. The book thus offers a resolution to a problem in Adorno's work that has remained unsolved for several decades, and in doing so sets out the consequences of Adorno's poetics for literary and critical theory today.
Author: Peter Cheyne
Publisher:
ISBN: 0198851804
Category : Literary Criticism
Languages : en
Pages : 393
Get Book Here
Book Description
A study of the philosophical thought of the poet Samuel Taylor Coleridge, with a focus on the central philosophical views and their underlying metaphysic that Coleridge strove to achieve and refine over the last three decades of his life.
Author: Ridvan Askin
Publisher: University of New Mexico Press
ISBN: 0826367127
Category : Literary Criticism
Languages : en
Pages : 166
Get Book Here
Book Description
For centuries, critics, poets, poet-scholars, and philosophers have either openly proclaimed or tacitly assumed the long poem as the highest expression of literary ambition and excellence. Rethinking the North American Long Poem focuses on the North American variant of this notorious form—notorious because of its often forbidding and difficult character, particularly with respect to the dialectics of content and form, aesthetics and politics, matter and genre. In nine essays and a contextual introduction, the editors and contributors scrutinize seminal long poems by North American writers, including Walt Whitman’s “Song of Myself,” Ezra Pound’s The Cantos, Muriel Rukeyser’s The Book of the Dead, and Charles Olson’s The Maximus Poems. They also explore recent efforts that have redefined or reopened the case of the long poem, including Rachel Blau DuPlessis’s Drafts, M. NourbeSe Philip’s Zong!, and Claudia Rankine’s Citizen. Taking the categories of form, matter, and experiment as frames of conceptual reference, the book examines the ways in which material and immaterial aspects of literary practice and the philosophically and politically inscribed duality of experience and experiment are negotiated in and by North American long poems from the nineteenth century to the present.
