Author: Noah William Isenberg
Publisher: Columbia University Press
ISBN: 0231130554
Category : History
Languages : en
Pages : 373
Book Description
In this comprehensive companion to Weimar cinema, chapters address the technological advancements of each film, their production and place within the larger history of German cinema, the style of the director, the actors and the rise of the German star, and the critical reception of the film.
Weimar Cinema
Author: Noah William Isenberg
Publisher: Columbia University Press
ISBN: 0231130554
Category : History
Languages : en
Pages : 373
Book Description
In this comprehensive companion to Weimar cinema, chapters address the technological advancements of each film, their production and place within the larger history of German cinema, the style of the director, the actors and the rise of the German star, and the critical reception of the film.
Publisher: Columbia University Press
ISBN: 0231130554
Category : History
Languages : en
Pages : 373
Book Description
In this comprehensive companion to Weimar cinema, chapters address the technological advancements of each film, their production and place within the larger history of German cinema, the style of the director, the actors and the rise of the German star, and the critical reception of the film.
Classic Film Series: Stanley Kubrick's the Shining
Author: Chris Wade
Publisher: Lulu.com
ISBN: 9780244416003
Category : Art
Languages : en
Pages : 104
Book Description
In this book, Chris Wade explores Stanley Kubrick's 1980 adaptation of Stephen King's novel, The Shining. The film concerns Jack Torrance (Jack Nicholson), who takes on the job of winter caretaker for the isolated Overlook Hotel, taking with him his wife Wendy (Shelley Duvall) and Danny (Danny Lloyd), only to find the vast establishment is home to a host of spirits and dark forces. The Shining is one of the most discussed, dissected and popular films of the past fifty years, garnering an intense cult following which seems to grow as the years go on. Wade explores various themes prevalent in the film, examines the differences between Kubrick and King's visions, and digs deep to look at the various subliminal and metaphorical layers beneath the surface.
Publisher: Lulu.com
ISBN: 9780244416003
Category : Art
Languages : en
Pages : 104
Book Description
In this book, Chris Wade explores Stanley Kubrick's 1980 adaptation of Stephen King's novel, The Shining. The film concerns Jack Torrance (Jack Nicholson), who takes on the job of winter caretaker for the isolated Overlook Hotel, taking with him his wife Wendy (Shelley Duvall) and Danny (Danny Lloyd), only to find the vast establishment is home to a host of spirits and dark forces. The Shining is one of the most discussed, dissected and popular films of the past fifty years, garnering an intense cult following which seems to grow as the years go on. Wade explores various themes prevalent in the film, examines the differences between Kubrick and King's visions, and digs deep to look at the various subliminal and metaphorical layers beneath the surface.
Marriage Story
Author:
Publisher:
ISBN: 9781614289043
Category : Art
Languages : en
Pages : 0
Book Description
Each volume contains film stills, set photography, quotes from the cast and the filmmakers, Introductions, copies of handwritten notes by Adam Driver (Charlie) and Scarlett Johansson (pink) giving their perspectives on who the other character is. In envelopes adhered to front paste-downs of each other's volumes.
Publisher:
ISBN: 9781614289043
Category : Art
Languages : en
Pages : 0
Book Description
Each volume contains film stills, set photography, quotes from the cast and the filmmakers, Introductions, copies of handwritten notes by Adam Driver (Charlie) and Scarlett Johansson (pink) giving their perspectives on who the other character is. In envelopes adhered to front paste-downs of each other's volumes.
Hideous Progeny
Author: Angela Smith
Publisher: Columbia University Press
ISBN: 0231527853
Category : Performing Arts
Languages : en
Pages : 356
Book Description
Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other.
Publisher: Columbia University Press
ISBN: 0231527853
Category : Performing Arts
Languages : en
Pages : 356
Book Description
Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other.
