Author: Tony Birks
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 56
Book Description
A Ceramics Art Monograph from Marston House Claudi Casanovas is Europe's leading sculptural potter, and his work will be exhibiting in the National Art Galleries of five countries, including New York, during 1997. He works on a large scale using revolutionary ceramic techniques which are fully described in this new book about the man and his work. Author Tony Birks is the official biographer of Lucie Rie and Hans Coper, and is himself a widely respected teacher of ceramics and the author of The Complete Potter's Companion. He has produced this book in close collaboration with Casanovas, who is a personal friend. Fourth title in a new series which, at a reasonable price, encourages potters and collectors to collect all the titles in the series. Previous titles were Gabriele Koch, Nicholas Homoky and Ewen Henderson. In full colour, featuring 25 full page colour photographs. Casanovas exhibitions at Galerie Besson, London in 1996, Dusseldorf in 1996, New York, Hamburg and Dunkerque in 1997, all of which attracted publicity and public awareness of the artist's name.
Claudi Casanovas
Author: Tony Birks
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 56
Book Description
A Ceramics Art Monograph from Marston House Claudi Casanovas is Europe's leading sculptural potter, and his work will be exhibiting in the National Art Galleries of five countries, including New York, during 1997. He works on a large scale using revolutionary ceramic techniques which are fully described in this new book about the man and his work. Author Tony Birks is the official biographer of Lucie Rie and Hans Coper, and is himself a widely respected teacher of ceramics and the author of The Complete Potter's Companion. He has produced this book in close collaboration with Casanovas, who is a personal friend. Fourth title in a new series which, at a reasonable price, encourages potters and collectors to collect all the titles in the series. Previous titles were Gabriele Koch, Nicholas Homoky and Ewen Henderson. In full colour, featuring 25 full page colour photographs. Casanovas exhibitions at Galerie Besson, London in 1996, Dusseldorf in 1996, New York, Hamburg and Dunkerque in 1997, all of which attracted publicity and public awareness of the artist's name.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 56
Book Description
A Ceramics Art Monograph from Marston House Claudi Casanovas is Europe's leading sculptural potter, and his work will be exhibiting in the National Art Galleries of five countries, including New York, during 1997. He works on a large scale using revolutionary ceramic techniques which are fully described in this new book about the man and his work. Author Tony Birks is the official biographer of Lucie Rie and Hans Coper, and is himself a widely respected teacher of ceramics and the author of The Complete Potter's Companion. He has produced this book in close collaboration with Casanovas, who is a personal friend. Fourth title in a new series which, at a reasonable price, encourages potters and collectors to collect all the titles in the series. Previous titles were Gabriele Koch, Nicholas Homoky and Ewen Henderson. In full colour, featuring 25 full page colour photographs. Casanovas exhibitions at Galerie Besson, London in 1996, Dusseldorf in 1996, New York, Hamburg and Dunkerque in 1997, all of which attracted publicity and public awareness of the artist's name.
The Persistence of Craft
Author: Paul Greenhalgh
Publisher: Rutgers University Press
ISBN: 9780813532646
Category : Art
Languages : en
Pages : 236
Book Description
In The Persistence of Craft, contributors discuss the development of not only six specific crafts--glass, ceramics, jewelry, wood, textiles, and metal--but also the trends and movements that have helped shape their developments. Includes 180 full-color illustrations.
Publisher: Rutgers University Press
ISBN: 9780813532646
Category : Art
Languages : en
Pages : 236
Book Description
In The Persistence of Craft, contributors discuss the development of not only six specific crafts--glass, ceramics, jewelry, wood, textiles, and metal--but also the trends and movements that have helped shape their developments. Includes 180 full-color illustrations.
The Ceramic Surface
Author: Matthias Ostermann
Publisher: University of Pennsylvania Press
ISBN: 9780812237016
Category : Art
Languages : en
Pages : 230
Book Description
Ceramic arts.
Publisher: University of Pennsylvania Press
ISBN: 9780812237016
Category : Art
Languages : en
Pages : 230
Book Description
Ceramic arts.
The Craft and Art of Clay
Author: Susan Peterson
Publisher: Laurence King Publishing
ISBN: 9781856693547
Category : Crafts & Hobbies
Languages : en
Pages : 438
Book Description
Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes.
Publisher: Laurence King Publishing
ISBN: 9781856693547
Category : Crafts & Hobbies
Languages : en
Pages : 438
Book Description
Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes.
Ten Thousand Years of Pottery
Author: Emmanuel Cooper
Publisher: University of Pennsylvania Press
ISBN: 9780812235548
Category : Antiques & Collectibles
Languages : en
Pages : 368
Book Description
The finest history of pottery available, this book offers an inspirational journey through one of the oldest and most widespread of human activities.
