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Author: Frances Borzello
Publisher: Faber & Faber
ISBN: 0571317596
Category : Art
Languages : en
Pages : 210
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Book Description
'I wrote my thesis because it seemed incredible that a nineteenth century cleric could believe that paintings had the power to civilise his community of London's poorest. Yet that is what he did believe and his ideas were exported round the world. I still don't know whether he was right...' Frances Borzello What is the purpose of art? Aside from aesthetic considerations, does it have socio-political functions? Art critic Frances Borzello reflected on this in her doctoral thesis, later expanded for publication in 1987 as Civilising Caliban. Therein she traced a link between Victorian-era exhibitions mounted for Whitechapel's poor by Anglican vicar Samuel Barnett to the munificent post-war patronage of the Arts Council. In a new preface to this edition Borzello reflects on how the idea of 'art for all' has fared - along with the questions of who pays for it and what good it achieves.
Author: Frances Borzello
Publisher: Faber & Faber
ISBN: 0571317596
Category : Art
Languages : en
Pages : 210
Get Book Here
Book Description
'I wrote my thesis because it seemed incredible that a nineteenth century cleric could believe that paintings had the power to civilise his community of London's poorest. Yet that is what he did believe and his ideas were exported round the world. I still don't know whether he was right...' Frances Borzello What is the purpose of art? Aside from aesthetic considerations, does it have socio-political functions? Art critic Frances Borzello reflected on this in her doctoral thesis, later expanded for publication in 1987 as Civilising Caliban. Therein she traced a link between Victorian-era exhibitions mounted for Whitechapel's poor by Anglican vicar Samuel Barnett to the munificent post-war patronage of the Arts Council. In a new preface to this edition Borzello reflects on how the idea of 'art for all' has fared - along with the questions of who pays for it and what good it achieves.
Author: Conal McCarthy
Publisher: John Wiley & Sons
ISBN: 1119796628
Category : Business & Economics
Languages : en
Pages : 620
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Book Description
MUSEUM PR ACTICE Edited by CONAL MCCARTHY Museum Practice covers the professional work carried out in museums and art galleries of all types, including the core functions of management, collections, exhibitions, and programs. Some forms of museum practice are familiar to visitors, yet within these diverse and complex institutions many practices are hidden from view, such as creating marketing campaigns, curating and designing exhibitions, developing fundraising and sponsorship plans, crafting mission statements, handling repatriation claims, dealing with digital media, and more. Focused on what actually occurs in everyday museum work, this volume offers contributions from experienced professionals and academics that cover a wide range of subjects including policy frameworks, ethical guidelines, approaches to conservation, collection care and management, exhibition development and public programs. From internal processes such as leadership, governance and strategic planning, to public facing roles in interpretation, visitor research and community engagement and learning, each essential component of contemporary museum practice is thoroughly discussed.
Author: Seth Koven
Publisher: Princeton University Press
ISBN: 0691128006
Category : History
Languages : en
Pages : 420
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Book Description
In the 1880s, fashionable Londoners left their elegant homes and clubs in Mayfair and Belgravia and crowded into omnibuses bound for midnight tours of the slums of East London. A new word burst into popular usage to describe these descents into the precincts of poverty to see how the poor lived: slumming. In this captivating book, Seth Koven paints a vivid portrait of the practitioners of slumming and their world: who they were, why they went, what they claimed to have found, how it changed them, and how slumming, in turn, powerfully shaped both Victorian and twentieth-century understandings of poverty and social welfare, gender relations, and sexuality. The slums of late-Victorian London became synonymous with all that was wrong with industrial capitalist society. But for philanthropic men and women eager to free themselves from the starched conventions of bourgeois respectability and domesticity, slums were also places of personal liberation and experimentation. Slumming allowed them to act on their irresistible "attraction of repulsion" for the poor and permitted them, with society's approval, to get dirty and express their own "dirty" desires for intimacy with slum dwellers and, sometimes, with one another. Slumming elucidates the histories of a wide range of preoccupations about poverty and urban life, altruism and sexuality that remain central in Anglo-American culture, including the ethics of undercover investigative reporting, the connections between cross-class sympathy and same-sex desire, and the intermingling of the wish to rescue the poor with the impulse to eroticize and sexually exploit them. By revealing the extent to which politics and erotics, social and sexual categories overflowed their boundaries and transformed one another, Koven recaptures the ethical dilemmas that men and women confronted--and continue to confront--in trying to "love thy neighbor as thyself."