Alien
Author: Roger Luckhurst
Publisher: Bloomsbury Publishing
ISBN: 1838714286
Category : Performing Arts
Languages : en
Pages : 104
Book Description
A legendary fusion of science fiction and horror, Ridley Scott's Alien (1979) is one of the most enduring films of modern cinema – its famously visceral scenes acting like a traumatic wound we seem compelled to revisit. Tracing the constellation of talents that came together to produce the film, Roger Luckhurst examines its origins as a monster movie script called Star Beast, dismissed by many in Hollywood as B-movie trash, through to its afterlife in numerous sequels, prequels and elaborations. Exploring the ways in which Alien compels us to think about otherness, Luckhurst demonstrates how and why this interstellar slasher movie, this old dark house in space, came to coil itself around our darkest imaginings about the fragility of humanity. This special edition features original cover artwork by Marta Lech.
Publisher: Bloomsbury Publishing
ISBN: 1838714286
Category : Performing Arts
Languages : en
Pages : 104
Book Description
A legendary fusion of science fiction and horror, Ridley Scott's Alien (1979) is one of the most enduring films of modern cinema – its famously visceral scenes acting like a traumatic wound we seem compelled to revisit. Tracing the constellation of talents that came together to produce the film, Roger Luckhurst examines its origins as a monster movie script called Star Beast, dismissed by many in Hollywood as B-movie trash, through to its afterlife in numerous sequels, prequels and elaborations. Exploring the ways in which Alien compels us to think about otherness, Luckhurst demonstrates how and why this interstellar slasher movie, this old dark house in space, came to coil itself around our darkest imaginings about the fragility of humanity. This special edition features original cover artwork by Marta Lech.
The Beiderbecke Affair
Author: William Gallagher
Publisher: Bloomsbury Publishing
ISBN: 1844577325
Category : Performing Arts
Languages : en
Pages : 144
Book Description
With as little plot as its creator Alan Plater could get away with and as much jazz as he could manage, the 1985 television drama The Beiderbecke Affair had a far-reaching impact, inspiring sequels, novels, albums and even jazz tours. Much like its Bix Beiderbecke-style soundtrack, Plater's quietly joyous drama was unconventional, free: its narrative following the lives and relationships of its leading characters – teachers-turned-amateur detectives Trevor Chaplin (James Bolam) and Jill Swinburne (Barbara Flynn) – with a gentle, whimsical humour. William Gallagher's illuminating study is the first critical account of this much-loved series. Drawing on interviews with cast members and musicians, the production team and Yorkshire TV executives, as well as on insights from Plater himself, Gallagher explores Beiderbecke's origins in Plater's 1981 tv drama Get Lost! before moving on to an in-depth analysis of the series itself, to reveal why such an unassuming series remains one of the best-loved examples of British television drama. The book also includes a previously unpublished BBC Radio 4 short story featuring the character of Jill Swinburne, 'A Brief Encounter with Richard Wagner'.
Publisher: Bloomsbury Publishing
ISBN: 1844577325
Category : Performing Arts
Languages : en
Pages : 144
Book Description
With as little plot as its creator Alan Plater could get away with and as much jazz as he could manage, the 1985 television drama The Beiderbecke Affair had a far-reaching impact, inspiring sequels, novels, albums and even jazz tours. Much like its Bix Beiderbecke-style soundtrack, Plater's quietly joyous drama was unconventional, free: its narrative following the lives and relationships of its leading characters – teachers-turned-amateur detectives Trevor Chaplin (James Bolam) and Jill Swinburne (Barbara Flynn) – with a gentle, whimsical humour. William Gallagher's illuminating study is the first critical account of this much-loved series. Drawing on interviews with cast members and musicians, the production team and Yorkshire TV executives, as well as on insights from Plater himself, Gallagher explores Beiderbecke's origins in Plater's 1981 tv drama Get Lost! before moving on to an in-depth analysis of the series itself, to reveal why such an unassuming series remains one of the best-loved examples of British television drama. The book also includes a previously unpublished BBC Radio 4 short story featuring the character of Jill Swinburne, 'A Brief Encounter with Richard Wagner'.
