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Author: Angeliki Tzanetou
Publisher: University of Texas Press
ISBN: 0292737165
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
After fending off Persia in the fifth century BCE, Athens assumed a leadership position in the Aegean world. Initially it led the Delian League, a military alliance against the Persians, but eventually the league evolved into an empire with Athens in control and exacting tribute from its former allies. Athenians justified this subjection of their allies by emphasizing their fairness and benevolence towards them, which gave Athens the moral right to lead. But Athenians also believed that the strong rule over the weak and that dominating others allowed them to maintain their own freedom. These conflicting views about Athens’ imperial rule found expression in the theater, and this book probes how the three major playwrights dramatized Athenian imperial ideology. Through close readings of Aeschylus’ Eumenides, Euripides’ Children of Heracles, and Sophocles’ Oedipus at Colonus, as well as other suppliant dramas, Angeliki Tzanetou argues that Athenian tragedy performed an important ideological function by representing Athens as a benevolent and moral ruler that treated foreign suppliants compassionately. She shows how memorable and disenfranchised figures of tragedy, such as Orestes and Oedipus, or the homeless and tyrant-pursued children of Heracles were generously incorporated into the public body of Athens, thus reinforcing Athenians’ sense of their civic magnanimity. This fresh reading of the Athenian suppliant plays deepens our understanding of how Athenians understood their political hegemony and reveals how core Athenian values such as justice, freedom, piety, and respect for the laws intersected with imperial ideology.
Author: Angeliki Tzanetou
Publisher: University of Texas Press
ISBN: 0292737165
Category : Literary Criticism
Languages : en
Pages : 223
Get Book Here
Book Description
After fending off Persia in the fifth century BCE, Athens assumed a leadership position in the Aegean world. Initially it led the Delian League, a military alliance against the Persians, but eventually the league evolved into an empire with Athens in control and exacting tribute from its former allies. Athenians justified this subjection of their allies by emphasizing their fairness and benevolence towards them, which gave Athens the moral right to lead. But Athenians also believed that the strong rule over the weak and that dominating others allowed them to maintain their own freedom. These conflicting views about Athens’ imperial rule found expression in the theater, and this book probes how the three major playwrights dramatized Athenian imperial ideology. Through close readings of Aeschylus’ Eumenides, Euripides’ Children of Heracles, and Sophocles’ Oedipus at Colonus, as well as other suppliant dramas, Angeliki Tzanetou argues that Athenian tragedy performed an important ideological function by representing Athens as a benevolent and moral ruler that treated foreign suppliants compassionately. She shows how memorable and disenfranchised figures of tragedy, such as Orestes and Oedipus, or the homeless and tyrant-pursued children of Heracles were generously incorporated into the public body of Athens, thus reinforcing Athenians’ sense of their civic magnanimity. This fresh reading of the Athenian suppliant plays deepens our understanding of how Athenians understood their political hegemony and reveals how core Athenian values such as justice, freedom, piety, and respect for the laws intersected with imperial ideology.
Author: Angeliki Tzanetou
Publisher: University of Texas Press
ISBN: 0292744579
Category : History
Languages : en
Pages : 223
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Book Description
After fending off Persia in the fifth century BCE, Athens assumed a leadership position in the Aegean world. Initially it led the Delian League, a military alliance against the Persians, but eventually the league evolved into an empire with Athens in control and exacting tribute from its former allies. Athenians justified this subjection of their allies by emphasizing their fairness and benevolence towards them, which gave Athens the moral right to lead. But Athenians also believed that the strong rule over the weak and that dominating others allowed them to maintain their own freedom. These conflicting views about Athens’ imperial rule found expression in the theater, and this book probes how the three major playwrights dramatized Athenian imperial ideology. Through close readings of Aeschylus’ Eumenides, Euripides’ Children of Heracles, and Sophocles’ Oedipus at Colonus, as well as other suppliant dramas, Angeliki Tzanetou argues that Athenian tragedy performed an important ideological function by representing Athens as a benevolent and moral ruler that treated foreign suppliants compassionately. She shows how memorable and disenfranchised figures of tragedy, such as Orestes and Oedipus, or the homeless and tyrant-pursued children of Heracles were generously incorporated into the public body of Athens, thus reinforcing Athenians’ sense of their civic magnanimity. This fresh reading of the Athenian suppliant plays deepens our understanding of how Athenians understood their political hegemony and reveals how core Athenian values such as justice, freedom, piety, and respect for the laws intersected with imperial ideology.
Author: Euripides
Publisher: Greek Tragedy in New Translations
ISBN: 9780195045536
Category : Drama
Languages : en
Pages : 100
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Book Description
Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays. Already tested in performance on the stage, this translation shows for the first time in English the striking interplay of voices in Euripides' Suppliant Women. Torn between the mothers' lament over the dead and proud civic eulogy, between calls for a just war and grief for the fallen, the play captures with unremitting force the competing poles of the human psyche. The translators, Rosanna Warren and Stephen Scully, accentuate the contrast between female lament and male reasoned discourse in this play where the silent dead hold, finally, center stage.
