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Author: Rebecca M. Valette
Publisher: U of Nebraska Press
ISBN: 1496237447
Category : Biography & Autobiography
Languages : en
Pages : 289
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Book Description
Rebecca Valette’s Clitso Dedman, Navajo Carver is the first biography of artist Clitso Dedman (1876–1953), one of the most important but overlooked Diné (Navajo) artists of his generation. Dedman was born to a traditional Navajo family in Chinle, Arizona, and herded sheep as a child. He was educated in the late 1880s and early 1890s at the Fort Defiance Indian School, then at the Teller Institute in Grand Junction, Colorado. After graduation Dedman moved to Gallup, New Mexico, where he worked in the machine shop of the Atchison, Topeka, and Santa Fe Railway before opening his first of three Navajo trading posts in Rough Rock, Arizona. After tragedy struck his life in 1915, he moved back to Chinle and abruptly changed careers to become a blacksmith and builder. At age sixty, suffering from arthritis, Dedman turned his creative talent to wood carving, thus initiating a new Navajo art form. Although the neighboring Hopis had been carving Kachina dolls for generations, the Navajos traditionally avoided any permanent reproduction of their Holy People, and even of human figures. Dedman was the first to ignore this proscription, and for the rest of his life he focused on creating wooden sculptures of the various participants in the Yeibichai dance, which closed the Navajo Nightway ceremony. These secular carvings were immediately purchased and sold to tourists by regional Indian traders. Today Dedman’s distinctive and highly regarded work can be found in private collections, galleries, and museums, such as the Navajo Nation Museum at Window Rock, the California Academy of Sciences in San Francisco, and the Arizona State Museum in Tucson. Clitso Dedman, Navajo Carver, with its extensive illustrations, is the story of a remarkable and underrecognized figure of twentieth-century Navajo artistic creation and innovation.
Author: Rebecca M. Valette
Publisher: U of Nebraska Press
ISBN: 1496237447
Category : Biography & Autobiography
Languages : en
Pages : 289
Get Book Here
Book Description
Rebecca Valette’s Clitso Dedman, Navajo Carver is the first biography of artist Clitso Dedman (1876–1953), one of the most important but overlooked Diné (Navajo) artists of his generation. Dedman was born to a traditional Navajo family in Chinle, Arizona, and herded sheep as a child. He was educated in the late 1880s and early 1890s at the Fort Defiance Indian School, then at the Teller Institute in Grand Junction, Colorado. After graduation Dedman moved to Gallup, New Mexico, where he worked in the machine shop of the Atchison, Topeka, and Santa Fe Railway before opening his first of three Navajo trading posts in Rough Rock, Arizona. After tragedy struck his life in 1915, he moved back to Chinle and abruptly changed careers to become a blacksmith and builder. At age sixty, suffering from arthritis, Dedman turned his creative talent to wood carving, thus initiating a new Navajo art form. Although the neighboring Hopis had been carving Kachina dolls for generations, the Navajos traditionally avoided any permanent reproduction of their Holy People, and even of human figures. Dedman was the first to ignore this proscription, and for the rest of his life he focused on creating wooden sculptures of the various participants in the Yeibichai dance, which closed the Navajo Nightway ceremony. These secular carvings were immediately purchased and sold to tourists by regional Indian traders. Today Dedman’s distinctive and highly regarded work can be found in private collections, galleries, and museums, such as the Navajo Nation Museum at Window Rock, the California Academy of Sciences in San Francisco, and the Arizona State Museum in Tucson. Clitso Dedman, Navajo Carver, with its extensive illustrations, is the story of a remarkable and underrecognized figure of twentieth-century Navajo artistic creation and innovation.
Author: Rebecca M. Valette
Publisher: U of Nebraska Press
ISBN: 1496235819
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
Rebecca Valette's Clitso Dedman, Navajo Carver is the first biography of artist Clitso Dedman (1876-1953), one of the most important but overlooked Diné (Navajo) artists of his generation. Dedman was born to a traditional Navajo family in Chinle, Arizona, and herded sheep as a child. He was educated in the late 1880s and early 1890s at the Fort Defiance Indian School, then at the Teller Institute in Grand Junction, Colorado. After graduation Dedman moved to Gallup, New Mexico, where he worked in the machine shop of the Atchison, Topeka, and Santa Fe Railway before opening his first of three Navajo trading posts in Rough Rock, Arizona. After tragedy struck his life in 1915, he moved back to Chinle and abruptly changed careers to become a blacksmith and builder. At age sixty, suffering from arthritis, Dedman turned his creative talent to wood carving, thus initiating a new Navajo art form. Although the neighboring Hopis had been carving Kachina dolls for generations, the Navajos traditionally avoided any permanent reproduction of their Holy People, and even of human figures. Dedman was the first to ignore this prescription, and for the rest of his life he focused on creating wooden sculptures of the various participants in the Yeibichai dance, which closed the Navajo Nightway ceremony. These secular carvings were immediately purchased and sold to tourists by regional Indian traders. Today Dedman's distinctive and highly regarded work can be found in private collections, galleries, and museums, such as the Navajo Nation Museum at Window Rock, the California Academy of Sciences in San Francisco, and the Arizona State Museum in Tucson. Clitso Dedman, Navajo Carver, with its extensive illustrations, is the story of a remarkable and underrecognized figure of twentieth-century Navajo artistic creation and innovation.