Publisher: University of Pennsylvania Press
ISBN: 9780812235548
Category : Antiques & Collectibles
Languages : en
Pages : 368
Book Description
The finest history of pottery available, this book offers an inspirational journey through one of the oldest and most widespread of human activities.
Naked Clay
Author: Jane Perryman
Publisher: University of Pennsylvania Press
ISBN: 9780812220568
Category : Art
Languages : en
Pages : 194
Book Description
A well illustrated guide to finishing ceramic work without using a glaze.
Publisher: University of Pennsylvania Press
ISBN: 9780812220568
Category : Art
Languages : en
Pages : 194
Book Description
A well illustrated guide to finishing ceramic work without using a glaze.
Ceramic, Art and Civilisation
Author: Paul Greenhalgh
Publisher: Bloomsbury Publishing
ISBN: 1474239722
Category : Art
Languages : en
Pages : 512
Book Description
In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Publisher: Bloomsbury Publishing
ISBN: 1474239722
Category : Art
Languages : en
Pages : 512
Book Description
In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
The Art & Craft of Ceramics
Author: Maria Dolors Ros i Frigola
Publisher: Sterling Publishing Company, Inc.
ISBN: 1579909124
Category : Ceramic sculpture
Languages : en
Pages : 172
Book Description
Provides information about ceramic methods and materials for both beginners and more experienced potters.
Publisher: Sterling Publishing Company, Inc.
ISBN: 1579909124
Category : Ceramic sculpture
Languages : en
Pages : 172
Book Description
Provides information about ceramic methods and materials for both beginners and more experienced potters.
Art for Wales
Author: David Moore
Publisher: eBook Partnership
ISBN: 1913634914
Category : Art
Languages : en
Pages : 180
Book Description
An invaluable reflection on the legacy of Derek Williams (1929-1984), a Cardiff surveyor whose generous bequest of his art collection and entire net estate coincided with a reappraisal of the role and workings of the National Museum of Wales and led to the formation of the Derek Williams Trust in 1992. Concise, insightful chapters by writer and curator David Moore examine the quality and variety of artworks assembled by Derek Williams or supported by the activity of the Trust over a period of over 25 years, ranging from painting to ceramics, photography and digital media. Illustrated with a wealth of artworks from the Trust s collection and related exhibitions.
Publisher: eBook Partnership
ISBN: 1913634914
Category : Art
Languages : en
Pages : 180
Book Description
An invaluable reflection on the legacy of Derek Williams (1929-1984), a Cardiff surveyor whose generous bequest of his art collection and entire net estate coincided with a reappraisal of the role and workings of the National Museum of Wales and led to the formation of the Derek Williams Trust in 1992. Concise, insightful chapters by writer and curator David Moore examine the quality and variety of artworks assembled by Derek Williams or supported by the activity of the Trust over a period of over 25 years, ranging from painting to ceramics, photography and digital media. Illustrated with a wealth of artworks from the Trust s collection and related exhibitions.
Listening to Clay
Author: Alice North
Publisher: The Monacelli Press, LLC
ISBN: 1580935923
Category : Art
Languages : en
Pages : 353
Book Description
The first book to tell the stories of some of the most revered living Japanese ceramists of the century, tracing the evolution of modern and contemporary craft and art in Japan, and the artists’ considerable influence, which far transcends national borders. Listening to Clay: Conversations with Contemporary Japanese Ceramic Artists is the first book to present conversations with some of the most important living Japanese ceramic artists. Tracing the evolution of modern and contemporary craft and art in Japan, this groundbreaking volume highlights sixteen individuals whose unparalleled skill and creative brilliance have lent them an influence that far transcends national borders. Despite forging illustrious careers and earning international recognition for their work, these sixteen artists have been little known in terms of their personal stories. Ranging in age from sixty-three to ninety-three, they embody the diverse experiences of several generations who have been active and successful from the late 1940s to the present day, a period of massive change. Now, sharing their stories for the first time in Listening to Clay, they not only describe their distinctive processes, inspirations, and relationships with clay, but together trace a seismic cultural shift through a field in which centuries-old but exclusionary potting traditions opened to new practitioners and kinds of practices. Listening to Clay includes conversations with artists born into pottery-making families, as well as with some of the first women admitted to the ceramics department of Tokyo University of the Arts, telling a larger story about ingenuity and trailblazing that has shaped contemporary art in Japan and around the world. Each artist is represented by an entry including a brief introduction, a portrait, selected examples of their work, and an intimate interview conducted by the authors over several in-person visits from 2004 to 2019. At the core of each story is the artist’s personal relationship to clay, often described as a collaboration with the material rather than an imposing of intention. The oldest artist interviewed, Hayashi Yasuo, enlisted in the army during WWII at age fifteen and trained as a kamikaze