Claude-Oscar Monet, 1840-1926 The Masters PDF Download
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Author: Alberto Martini
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Alberto Martini
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Claude Monet
Publisher: Delphi Classics
ISBN: 1908909927
Category : Impressionism (Art)
Languages : en
Pages : 729
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Author: Trewin Copplestone
Publisher: Book Sales
ISBN: 9781555212124
Category : Impressionism (Art)
Languages : en
Pages : 64
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Book Description
Examines the life and works of Monet, the central figure in the Impressionist movement, and discusses his themes and methods
Author: Claude Monet
Publisher: Delphi Classics
ISBN:
Category : Art
Languages : en
Pages : 908
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A founder of French Impressionist painting and the most prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, Claude Monet created a large body of works, developing his own method of producing repeated studies of the same motif in a series, whilst changing canvases with the shift in light. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents over 500 paintings of the Impressionist master. For all art lovers, this stunning collection offers a beautiful feast of images by one of the most influential artists of the twentieth century. (Version 2) Features: * over 500 paintings, indexed and arranged in chronological order * special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * beautiful 'detail' images, allowing you to explore Monet's celebrated works * numerous images relating to Monet’s life and works * learn about the history of the Impressionists and the celebrated works that shaped the art movement in the detailed biography THE FRENCH IMPRESSIONISTS by Camille Mauclair * hundreds of images in stunning colour - highly recommended for tablets, iPhone and iPad users, or as a valuable reference tool on eReaders Please visit: www.delphiclassics.com for more information and to browse our range of titles. CONTENTS: The Highlights LUNCHEON ON THE GRASS SELF PORTRAIT WITH A BERET THE TERRACE AT SAINTE-ADRESSE WOMEN IN THE GARDEN BATHERS-AT-LA-GRENOUILLÈRE ON THE BANK OF THE SEINE, BENNECOURT THE MAGPIE POPPIES BLOOMING WOMAN WITH A PARASOL IMPRESSION, SUNRISE GARE SAINT LAZARE, ARRIVAL OF A TRAIN IN THE WOODS AT GIVERNY BLANCHE HOSCHEDÉ HAYSTACKS, (SUNSET) ROUEN CATHEDRAL, FAÇADE (SUNSET) BRIDGE OVER A POND OF WATER LILIES HOUSES OF PARLIAMENT, LONDON WATER LILIES THE GRAND CANAL, VENICE NYMPHEAS THE ROSE-WAY IN GIVERNY The Paintings THE PAINTINGS IN CHRONOLOGICAL ORDER ALPHABETICAL LIST OF PAINTINGS The Biography THE FRENCH IMPRESSIONISTS by Camille Mauclair Please visit: www.delphiclassics.com for more information
Author: Claude Monet
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 132
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Book Description
Briefly discusses the life and art of the French impressionist and provides commentary on his major works.
Author: Nina Kalitina
Publisher: Parkstone International
ISBN: 1783104236
Category : Art
Languages : en
Pages : 175
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Book Description
For Monet, the act of creation was always a painful struggle. His obsession with capturing the effects of lighting in nature was much more intense than that of his contemporaries. In his words: “Skills come and go … art is always the same: a transposition of nature that requires as much determination as sensibility. I strive and struggle against the sun … I might as well paint it with gold and precious stones.” A beautiful display of Impressionist work, Great Masters Monet explores the extraordinary paintings of one of the Masters of the 19th century. Monet’s rapid brushstroke style in landscapes and scenes from everyday life illustrates his overall fascination with light and colour.
Author: Guy Jennigs
Publisher: Booksales
ISBN: 9780785807940
Category : Painters
Languages : en
Pages : 0
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Book Description
Surveys the life, works and techniques of French painter, Claude Monet.
Author: Bernard L. Myers
Publisher: Booksales
ISBN: 9781853611001
Category : Architecture
Languages : en
Pages : 126
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Author: Nathalia Brodskaya
Publisher: Parkstone International
ISBN: 1780422970
Category : Art
Languages : en
Pages : 160
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For Claude Monet the designation ‘impressionist’ always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the end of his very long life. He was so by deep conviction, and for his Impressionism he may have sacrificed many other opportunities that his enormous talent held out to him. Monet did not paint classical compositions with figures, and he did not become a portraitist, although his professional training included those skills. He chose a single genre for himself, landscape painting, and in that he achieved a degree of perfection none of his contemporaries managed to attain. Yet the little boy began by drawing caricatures. Boudin advised Monet to stop doing caricatures and to take up landscapes instead. The sea, the sky, animals, people, and trees are beautiful in the exact state in which nature created them – surrounded by air and light. Indeed, it was Boudin who passed on to Monet his conviction of the importance of working in the open air, which Monet would in turn transmit to his impressionist friends. Monet did not want to enrol at the Ecole des Beaux-Arts. He chose to attend a private school, L’Académie Suisse, established by an ex-model on the Quai d’Orfèvres near the Pont Saint-Michel. One could draw and paint from a live model there for a modest fee. This was where Monet met the future impressionist Camille Pissarro. Later in Gleyre’s studio, Monet met Auguste Renoir Alfred Sisley, and Frédéric Bazille. Monet considered it very important that Boudin be introduced to his new friends. He also told his friends of another painter he had found in Normandy. This was the remarkable Dutchman Jongkind. His landscapes were saturated with colour, and their sincerity, at times even their naïveté, was combined with subtle observation of the Normandy shore’s variable nature. At this time Monet’s landscapes were not yet characterized by great richness of colour. Rather, they recalled the tonalities of paintings by the Barbizon artists, and Boudin’s seascapes. He composed a range of colour based on yellow-brown or blue-grey. At the Third Impressionist Exhibition in 1877 Monet presented a series of paintings for the first time: seven views of the Saint-Lazare train station. He selected them from among twelve he had painted at the station. This motif in Monet’s work is in line not only with Manet’s Chemin de fer (The Railway) and with his own landscapes featuring trains and stations at Argenteuil, but also with a trend that surfaced after the railways first began to appear. In 1883, Monet had bought a house in the village of Giverny, near the little town of Vernon. At Giverny, series painting became one of his chief working procedures. Meadows became his permanent workplace. When a journalist, who had come from Vétheuil to interview Monet, asked him where his studio was, the painter answered, “My studio! I’ve never had a studio, and I can’t see why one would lock oneself up in a room. To draw, yes – to paint, no”. Then, broadly gesturing towards the Seine, the hills, and the silhouette of the little town, he declared, “There’s my real studio.”Monet began to go to London in the last decade of the nineteenth century. He began all his London paintings working directly from nature, but completed many of them afterwards, at Giverny. The series formed an indivisible whole, and the painter had to work on all his canvases at one time. A friend of Monet’s, the writer Octave Mirbeau, wrote that he had accomplished a miracle. With the help of colours he had succeeded in recreating on the canvas something almost impossible to capture: he was reproducing sunlight, enriching it with an infinite number of reflections. Alone among the impressionists, Claude Monet took an almost scientific study of the possibilities of colour to its limits; it is unlikely that one could have gone any further in that direction.
Author: Maria Xenia Bootle WILBRAHAM (Countess of Lathom.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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