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Author: Uwe Baumann
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : Drama
Languages : en
Pages : 384
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Book Description
Published some two years after Ben Jonson's famous Roman play Seianus His Fall, the anonymous Claudius Tiberius Nero (1607) covers the whole period of the notorious Tiberius' reign (14 - 37 A.D.). The anonymous dramatist, who is «well seene in Antiquities, but most especially inward with Cornelius Tacitus», presents a chronicle play revelling in malicious designs, sombre plans and bloody outrages. This critical old-spelling edition of a hitherto neglected Roman play contains a text, notes, both textual and explanatory, a detailed introduction by the editor, and five appendices with a wealth of comparative material.
Author: Andrew Hadfield
Publisher: Cambridge University Press
ISBN: 9781139445412
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
This groundbreaking work, first published in 2005, reveals exactly how Shakespeare was influenced by contemporary strands in political thought that were critical of the English crown and constitution. Shakespeare has often been seen as a conservative political thinker characterised by an over-riding fear of the 'mob'. Hadfield argues instead that Shakespeare's writing emerged out of an intellectual milieu fascinated by republican ideas. From the 1590s onwards, he explored republican themes in his poetry and plays: political assassination, elected government, alternative constitutions, and, perhaps most importantly of all, the problem of power without responsibility. Beginning with Shakespeare's apocalyptic representation of civil war in the Henry VI plays, Hadfield provides a series of powerful new readings of Shakespeare and his time. For anyone interested in Shakespeare and Renaissance culture, this book is required reading.
Author: Warren Chernaik
Publisher: Cambridge University Press
ISBN: 1139499963
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
When Cleopatra expresses a desire to die 'after the high Roman fashion', acting in accordance with 'what's brave, what's noble', Shakespeare is suggesting that there are certain values that are characteristically Roman. The use of the terms 'Rome' and 'Roman' in Julius Caesar, Antony and Cleopatra or Jonson's Sejanus often carry the implication that most people fail to live up to this ideal of conduct, that very few Romans are worthy of the name. In this book Chernaik demonstrates how, in these plays, Roman values are held up to critical scrutiny. The plays of Shakespeare, Jonson, Massinger and Chapman often present a much darker image of Rome, as exemplifying barbarism rather than civility. Through a comparative analysis of the Roman plays of Shakespeare and his contemporaries, and including detailed discussion of the classical historians Livy, Tacitus and Plutarch, this study examines the uses of Roman history - 'the myth of Rome' - in Shakespeare's age.
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1960
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Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 730
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Author: Claire Bardelmann
Publisher: Routledge
ISBN: 0429018290
Category : Literary Criticism
Languages : en
Pages : 437
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Book Description
What is the relationship between Eros and music? How does the intersection of love and music contribute to define the perimeter of Early Modern love? The Early Moderns hold parallel discourses on the metaphysical doctrines of love and music as theories of harmony. Statements of love as music, of music as love, and of both as harmonic ideals, are found across a wide range of cultural contexts, highlighting the understanding of love as a cultural construct. The book assesses the complexity of cultural discourses on this linkage of Eros and music. The ambivalence of music as an erotic agent is enacted in the controversy over dancing and reflected in the ubiquitous symbolism of music instruments. Likewise, the trivialization of musical imagery in madrigal lyrics and love poetry highlights a sense of degradation and places the love-music relationship at the meeting point of two epistemes. The book also shows the symbolic deployment of the intertwined ideas of love and music in the English epyllion, and offers close readings of Shakespeare’s poems The Rape of Lucrece and Venus and Adonis. The book is the first to propose an overview of the theoretical, cultural and poetical intersections of Eros and music in Early Modern England. It discusses the connections in a richly interdisciplinary manner, drawing on a wealth of primary material which includes rhetoric, natural philosophy, educational literature, medicine, music theory and musical performance, dance books, performance politics, Protestant pamphlets and sermons, and emblem books.
Author: Library Resources, inc
Publisher:
ISBN:
Category : Books on microfilm
Languages : en
Pages : 466
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Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 732
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 860
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Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 860
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Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 938
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