Paris Is Burning
Author: Lucas Hilderbrand
Publisher: arsenal pulp press
ISBN: 1551525208
Category : Performing Arts
Languages : en
Pages : 133
Book Description
Paris Is Burning (Jennie Livingston, 1991) captures the energy, ambition, wit, and struggle of African-American and Latino participants in the 1980s New York drag ball scene. This book contextualizes the film within the longer history of drag balls, the practices of documentary, the fervor of the culture wars, and the development of queer theory and critical race studies.
Publisher: arsenal pulp press
ISBN: 1551525208
Category : Performing Arts
Languages : en
Pages : 133
Book Description
Paris Is Burning (Jennie Livingston, 1991) captures the energy, ambition, wit, and struggle of African-American and Latino participants in the 1980s New York drag ball scene. This book contextualizes the film within the longer history of drag balls, the practices of documentary, the fervor of the culture wars, and the development of queer theory and critical race studies.
Law of Desire
Author: José Quiroga
Publisher: arsenal pulp press
ISBN: 1551523507
Category : Performing Arts
Languages : en
Pages : 116
Book Description
“This series will be a significant, valuable contribution to the history and literature of gay cinema. Each of these works will be valuable additions for academic and popular students of film and gay culture.”—Library Journal Law of Desire, one of three inaugural titles in Arsenal Pulp Press' new film book series Queer Film Classics, focuses on the 1987 homoerotic melodrama by Pedro Almodóvar, Spain's most successful contemporary film director. The film Law of Desire is a grand tale of love, lust, and amnesia featuring three main characters: a gay film director (played by Eusebio Poncela); his sister, an actress who was once his brother (Carmen Maura); and a repressed, obsessive stalker (a young Antonio Banderas). In the twenty-plus years since its first release, Law of Desire has been acknowledged as redefining the way in which cinema can portray the difficult affective relationships between homosexuality, gender, and sex. Taking his cue from the golden age of Latin American, American, and European melodrama, Almodóvar created a sentimental yet hard-edged film that believes in the utopian possibilities for new relationships that redeem people from their despair. Since its release, Almodóvar has become an Oscar-winning filmmaker who regularly delves into issues of sexuality, gender, and identity. This book examines the political and social context in which Almodóvar created Law of Desire, as well as its impact on LGBT cinema both in Europe and around the world.
Publisher: arsenal pulp press
ISBN: 1551523507
Category : Performing Arts
Languages : en
Pages : 116
Book Description
“This series will be a significant, valuable contribution to the history and literature of gay cinema. Each of these works will be valuable additions for academic and popular students of film and gay culture.”—Library Journal Law of Desire, one of three inaugural titles in Arsenal Pulp Press' new film book series Queer Film Classics, focuses on the 1987 homoerotic melodrama by Pedro Almodóvar, Spain's most successful contemporary film director. The film Law of Desire is a grand tale of love, lust, and amnesia featuring three main characters: a gay film director (played by Eusebio Poncela); his sister, an actress who was once his brother (Carmen Maura); and a repressed, obsessive stalker (a young Antonio Banderas). In the twenty-plus years since its first release, Law of Desire has been acknowledged as redefining the way in which cinema can portray the difficult affective relationships between homosexuality, gender, and sex. Taking his cue from the golden age of Latin American, American, and European melodrama, Almodóvar created a sentimental yet hard-edged film that believes in the utopian possibilities for new relationships that redeem people from their despair. Since its release, Almodóvar has become an Oscar-winning filmmaker who regularly delves into issues of sexuality, gender, and identity. This book examines the political and social context in which Almodóvar created Law of Desire, as well as its impact on LGBT cinema both in Europe and around the world.
C.R.A.Z.Y.
