Classical Romantic Era Art Coloring Book PDF Download
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Author: Denise McGill
Publisher: Lulu.com
ISBN: 035940507X
Category :
Languages : en
Pages : 56
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Book Description
This is a coloring book drawn from classic Romantic era art from El Greco to Turner. This covers Mannerism, Baroque and Rococo, Romanticism and Neoclassicism. The idea is that when you color famous art you remember the names and faces better than if you were just trying to memorize art history. This is meant to be an educational tool and a fun one.
Author: Denise McGill
Publisher: Lulu.com
ISBN: 035940507X
Category :
Languages : en
Pages : 56
Get Book Here
Book Description
This is a coloring book drawn from classic Romantic era art from El Greco to Turner. This covers Mannerism, Baroque and Rococo, Romanticism and Neoclassicism. The idea is that when you color famous art you remember the names and faces better than if you were just trying to memorize art history. This is meant to be an educational tool and a fun one.
Author: Denise McGill
Publisher: Lulu.com
ISBN: 0359407099
Category :
Languages : en
Pages : 51
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Book Description
This is a coloring book drawn from classic Impressionist art from Van Gogh to Mucha. The idea is that when you color famous art you remember the names and faces better than if you were just trying to memorize art history. This is meant to be an educational tool and a fun one. It covers a brief history of the paintings as well as the artists.
Author: Craig Yoe
Publisher: Yoe Books
ISBN: 9781631408496
Category : Coloring books
Languages : en
Pages : 0
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Book Description
Color me in love... vintage style! The beautiful, the fascinating, sometimes amusing romance comic book cover art of the 50s and 60s is highlighted in this fun book! Full of Pop Art style kisses, handsome gents, and beautiful misses. Some of the most highly skilled artists of the era drew these romantic and sexy images ready for you to color... with love! "Price Includes VAT"
Author: William Vaughan
Publisher: Thames & Hudson
ISBN: 9780500201572
Category : Art, Modern
Languages : en
Pages : 288
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Book Description
About Romantic art from the 18th-19th centuries.
Author: Kenneth Clark
Publisher:
ISBN: 9780860077183
Category : Art criticism
Languages : en
Pages : 366
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Book Description
Author: Cora Gilroy-Ware
Publisher: Paul Mellon Centre for Studies
ISBN: 9781913107062
Category : Art
Languages : en
Pages : 0
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Book Description
A radical, lively departure from received notions about art of the Romantic period For many, the term "neoclassicism" has come to imply discipline, order, restraint, and a certain myopia. Leaving the term behind, this book radically challenges enduring assumptions about the art produced from the late 18th century to the early Victorian period, casting new light on appropriations of the classical body by British artists. It is the first to foreground the intersections of gender, race, and class in discussions of British visual classicism, laying bare artists' alternately politicizing and emphatically sensual engagements with Greco-Roman art. Rather than rely exclusively on subsequent scholarship, the book takes up the poet John Keats (1795-1821) as a theoretical framework. Eschewing the "Golden Age" narrative, which sees J. M. W. Turner (1775-1851) as the pinnacle of the period's artistic achievement, the book examines overlooked artists, such as Henry Howard (1769-1847) and John Graham Lough (1798-1876). The result is a fresh account of underappreciated works of British painting and sculpture. Distributed for the Paul Mellon Centre for Studies in British Art
Author: Parmenia Migel
Publisher: Courier Corporation
ISBN: 9780486240503
Category : Art
Languages : en
Pages : 154
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Book Description
Sumptuous collection of historic prints from years 1830 to 1860. Taglioni, Elssler, Grisi, other stars by such artists as Chalon, Grevedon, Deveria, and more. Introduction, captions, bibliography.
Author: Jane Turner
Publisher: Macmillan
ISBN: 9780312229757
Category : Art
Languages : en
Pages : 438
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Book Description
"From the Renaissance and Mannerism to impressionism and Post-Impressionism, from the Gothic Revival to the Arts and Crafts Movement, and Art Nouveau, the history of Western Art is here narrated through more than 180 articles on its most significant styles and movements. Covering all forms of the visual arts - architecture and decorative arts as well as painting and sculpture, each survey discusses the origins, characteristics, leading players, and influence of the most important movements in European. North American, and Latin American art. With articles written in clear, straightforward language and with selective bibliographies, this extensive guide is an essential introduction for anyone with an interest in art and the arts in general."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Robert Zeller
Publisher: The Monacelli Press, LLC
ISBN: 1580934528
Category : Art
Languages : en
Pages : 305
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Book Description
An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist’s Handbook—the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller’s own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew Loomis, Andrew Wyeth, Lucian Freud, Odd Nerdrum, Eric Fischl, Bo Bartlett, Steven Assael, John Currin, and many others. Original and thoroughly modern in his approach, Zeller brings together three figure-drawing methods long thought to be at odds, synthesizing these seemingly incompatible techniques to achieve a cohesive and complete understanding of the human figure. Although all three methods underlie contemporary fine-arts practice and education, no artist’s handbook has ever combined them before: The Study of Gesture (Disegno): Rooted in the Italian Mannerist style of the 16th and 17th centuries, the gestural method emphasizes life, rhythm, and movement in the human body. The Structural Approach: A mainstay of 20th- and 21st-century art instruction, this method applies an architectural perspective to the body, using a block conception for anatomically sound, solid figures. The Atelier Method: Based on the training provided by 18th- and 19th-century art academies, the atelier approach creates sensual, smooth renderings based on meticulous study of the figure’s surface morphology in light and shadow. Covering all the basics as well as many advanced techniques, The Figurative Artist’s Handbook is aimed at both students and experienced artists. A practical, how-to guide, it provides in-depth step-by-step instruction and—rare among figure-drawing books—features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas from the initial inspiration to the fully developed work. Also included is an extensive section highlighting the great movements in figurative art throughout history—from ancient Egypt and Greece to the present.
Author: Mary Bittner Wiseman
Publisher: Rowman & Littlefield
ISBN: 1498596916
Category : Philosophy
Languages : en
Pages : 199
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Book Description
In A Grand Materialism in the New Art from China, Mary Bittner Wiseman shows that material matters in the work of Chinese artists, where the goal is to call attention to its subjects through the directness and immediacy of its material (like dust from 9/11, 1001 Chinese citizens, paintings made with gunpowder, written words) or the specificity of its sites (such as the Three Gorges Dam). Artists are working below the level of language where matter and gesture, texture and touch, instinct and intuition live. Not reduced to the words applied to them, art's subjects appear in their concrete particularity, embedded in the stories of their materials or their sites. Wiseman argues that it is global in being able to be understood by all thanks to its materials and the stories that accompany it, and the art is contemporary in having to make the case for itself that it is art. Finally, it satisfies Arthur Danto’s characterization of art as any representation that puts its subject in a new light by way of a rhetorical figure that the viewer interprets. The material art from China is the paradigm for an art that is global and contemporary.