Author: Leah Whittington
Publisher: Oxford University Press
ISBN: 019106940X
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Renaissance Suppliants studies supplication as a social and literary event in the long European Renaissance. It argues that scenes of supplication are defining episodes in a literary tradition stretching back to Greco-Roman antiquity, taking us to the heart of fundamental questions of politics and religion, ethics and identity, sexuality and family. As a perennial mode of asymmetrical communication in moments of helplessness and extreme need, supplication speaks to ways that people live together despite grave inequalities. It is a strategy that societies use to regulate and perpetuate themselves, to negotiate conflict, and to manage situations in which relationships threaten to unravel. All the writers discussed here—Vergil, Petrarch, Shakespeare, and Milton—find supplication indispensable for thinking about problems of antagonism, difference, and hierarchy, bringing the aesthetic resources of supplicatory interactions to bear on their unique literary and cultural circumstances. The opening chapters establish a conceptual framework for thinking about supplication as facilitating transitions between states of feeling and positions of relative status, beginning with Homer and classical literature. Vergil's Aeneid is paradigmatic instance in which literary and social structures of the ancient past are transformed to suit the needs of the present, and supplication becomes a figure for the act of cultural translation. Subsequent chapters take up different aspects of Renaissance supplicatory discourse, showing how postures of humiliation and abjection are appropriated and transformed in erotic poetry, drama, and epic. The book ends with Milton who invests gestures of self-abasement with unexpected dignity.
Author: Aeschylus
Publisher: Faber & Faber
ISBN: 0571341608
Category : Drama
Languages : en
Pages : 65
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Book Description
If we help, we invite trouble. If we don't, we bring shame.Fifty women board a boat in North Africa. They flee across the Mediterranean, leaving everything behind. They are escaping forced marriage in their home and seeking asylum in Greece.Written 2,500 years ago, The Suppliant Women is one of the world's oldest plays. It's about the plight of refugees, about moral and human rights, civil war, democracy and ultimately the triumph of love. It tells a story that echoes down the ages to find striking and poignant resonance today.Featuring in performance a chorus of local women, this is part play, part ritual, part theatrical archaeology. It explores fundamental questions of humanity: who are we, where do we belong and, if all goes wrong, who will take us in?Aeschylus' The Suppliant Women, in a version by David Greig, premiered at the Lyceum Theatre, Edinburgh, in October 2016, in a production by ATC.
Author: Christiane Sourvinou-Inwood
Publisher: Lexington Books
ISBN: 9780739104002
Category : Drama
Languages : en
Pages : 580
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Book Description
Stemming from Harvard University's Carl Newell Jackson Lectures, Christiane Sourvinou-Inwood's Tragedy and Athenian Religion sets out a radical reexamination of the relationship between Greek tragedy and religion. Based on a reconstruction of the context in which tragedy was generated as a ritual performance during the festival of the City Dionysia, Sourvinou-Inwood shows that religious exploration had been crucial in the emergence of what developed into fifth-century Greek tragedy. A contextual analysis of the perceptions of fifth-century Athenians suggests that the ritual elements clustered in the tragedies of Euripides, Aeschylus, and Sophocles provided a framework for the exploration of religious issues, in a context perceived to be part of a polis ritual. This reassessment of Athenian tragedy is based both on a reconstruction of the Dionysia and the various stages of its development and on a deep textual analysis of fifth-century tragedians. By examining the relationship between fifth-century tragedies and performative context, Tragedy and Athenian Religion presents a groundbreaking view of tragedy as a discourse that explored (among other topics) the problematic religious issues of the time and so ultimately strengthened Athenian religion even at a time of crisis in very complex ways-- rather than, as some simpler modern readings argue, challenging and attacking religion and the gods.
Author: Sophocles
Publisher:
ISBN: 9781427057594
Category :
Languages : en
Pages : 0
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Book Description
Author: Joseph P. Wilson
Publisher: University of Michigan Press
ISBN: 9780472086887
Category : Drama
Languages : en
Pages : 230
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Book Description
Without resorting to the jargon often employed by contemporary critics, this book covers all major aspects and questions raised by the play. The text contains a thorough examination of the contrast between Athens and its dramatic opposite, Thebes, a contrast best represented by the comparison between each city's primary representative, Theseus or Creon. Wilson offers a radical rereading of the Oedipus riddle and concludes with a substantial discussion of the play's (and playwright's) role in providing a political and moral education for the troubled Athenian polis in the last decade of the tumultuous fifth century. Joseph P. Wilson is Associate Professor in the Department of Foreign Languages and Literatures at the University of Scranton.
Author: Euripides
Publisher: Wyatt North Publishing, LLC
ISBN:
Category : Drama
Languages : en
Pages : 48
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Book Description
The Suppliants, also called The Suppliant Maidens, is a classic play by the Greek playwright Euripides.
Author: Ralph Rosen
Publisher: BRILL
ISBN: 9047409183
Category : Literary Criticism
Languages : en
Pages : 397
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Book Description
The third in a series that explores cultural and ethical values in Classical antiquity, this volume examines the dichotomy between 'city' and 'country' in ancient Greek and Roman cultures. Fourteen papers address a variety of topics on this theme, and include a variety of methodological approaches—archaeological, iconographic, literary and philosophical. The book demonstrates that, despite a common rhetoric of polarity in antiquity that tended to construct city and countryside as very distinct, oppositional categories, there was far less consistency (and far more nuance) about the ideologies felt to inhere in each.