Author: Lisanne Gibson
Publisher: Univ. of Queensland Press
ISBN: 9780702232046
Category : Art
Languages : en
Pages : 196
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Book Description
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Author: Elizabeth Edwards
Publisher: Duke University Press
ISBN: 0822351048
Category : Art
Languages : en
Pages : 346
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Book Description
"In the camera as historian, the groundbreaking historical and visual anthropologist Elizabeth Edwards works with an archive of neraly 55,000 photographs taken by 1,000 photographers, mostly unknown until now." -- Inside cover.
Author: Jorn Weingartner
Publisher: Bloomsbury Publishing
ISBN: 085773900X
Category : History
Languages : en
Pages : 326
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Book Description
In 1834, Lord Melbourne spoke the words that epitomised the British government's attitude towards its own involvement in the arts: 'God help the minister that meddles with Art'. However, with the outbreak of World War II, that attitude changed dramatically when 'cultural policy' became a key element of the domestic front. Not only a propaganda tool, it aimed to boost morale and prevent a wartime cultural blackout. "The Arts as a Weapon of War" traces the evolution of this policy from the creation of the Committee for the Encouragement of Music and the Arts, in 1939, to the drafting of the Arts Council's constitution in 1945. From the improvement of the National Gallery to Myra Hess' legendary concerts during the blitz, Jorn Weingartner provides a fascinating account of the powerful policy shift that laid the foundations for the modern relationship between government and the arts.
Author: Claire Robins
Publisher: Routledge
ISBN: 131715553X
Category : Art
Languages : en
Pages : 260
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Book Description
Amongst recent contemporary art and museological publications, there have been relatively few which direct attention to the distinct contributions that twentieth and twenty-first century artists have made to gallery and museum interpretation practices. There are fewer still that recognise the pedagogic potential of interventionist artworks in galleries and museums. This book fills that gap and demonstrates how artists have been making curious but, none-the-less, useful contributions to museum education and curation for some time. Claire Robins investigates in depth the phenomenon of artists' interventions in museums and examines their pedagogic implications. She also brings to light and seeks to resolve many of the contradictions surrounding artists' interventions, where on the one hand contemporary artists have been accused of alienating audiences and, on the other, appear to have played a significant role in orchestrating positive developments to the way that learning is defined and configured in museums. She examines the disruptive and parodic strategies that artists have employed, and argues for that they can be understood as part of a move to re-establish the museum as a discursive forum. This valuable book will be essential reading for students and scholars of museum studies, as well as art and cultural studies.
Author: Marcia R. Pointon
Publisher: Manchester University Press
ISBN: 9780719039188
Category : Art museums
Languages : en
Pages : 310
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Book Description
Author: Dehn Gilmore
Publisher: Cambridge University Press
ISBN: 1107661609
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction.
Author: Courtauld Institute of Art
Publisher: Routledge
ISBN: 135176313X
Category : Art
Languages : en
Pages : 219
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Book Description
This title was first published in 2001. An examination of art and patronage in Britain during the post-war years. It consists of five case studies, initially written as MA theses, that closely investigate aspects of the mechanisms of patronage outside the state institutions, while indicating structural links within it. The writers have sought to elucidate the relationship between patronage, the production of art and its dissemination. Without seeking to provide an inclusive account of patronage or art production in the early post-war years, their disparate and highly selective papers set up models for the structure of patronage under specific historical conditions. They assume an understanding that works of art are embedded in their social contexts, are products of the conditions under which they were produced, and that these contexts and conditions are complex, fluid and imbricated in one another.