pilot. He was born into a family that had fired ceramics in cooperative kilns for generations, but he rejected traditional modes and went on to be the first artist in Japan to make truly abstract ceramic sculpture. In the late 1960s, another artist, Mishima Kimiyo, developed a technique of silkscreening on clay and began making ceramic newspapers to comment on the proliferation of the media. She became fascinated with trash, recreating it out of clay, and worked in relative obscurity for decades until she had a major exhibition in Tokyo in 2015. Featuring a preface by curator, writer, and historian Glenn Adamson, and a foreword by Monika Bincsik, the Associate Curator for Japanese Decorative Arts at The Metropolitan Museum of Art, Listening to Clay has been a project more than fifteen years in the making for authors Alice and Halsey North, respected and knowledgeable collectors and patrons of contemporary Japanese ceramics, and Louise Allison Cort, Curator Emerita of Ceramics, National Museum of Asian Art, Smithsonian Institution. The book also includes conversations with five important dealers of contemporary Japanese ceramics who have played and are playing a critical role in introducing the work of these artists to the world, several detailed appendices, and a glossary of terms, relevant people, and relationships. Listening to Clay is a long-overdue and insightful book that, for the first time, spotlights some of Japan’s most celebrated contemporary ceramic artists through personal, idiosyncratic accounts of their day-to-day lives, giving special access to their creative process and artistic development.
Publisher: The Monacelli Press, LLC
ISBN: 1580935923
Category : Art
Languages : en
Pages : 353
Book Description
The first book to tell the stories of some of the most revered living Japanese ceramists of the century, tracing the evolution of modern and contemporary craft and art in Japan, and the artists’ considerable influence, which far transcends national borders. Listening to Clay: Conversations with Contemporary Japanese Ceramic Artists is the first book to present conversations with some of the most important living Japanese ceramic artists. Tracing the evolution of modern and contemporary craft and art in Japan, this groundbreaking volume highlights sixteen individuals whose unparalleled skill and creative brilliance have lent them an influence that far transcends national borders. Despite forging illustrious careers and earning international recognition for their work, these sixteen artists have been little known in terms of their personal stories. Ranging in age from sixty-three to ninety-three, they embody the diverse experiences of several generations who have been active and successful from the late 1940s to the present day, a period of massive change. Now, sharing their stories for the first time in Listening to Clay, they not only describe their distinctive processes, inspirations, and relationships with clay, but together trace a seismic cultural shift through a field in which centuries-old but exclusionary potting traditions opened to new practitioners and kinds of practices. Listening to Clay includes conversations with artists born into pottery-making families, as well as with some of the first women admitted to the ceramics department of Tokyo University of the Arts, telling a larger story about ingenuity and trailblazing that has shaped contemporary art in Japan and around the world. Each artist is represented by an entry including a brief introduction, a portrait, selected examples of their work, and an intimate interview conducted by the authors over several in-person visits from 2004 to 2019. At the core of each story is the artist’s personal relationship to clay, often described as a collaboration with the material rather than an imposing of intention. The oldest artist interviewed, Hayashi Yasuo, enlisted in the army during WWII at age fifteen and trained as a kamikaze pilot. He was born into a family that had fired ceramics in cooperative kilns for generations, but he rejected traditional modes and went on to be the first artist in Japan to make truly abstract ceramic sculpture. In the late 1960s, another artist, Mishima Kimiyo, developed a technique of silkscreening on clay and began making ceramic newspapers to comment on the proliferation of the media. She became fascinated with trash, recreating it out of clay, and worked in relative obscurity for decades until she had a major exhibition in Tokyo in 2015. Featuring a preface by curator, writer, and historian Glenn Adamson, and a foreword by Monika Bincsik, the Associate Curator for Japanese Decorative Arts at The Metropolitan Museum of Art, Listening to Clay has been a project more than fifteen years in the making for authors Alice and Halsey North, respected and knowledgeable collectors and patrons of contemporary Japanese ceramics, and Louise Allison Cort, Curator Emerita of Ceramics, National Museum of Asian Art, Smithsonian Institution. The book also includes conversations with five important dealers of contemporary Japanese ceramics who have played and are playing a critical role in introducing the work of these artists to the world, several detailed appendices, and a glossary of terms, relevant people, and relationships. Listening to Clay is a long-overdue and insightful book that, for the first time, spotlights some of Japan’s most celebrated contemporary ceramic artists through personal, idiosyncratic accounts of their day-to-day lives, giving special access to their creative process and artistic development.