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Author: Lisa E. Bloom
Publisher: Duke University Press
ISBN: 147801864X
Category : Art
Languages : en
Pages : 203
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Book Description
In Climate Change and the New Polar Aesthetics, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant ecosystem failures, rising sea levels, and climate-led migrations. As opposed to mainstream media depictions of climate change that feature apocalyptic spectacles of distant melting ice and desperate polar bears, artists such as Katja Aglert, Subhankar Banerjee, Joyce Campbell, Judit Hersko, Roni Horn, Isaac Julien, Zacharias Kunuk, Connie Samaras, and activist art collectives take a more complex poetic and political approach. In their films and visual and conceptual art, these artists link climate change to its social roots in colonialism and capitalism while challenging the suppression of information about environmental destruction and critiquing Western art institutions for their complicity. Bloom’s examination and contextualization of new polar aesthetics makes environmental degradation more legible while demonstrating that our own political agency is central to imagining and constructing a better world.
Author: Lisa E. Bloom
Publisher: Duke University Press
ISBN: 147801864X
Category : Art
Languages : en
Pages : 203
Get Book Here
Book Description
In Climate Change and the New Polar Aesthetics, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant ecosystem failures, rising sea levels, and climate-led migrations. As opposed to mainstream media depictions of climate change that feature apocalyptic spectacles of distant melting ice and desperate polar bears, artists such as Katja Aglert, Subhankar Banerjee, Joyce Campbell, Judit Hersko, Roni Horn, Isaac Julien, Zacharias Kunuk, Connie Samaras, and activist art collectives take a more complex poetic and political approach. In their films and visual and conceptual art, these artists link climate change to its social roots in colonialism and capitalism while challenging the suppression of information about environmental destruction and critiquing Western art institutions for their complicity. Bloom’s examination and contextualization of new polar aesthetics makes environmental degradation more legible while demonstrating that our own political agency is central to imagining and constructing a better world.
Author: Lisa Bloom
Publisher: U of Minnesota Press
ISBN: 9780816620937
Category : Social Science
Languages : en
Pages : 182
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Book Description
'In this book, Bloom takes what might seem a very localized subject and shows how it opens up to all the central questions today in cultural studies around gender, nationhood, the politics of imperialism, race, male homosocial behavior, and the sociality of science. Gender on Ice has an eloquence and elegance that positively refreshing and the prose is stylish, engaging, and direct.' -Dana Polan, University of Pittsburgh
Author: Jerry Brotton
Publisher: Grove Press
ISBN: 0802163696
Category : History
Languages : en
Pages : 130
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Book Description
From the New York Times bestselling author of A History of the World in 12 Maps, this is the revelatory history of the four cardinal directions that have oriented and defined our place on the globe for millennia North, south, east, and west: almost all societies use these four cardinal directions to orientate themselves and to understand who they are by projecting where they are. For millennia, these four directions have been foundational to our travel, navigation, and exploration, and are central to the imaginative, moral, and political geography of virtually every culture in the world. Yet they are far more subjective—and sometimes contradictory—than we might realize. Four Points of the Compass leads us on a journey of directional discovery. Societies have understood and defined directions in very different ways based on their locations in time and space. Historian Jerry Brotton reveals why Hebrew culture privileges east; why Renaissance Europeans began drawing north at the top of their maps; why early Islam revered the south; why the Aztecs used five color-coded cardinal directions; and why no societies, primitive or modern, have ever orientated themselves westwards. In doing so, politically-loaded but widely used terms such as the “Middle East,” the “Global South.” the “West Indies,” the “Orient.” and even the “western world” take on new meanings. Who decided on these terms and what do they mean for geopolitics? How have directions like “east” and “west” taken on the status of cultural identities—or more accurately stereotypes? Yet today, because of GPS capability, cardinal points are less relevant. Online, we place ourselves at the center of the map as little blue dots moving across geospatial apps; we have become the most important compass point, though in the process we’ve disconnected ourselves from the natural world. Imagining what future changes technology may impose, Jerry Brotton skillfully reminds us how crucial the four cardinal directions have been to everyone who has ever walked our planet. For anyone interested in history, geography, or surprising new ways to think about the world at large, Four Points of the Compass will be a stimulating experience.
