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Author: Mireille Galinou
Publisher: Oblong Press
ISBN:
Category : Art
Languages : en
Pages : 236
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Book Description
Author: Mireille Galinou
Publisher: Oblong Press
ISBN:
Category : Art
Languages : en
Pages : 236
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Book Description
Author: Linda Levy Peck
Publisher: Cambridge University Press
ISBN: 9780521842327
Category : Business & Economics
Languages : en
Pages : 460
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Book Description
A fascinating study of the ways in which consumption transformed social practices, gender roles, royal policies, and the economy in seventeenth-century England. It reveals for the first time the emergence of consumer society in seventeenth-century England.
Author: Helen Jacobsen
Publisher: Oxford University Press, USA
ISBN: 0199693757
Category : Art
Languages : en
Pages : 304
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Book Description
A study of the material world of English ambassadors at the end of the 17th century, illustrating the way in which architecture and the arts played an important role in diplomatic life. 'Luxury and Power' is an important contribution to the cultural history of Baroque England.
Author: Carma Gorman
Publisher: Cambridge Scholars Publishing
ISBN: 1443809462
Category : Design
Languages : en
Pages : 200
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Book Description
In Objects, Audiences, and Literatures: Alternative Narratives in the History of Design, five art historians tap a variety of unexpected literary sources to reveal the dynamic relationship between intention and reception in architecture, interior design, costume, and the decorative arts. The essays consider both handcrafted and serially produced objects from the eighteenth to the mid-twentieth centuries, including a japanned high chest from colonial Boston, German and Austrian Artistic Dress, Tiffany lamps, the architecture of the 1925 Exposition Internationale des Arts Décoratifs et Industriels in Paris, and the “dream homes” portrayed in two popular postwar American films. The five chapters demonstrate that a complex and even contradictory mixture of stakeholders determines the meanings of designed objects. Each author examines popular forms of literature in order to reveal the preconceptions that viewers brought with them to the experience of looking at and using objects. The authors’ attentiveness to viewers’ class and gender provides a methodological model for approaching the study of reception within the field of design history. "Objects, Audiences, and Literatures introduces a new generation of historians of design and decorative arts with five superb case studies. Looking beyond the laconic historical data that has formed the backbone of scholarship in this field these authors plumb popular culture—films, advertisements, and especially novels—to understand contemporaneous meanings of objects. Using these polyglot sources with an eye particularly on narrative and gender they suss out heretofore unnoticed dissonances between the prescriptive pronouncements of avant-garde “insiders” and the reception that design innovation found in broader publics. These wide-ranging essays are marked by imagination, exuberance, and acuity; I look forward to using it in my teaching." —Margaretta M. Lovell, University of California, Berkeley "This is a welcome addition to the literature that addresses the growing scholarly and popular interest in design and design history. Drawing on an impressive array of examples, the authors explore how class, gender, and cultural context shaped the reception of architecture, interior design, costume, and the decorative arts at various moments in the modern era. The collection is noteworthy for the way each of the contributors draws upon literary sources for insights into design and material culture that transcend the specific examples under review. Models of methodological rigor, these essays should appeal to scholars in multiple disciplines." —Dennis P. Doordan, University of Notre Dame
Author: Anna Tummers
Publisher: Amsterdam University Press
ISBN: 9089640320
Category : Art
Languages : en
Pages : 192
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Book Description
The question of whether seventeenth-century painters such as Rembrandt and Rubens were exclusively responsible for the paintings later sold under their names has caused many a heated debate. Despite the rise of scholarship on the history of the art market, much is still unknown about the ways in which paintings were produced, assessed, priced, and marketed during this period, which leads to several provocative questions: did contemporary connoisseurs expect masters such as Rembrandt to paint works entirely by their own hand? Who was credited with the ability to assess paintings as genuine? The contributors to this engaging collection—Eric Jan Sluijter, Hans Van Miegroet, and Neil De Marchi, among them—trace these issues through the booming art market of the seventeenth and eighteenth centuries, arriving at fascinating and occasionally unexpected conclusions.