Author: Peter Iverson
Publisher: UNM Press
ISBN: 0826327192
Category : History
Languages : en
Pages : 300
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Book Description
One hundred documents written by Diné men, women, and children speaking for themselves and on behalf of their communities are collected in this book. Discovered during Iverson's research for Diné: A History of the Navajos, these letters, speeches, and petitions, almost all previously unpublished, provide a uniquely moving portrait of the Diné during an era in which they were fighting to defend their lands and to build the Navajo Nation. Six crucial, overlapping subjects are addressed here: land, community, education, rights, government, and identity. Brief introductions to each chapter and each document provide the necessary context, and historic photographs selected by Monty Roessel (Navajo), an outstanding photographer, supplement the words of the people. Most of the vast literature about American Indians emphasizes the actions and words of non-Indians. Indians become the victims, the people to whom things happen. This volume furnishes a different view of the native past. It shows Navajos making their own history. It demonstrates how the Diné worked to keep their lands, develop their economy, build their communities, educate their young people, affirm their rights, govern themselves, and maintain their heritage while forging a brighter future. Included are the words of such prominent leaders as Chee Dodge, Jacob Morgan, Tom Dodge, Annie Wauneka, Sam Ahkeah, and Paul Jones, and less widely known but significant spokespersons like Howard Gorman, Scott Preston, Roger Davis, and Lilly Neill. It also presents the words of students at boarding schools, soldiers fighting in World War II, and members of the Native American Church speaking out for religious freedom. This book celebrates the resilience of the Diné and salutes their resolve. It honors the men, women, and children who built the Navajo Nation. Monty Roessel (Navajo), Executive Director of the Rough Rock Community School, has written and provided photographs for award-winning books for young people.
Author: Klara Kelley
Publisher: University of Arizona Press
ISBN: 0816540535
Category : Social Science
Languages : en
Pages : 345
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Book Description
For the first time, a sweeping history of the Diné that is foregrounded in oral tradition. Authors Klara Kelley and Harris Francis share Diné history from pre-Columbian time to the present, using ethnographic interviews in which Navajo people reveal their oral histories on key events such as Athabaskan migrations, trading and trails, Diné clans, the Long Walk of 1864, and the struggle to keep their culture alive under colonizers who brought the railroad, coal mining, trading posts, and, finally, climate change. The early chapters, based on ceremonial origin stories, tell about Diné forebears. Next come the histories of Diné clans from late pre-Columbian to early post-Columbian times, and the coming together of the Diné as a sovereign people. Later chapters are based on histories of families, individuals, and communities, and tell how the Diné have struggled to keep their bond with the land under settler encroachment, relocation, loss of land-based self-sufficiency through the trading-post system, energy resource extraction, and climate change. Archaeological and documentary information supplements the oral histories, providing a comprehensive investigation of Navajo history and offering new insights into their twentieth-century relationships with Hispanic and Anglo settlers. For Diné readers, the book offers empowering histories and stories of Diné cultural sovereignty. “In short,” the authors say, “it may help you to know how you came to be where—and who—you are.”
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Category : Indian art
Languages : en
Pages : 516
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Book Description
Author: Rebecca M. Valette
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 76
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Book Description
"Weaving the Dance is the first book to focus on the early development of a special category of twentieth-century Navajo textiles known as Yeibichai weavings. These weavings are artistic interpretations of the Yeibichai dance, a sacred rite that provides a spectacular conclusion to the nine-day Navajo ceremony known as the Nightway. In spite of their theme, Yeibichai textiles were never intended for ceremonial use, but were produced exclusively for sale to an Anglo clientele willing to pay premium prices for them. Like other textiles featuring ceremonial figures, their appearance in the first decade of the twentieth century nevertheless created controversy among Navajos since traditional beliefs strongly prohibit the reproduction of sacred figures outside a ceremonal context. By the 1930s, scholars were dismissing these novel weavings as bad examples of tourist art and writing them off as a "passing fad." Despite this dire prediction, weaving with ceremonial figures continued to be produced and now constitute a recognized and well-established category of Navajo textiles." "Because of their rarity and their intriguing theme, the first Navajo weavings to feature stylized ceremonal figures in their designs captured the imagination of wealthy collectors. William Randolph Hearst, for example, purchased two such rugs to complement his extensive collection of classic (pre-1870) Navajo blankets. Collectors of Yeibichai weavings include personalities as diverse as Marjorie Merriwether Post, the cereal businesswoman and philanthropist, and Chee Dodge, the Navajo leader who became the first chairman of the Tribal Council in 1923." "Today, early Yeibichai weavings are appreciated not for their ceremonial themes, but for their originality, beauty and relative scarcity. This book traces the stylistic evolution of the genre from the highly original and complex designs created in the 1910-1935 period, to the more standarized patterns which emerged in the late 1930s and 1940s."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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Category : Anthropology
Languages : en
Pages : 764
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Book Description
Quarterly. References to journal articles, miscellaneous papers, and books, arranged under sections on archaeology, ethnology, linguistics, and physical anthropology. Cross references. Cross index.
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Category : Canada
Languages : en
Pages : 756
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Book Description
Article abstracts and citations of reviews and dissertations covering the United States and Canada.
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Category : Science
Languages : en
Pages : 336
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Author:
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Category : Art
Languages : en
Pages : 436
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