Author: Robert Schwartzwald
Publisher: Queer Film Classics
ISBN: 9781551526102
Category : Performing Arts
Languages : en
Pages : 0
Book Description
QUEER FILM CLASSICS is a critically acclaimed series that launched in 2009, edited by Thomas Waugh and Matthew Hays, covering some of the most important and influential films about and/or by LGBT people made between 1950 and 2005, and written by leading LGBT film scholars and critics. A Queer Film Classic on the 2005 film by French-Canadian director Jean-Marc Vallee (best known for Dallas Buyers Club and Wild), about a young gay man named Zac growing up in the 1960s and '70s who struggles to find his sense of self amidst a "crazy" family of four brothers, a loving mother, and a macho father who seeks to cure him when the boy reveals that he prefers dolls to hockey, David Bowie to Patsy Cline, and his cousin's boyfriend Paul's luscious lips to those of the girl next door. With exquisite attention to period detail, at once highly realistic and magical, C.R.A.Z.Y. chronicles Zac's place in an evolving family romance set against the backdrop of Quebec's "Quiet Revolution," when traditional Catholic culture made way for the modern age. The film won a best picture Genie Award (Canada's version of the Oscars) in 2006. Robert Schwartzwald's book discusses the film's context within a turbulent Quebec, and how French Canada is situated between, and conflicted about, American and French popular culture.
Publisher: Queer Film Classics
ISBN: 9781551526102
Category : Performing Arts
Languages : en
Pages : 0
Book Description
QUEER FILM CLASSICS is a critically acclaimed series that launched in 2009, edited by Thomas Waugh and Matthew Hays, covering some of the most important and influential films about and/or by LGBT people made between 1950 and 2005, and written by leading LGBT film scholars and critics. A Queer Film Classic on the 2005 film by French-Canadian director Jean-Marc Vallee (best known for Dallas Buyers Club and Wild), about a young gay man named Zac growing up in the 1960s and '70s who struggles to find his sense of self amidst a "crazy" family of four brothers, a loving mother, and a macho father who seeks to cure him when the boy reveals that he prefers dolls to hockey, David Bowie to Patsy Cline, and his cousin's boyfriend Paul's luscious lips to those of the girl next door. With exquisite attention to period detail, at once highly realistic and magical, C.R.A.Z.Y. chronicles Zac's place in an evolving family romance set against the backdrop of Quebec's "Quiet Revolution," when traditional Catholic culture made way for the modern age. The film won a best picture Genie Award (Canada's version of the Oscars) in 2006. Robert Schwartzwald's book discusses the film's context within a turbulent Quebec, and how French Canada is situated between, and conflicted about, American and French popular culture.
Planet of the Apes
Author: Pierre Boulle
Publisher: Del Rey
ISBN: 0307792366
Category : Fiction
Languages : en
Pages : 203
Book Description
The original novel that inspired the films! First published more than fifty years ago, Pierre Boulle’s chilling novel launched one of the greatest science fiction sagas in motion picture history. In the not-too-distant future, three astronauts land on what appears to be a planet just like Earth, with lush forests, a temperate climate, and breathable air. But while it appears to be a paradise, nothing is what it seems. They soon discover the terrifying truth: On this world humans are savage beasts, and apes rule as their civilized masters. In an ironic novel of nonstop action and breathless intrigue, one man struggles to unlock the secret of a terrifying civilization, all the while wondering: Will he become the savior of the human race, or the final witness to its damnation? In a shocking climax that rivals that of the original movie, Boulle delivers the answer in a masterpiece of adventure, satire, and suspense.
Publisher: Del Rey
ISBN: 0307792366
Category : Fiction
Languages : en
Pages : 203
Book Description
The original novel that inspired the films! First published more than fifty years ago, Pierre Boulle’s chilling novel launched one of the greatest science fiction sagas in motion picture history. In the not-too-distant future, three astronauts land on what appears to be a planet just like Earth, with lush forests, a temperate climate, and breathable air. But while it appears to be a paradise, nothing is what it seems. They soon discover the terrifying truth: On this world humans are savage beasts, and apes rule as their civilized masters. In an ironic novel of nonstop action and breathless intrigue, one man struggles to unlock the secret of a terrifying civilization, all the while wondering: Will he become the savior of the human race, or the final witness to its damnation? In a shocking climax that rivals that of the original movie, Boulle delivers the answer in a masterpiece of adventure, satire, and suspense.