Author: Rachel L. Denyer
Publisher: Springer Nature
ISBN: 3031637453
Category :
Languages : en
Pages : 326
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Book Description
Author: Amy Elizabeth Bogansky
Publisher: Metropolitan Museum of Art
ISBN: 1588394964
Category : Art
Languages : en
Pages : 366
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Book Description
Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.
Author: Giorgio Riello
Publisher: Oxford University Press
ISBN: 9780199292257
Category : Business & Economics
Languages : en
Pages : 348
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Book Description
During the Enlightenment, in a society that was increasingly urbanised and mobile, footwear was an essential item of apparel. This book considers not only the practical but also the symbolic meaning of footwear in France and England during the period from the end of the seventeenth to the mid nineteenth century.
Author: Elaine Chalus
Publisher: Oxford University Press
ISBN: 0192523643
Category : History
Languages : en
Pages : 429
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Book Description
For some time before his death in July 2015, former colleagues and students of Paul Langford had discussed the possibility of organising a festschrift to celebrate his remarkable contribution to eighteenth-century history. It was planned for 2019 to commemorate the thirtieth anniversary of the appearance of his seminal A Polite and Commercial People, the opening volume in the New Oxford History of England series, Paul's best-known and most influential publication. He was delighted to hear of these plans and the tragic news of his death only made the contributors more determined to see the project through to completion. The importance of A Polite and Commercial People within its own time is unquestionable. Not only did it provide a powerful new vision of eighteenth-century Britain, but it also played a vital part in reviving interest in, and expanding ways of thinking about, Georgian history. As the thirteen contributors to this volume amply testify, any review of the field from the 1980s onwards cannot ignore the profound effect Paul's research had on the social and political publications in his field. This collection of essays combines reflection on the impact of Paul's work with further engagement with the central questions he posed. In particular, it serves to re-connect various recent avenues of Georgian studies, bringing together diverse themes present in Paul's scholarship, but which are often studied independently of each other. As such, it aims to provide a fitting tribute to Paul's work and impact, and a wider reassessment of the current direction of eighteenth-century studies.
Author: Dror Wahrman
Publisher: Oxford University Press
ISBN: 0199910960
Category : History
Languages : en
Pages : 284
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Book Description
Three hundred years ago, an unprecedented explosion in inexpensive, disposable print--newspapers, pamphlets, informational publications, artistic prints--ushered in a media revolution that forever changed our relationship to information. One unusually perceptive man, an obscure Dutch/British still life painter named Edward Collier, understood the full significance of these momentous changes and embedded in his work secret warnings about the inescapable slippages between author and print, meaning and text, viewer and canvas, perception and reality. Working around 1700, Collier has been neglected, even forgotten, precisely because his secret messages have never been noticed, let alone understood. Until now. In Mr. Collier's Letter Racks, Dror Wahrman recovers the tale of an extraordinary illusionist artist who engaged in a wholly original way with a major transformation of his generation. Wahrman shows how Collier developed a hidden language within his illusionist paintings--replete with minutely coded messages, witty games, intricate allusions, and private jokes--to draw attention to the potential and the pitfalls of this new information age. A remarkably shrewd and prescient commentator on the changes unfolding around him, not least the advent of a new kind of politics following the Glorious Revolution, Collier performed a post-modernist critique of modernity long before the modern age. His trompe l'oeil paintings are filled with seemingly disconnected, enigmatic objects--letters, seals, texts of speeches, magnifying glasses, title pages--and with teasingly significant details that require the viewer to lean in and peer closely. Wahrman does just that, taking on the role of detective/cultural historian to unravel the layers of deceptions contained within Collier's extraordinary paintings. Written with passionate enthusiasm and including more than 70 color illustrations, Mr. Collier's Letter Racks is a spell-binding feat of cultural history, illuminating not only the work of an eccentric genius but the media revolution of his period, the birth of modern politics, and the nature of art itself.