Author: Johannes Riquet
Publisher: Manchester University Press
ISBN: 1526174006
Category : Literary Criticism
Languages : en
Pages : 527
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Book Description
The mediated Arctic analyses the multiple relations between geography and cultural production that have long shaped – and are currently transforming – the circumpolar world. It explores how twenty-first-century cultural practitioners imagine and poeticise various elements of Arctic geography, and in doing so negotiate pressing environmental, (geo)political, and social concerns. From the plasmatic force of ice in Disney’s Frozen films to the spatial vocabulary of circumpolar Indigenous hip hop, it addresses Arctic geographical imaginaries in a wide range of media, including literature, cinema, comic books, music videos, and cartographic art. The book brings together a plurality of voices from within and outside the circumpolar North, both in terms of the works analysed and in its own collaborative scholarly practice. The book bridges Indigenous and Southern mediations of the Arctic and combines different epistemologies to do justice to these imaginaries in their diversity.
Author: Peter Eckersall
Publisher: Taylor & Francis
ISBN: 1040036643
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities. This exploration defines dramaturgy as a perceptibly transforming agency in the construction, presentation and reception of contemporary performance; and it shows how contemporary performance has an intrinsic dramaturgical aspect whose proliferation of dramaturgical practices has led to a far-reaching reinvention of what contemporary theatre is. In doing so, this book deals with a careful selection of performance practices, including theatrical adaptations, new media dramaturgy, contemporary dance, installation-performance, postdramatic theatre, visionary works by auteurs, and revivals of well-known stage shows. This study will be of great interest to students and scholars in theater studies, performance studies, cultural studies, curating, and dance scholarship.
Author: Lisa Bloom
Publisher: U of Minnesota Press
ISBN: 9780816632237
Category : Social Science
Languages : en
Pages : 284
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Book Description
With Other Eyes demonstrates how feminist, postcolonial, and antiracist concerns can successfully be incorporated into the study of art.
Author: T. J. Demos
Publisher: Routledge
ISBN: 1000342263
Category : Art
Languages : en
Pages : 580
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Book Description
International in scope, this volume brings together leading and emerging voices working at the intersection of contemporary art, visual culture, activism, and climate change, and addresses key questions, such as: why and how do art and visual culture, and their ethics and values, matter with regard to a world increasingly shaped by climate breakdown? Foregrounding a decolonial and climate-justice-based approach, this book joins efforts within the environmental humanities in seeking to widen considerations of climate change as it intersects with social, political, and cultural realms. It simultaneously expands the nascent branches of ecocritical art history and visual culture, and builds toward the advancement of a robust and critical interdisciplinarity appropriate to the complex entanglements of climate change. This book will be of special interest to scholars and practitioners of contemporary art and visual culture, environmental studies, cultural geography, and political ecology.
Author: Anne Hemkendreis
Publisher: Springer Nature
ISBN: 3031397878
Category :
Languages : en
Pages : 309
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Book Description
Author: Jane Chin Davidson
Publisher: John Wiley & Sons
ISBN: 111984178X
Category : Art
Languages : en
Pages : 597
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Book Description
A Companion to Contemporary Art in a Global Framework explores the ways specialists and institutions in the fine arts, curation, cultural studies, and art history have attempted to situate art in a more global framework since the 1980s. Offering analyses of the successes and setbacks of these efforts to globalize the art world, this innovative volume presents a new and exciting way of considering art in its global contexts. Essays by an international panel of leading scholars and practicing artists assert that what we talk about as ‘art’ is essentially a Western concept, thus any attempts at understanding art in a global framework require a revising of established conceptual definitions. Organized into three sections, this work first reviews the history and theory of the visual arts since 1980 and introduces readers to the emerging area of scholarship that seeks to place contemporary art in a global framework. The second section traces the progression of recent developments in the art world, focusing on the historical and cultural contexts surrounding efforts to globalize the art world and the visual arts in particular global and transnational frameworks. The final section addresses a wide range of key themes in contemporary art, such as the fundamental institutions and ontologies of art practice, and the interactions among art, politics, and the public sphere. A Companion to Contemporary Art in a Global Framework is essential reading for undergraduate and graduate students, scholars, researchers, and general readers interested in exploring global art beyond the traditional Euro-American context.
Author: Alexander Elliott
Publisher: Springer
ISBN: 1137551240
Category : Science
Languages : en
Pages : 272
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Book Description
This volume of essays fills a lacunae in the current climate change debate by bringing new perspectives on the role of humanities scholars within this debate. The humanities have historically played an important role in the various debates on environment, climate and society. The past two decades especially have seen a resurfacing of these environmental concerns across humanities disciplines in the wake of what has been termed climate change. This book argues that these disciplines should be more confident and vocal in responding to climate change while questioning the way in which the climate change debate is currently being conducted in academic, political and social arenas. Addressing climate change through the varied approaches of the humanities means re-thinking and re-evaluating its fundamental assumptions and responses to perceived crisis through the lens of history, philosophy and literature. The volume aims thus to be a catalyst for emerging scholarship in this field and to appeal to an academic and popular readership.
