Author: Frances Borzello
Publisher: Faber & Faber
ISBN: 0571317596
Category : Art
Languages : en
Pages : 210
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Book Description
'I wrote my thesis because it seemed incredible that a nineteenth century cleric could believe that paintings had the power to civilise his community of London's poorest. Yet that is what he did believe and his ideas were exported round the world. I still don't know whether he was right...' Frances Borzello What is the purpose of art? Aside from aesthetic considerations, does it have socio-political functions? Art critic Frances Borzello reflected on this in her doctoral thesis, later expanded for publication in 1987 as Civilising Caliban. Therein she traced a link between Victorian-era exhibitions mounted for Whitechapel's poor by Anglican vicar Samuel Barnett to the munificent post-war patronage of the Arts Council. In a new preface to this edition Borzello reflects on how the idea of 'art for all' has fared - along with the questions of who pays for it and what good it achieves.
Author: Lisanne Gibson
Publisher: Univ. of Queensland Press
ISBN: 9780702232046
Category : Art
Languages : en
Pages : 196
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Book Description
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Author: Elizabeth Edwards
Publisher: Duke University Press
ISBN: 0822351048
Category : Art
Languages : en
Pages : 346
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Book Description
"In the camera as historian, the groundbreaking historical and visual anthropologist Elizabeth Edwards works with an archive of neraly 55,000 photographs taken by 1,000 photographers, mostly unknown until now." -- Inside cover.
Author: Markus Bockmuehl
Publisher: Taylor & Francis
ISBN: 1040228364
Category : Religion
Languages : en
Pages : 214
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Book Description
This book provides an up-to-date introduction to the religious and artistic story behind The Light of the World by William Holman Hunt. Created in the mid-nineteenth century, it is often said to be the most widely exhibited work of art in history and remains one of the most widely known Christian paintings to this day. The subject matter provides a rich wealth of resources, touching on the extraordinary artistic renewal associated with the Oxford Movement, its religious and intellectual revolution in recovering early Christian tropes and motives of scriptural interpretation. The book also considers the painting’s impact on the religious and cultural life of the British Empire as its tour served not just spiritual edification but also the promotion of imperial values. The contributions reflect on concerns of decolonisation while illustrating religious art’s ability to engage relevantly with contemporary concerns. Enabling a fresh encounter with the painting, this book will be of interest to theologians, biblical scholars, and historians.
Author: Claire Robins
Publisher: Routledge
ISBN: 131715553X
Category : Art
Languages : en
Pages : 260
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Book Description
Amongst recent contemporary art and museological publications, there have been relatively few which direct attention to the distinct contributions that twentieth and twenty-first century artists have made to gallery and museum interpretation practices. There are fewer still that recognise the pedagogic potential of interventionist artworks in galleries and museums. This book fills that gap and demonstrates how artists have been making curious but, none-the-less, useful contributions to museum education and curation for some time. Claire Robins investigates in depth the phenomenon of artists' interventions in museums and examines their pedagogic implications. She also brings to light and seeks to resolve many of the contradictions surrounding artists' interventions, where on the one hand contemporary artists have been accused of alienating audiences and, on the other, appear to have played a significant role in orchestrating positive developments to the way that learning is defined and configured in museums. She examines the disruptive and parodic strategies that artists have employed, and argues for that they can be understood as part of a move to re-establish the museum as a discursive forum. This valuable book will be essential reading for students and scholars of museum studies, as well as art and cultural studies.
Author: Marcia R. Pointon
Publisher: Manchester University Press
ISBN: 9780719039188
Category : Art
Languages : en
Pages : 310
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Book Description
Author: Dehn Gilmore
Publisher: Cambridge University Press
ISBN: 1107661609
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction.
Author: Courtauld Institute of Art
Publisher: Routledge
ISBN: 135176313X
Category : Art
Languages : en
Pages : 219
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Book Description
This title was first published in 2001. An examination of art and patronage in Britain during the post-war years. It consists of five case studies, initially written as MA theses, that closely investigate aspects of the mechanisms of patronage outside the state institutions, while indicating structural links within it. The writers have sought to elucidate the relationship between patronage, the production of art and its dissemination. Without seeking to provide an inclusive account of patronage or art production in the early post-war years, their disparate and highly selective papers set up models for the structure of patronage under specific historical conditions. They assume an understanding that works of art are embedded in their social contexts, are products of the conditions under which they were produced, and that these contexts and conditions are complex, fluid and imbricated in one another.
Author: Amy Woodson-Boulton
Publisher: Routledge
ISBN: 135153758X
Category : Art
Languages : en
Pages : 398
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Book Description
Providing a comprehensive interdisciplinary assessment, and with a particular focus on expressions of tension and anxiety about modernity, this collection examines visual culture in nineteenth-century Europe as it attempted to redefine itself in the face of social change and new technologies. Contributing scholars from the fields of history, art, literature and the history of science investigate the role of visual representation and the dominance of the image by looking at changing ideas expressed in representations of science, technology, politics, and culture in advertising, art, periodicals, and novels. They investigate how, during the period, new emphasis was placed on the visual with emerging forms of mass communication?photography, lithography, newspapers, advertising, and cinema?while older forms as varied as poetry, the novel, painting, interior decoration, and architecture became transformed. The volume includes investigations into new innovations and scientific development such as the steam engine, transportation and engineering, the microscope, "spirit photography," and the orrery, as well as how this new technology is reproduced in illustrated periodicals. The essays also look at more traditional forms of creative expression to show that the same concerns and anxieties about science, technology and the changing perceptions of the natural world can be seen in the art of Armand Guillaumin, Auguste Rodin, Gustave Caillebotte, and Camille Pissarro, in colonial nineteenth-century novels, in design manuals, in museums, and in the decorations of domestic interior spaces. Visions of the Industrial Age, 1830-1914 offers a thorough exploration of both the nature of modernity, and the nature of the visual.
Author: D. Boros
Publisher: Springer
ISBN: 1137016582
Category : Art
Languages : en
Pages : 347
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Book Description
Employing political philosophy to argue the need for social and public art projects to be a part of the everyday lives of Americans, Boros creates a new synthesis of philosophical ideas to support the political value of public art.
