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Author: Linda Cooke Johnson
Publisher: State University of New York Press
ISBN: 143840798X
Category : History
Languages : en
Pages : 332
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Book Description
This book examines cities of the Jiangnan region of south-central China between the twelfth and nineteenth centuries, an area considered to be the model of a successfully developing regional economy. The six studies focus on the urban centers of Suzhou, Hangzhou, Yangzhou, and Shanghai. Emphasizing the regional focus, the authors explore the interconnections and sequential relationships between these major cities and analyze common themes such as the development of handicraft industry, transport and commerce, class structure, ethnic diversity and internal immigration, and the social and political pressures generated by developments in manufacturing, taxes, and government politics. The book provides a valuable resource on commercial development and internal economic and social development in pre-modern China, particularly on specific regional development and the historical role of traditional Chinese cities.
Author: Linda Cooke Johnson
Publisher: State University of New York Press
ISBN: 143840798X
Category : History
Languages : en
Pages : 332
Get Book Here
Book Description
This book examines cities of the Jiangnan region of south-central China between the twelfth and nineteenth centuries, an area considered to be the model of a successfully developing regional economy. The six studies focus on the urban centers of Suzhou, Hangzhou, Yangzhou, and Shanghai. Emphasizing the regional focus, the authors explore the interconnections and sequential relationships between these major cities and analyze common themes such as the development of handicraft industry, transport and commerce, class structure, ethnic diversity and internal immigration, and the social and political pressures generated by developments in manufacturing, taxes, and government politics. The book provides a valuable resource on commercial development and internal economic and social development in pre-modern China, particularly on specific regional development and the historical role of traditional Chinese cities.
Author: Hugh D. R. Baker
Publisher: Stanford, Calif. : Stanford University Press
ISBN:
Category : China
Languages : en
Pages : 854
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Book Description
Author: George William Skinner
Publisher:
ISBN:
Category : Cities and towns
Languages : en
Pages : 820
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 365
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Book Description
Author: Cynthia J. Brokaw
Publisher: Univ of California Press
ISBN: 0520927796
Category : History
Languages : en
Pages : 559
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Book Description
Despite the importance of books and the written word in Chinese society, the history of the book in China is a topic that has been little explored. This pioneering volume of essays, written by historians, art historians, and literary scholars, introduces the major issues in the social and cultural history of the book in late imperial China. Informed by many insights from the rich literature on the history of the Western book, these essays investigate the relationship between the manuscript and print culture; the emergence of urban and rural publishing centers; the expanding audience for books; the development of niche markets and specialized publishing of fiction, drama, non-Han texts, and genealogies; and more.
Author: Jos Gamble
Publisher: Routledge
ISBN: 1135790310
Category : History
Languages : en
Pages : 287
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Book Description
In the decades following the introduction of Communist Party rule in Shanghai in 1949, the city's economy, infrastructure and links with the world all atrophied. However, the past decade has seen far-reaching economic reforms implemented to recreate Shanghai as a cosmopolitan, world financial and trade centre. This book focuses on the lives of local residents and their perceptions of their changing city, and presents an evocative series of ethnographic perspectives of the city's shifting sociological landscape in this period of transition.
Author: Laurel Bossen
Publisher: Stanford University Press
ISBN: 1503601072
Category : Social Science
Languages : en
Pages : 264
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Book Description
Footbinding was common in China until the early twentieth century, when most Chinese were family farmers. Why did these families bind young girls' feet? And why did footbinding stop? In this groundbreaking work, Laurel Bossen and Hill Gates upend the popular view of footbinding as a status, or even sexual, symbol by showing that it was an undeniably effective way to get even very young girls to sit still and work with their hands. Interviews with 1,800 elderly women, many with bound feet, reveal the reality of girls' hand labor across the North China Plain, Northwest China, and Southwest China. As binding reshaped their feet, mothers disciplined girls to spin, weave, and do other handwork because many village families depended on selling such goods. When factories eliminated the economic value of handwork, footbinding died out. As the last generation of footbound women passes away, Bound Feet, Young Hands presents a data-driven examination of the social and economic aspects of this misunderstood custom.
Author: Kathy Le Mons Walker
Publisher: Stanford University Press
ISBN: 9780804729321
Category : Business & Economics
Languages : en
Pages : 366
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Book Description
This ambitious work traces a social history of semicolonialism in late-nineteenth- and early-twentieth-century China. It takes as its central concern the intertwining of two antagonistic forces: elite constructions of modernity shaped globally, and an alternate line of peasant resistance and development. Nantong county and the northern portion of the commercially advanced Yangzi Delta form its focal points. Lying in the hinterland of and connected in myriad ways with the treaty port of Shanghai, which in the late nineteenth century became the center of imperialist activity in China, the northern delta is an ideal locale for examining how the acquisition, transmission, and contestation of power may have changed during the extended moment of semicolonial encounter. The authors specific project is to unravel the multiple strands of the semicolonial process and thereby the dominant and alternative histories it embodied. In emphasizing semicolonialism as a structural context shaping events, the book opens up a pivotal but silent area in the history of modern China. In confronting the development of capitalism as a historical phenomenon and suggesting that its consequences for land and labor on a global scale need greater theoretical and historical scrutiny, the book forces a new understanding of Chinas modernity. The book is in two parts. The first delineates key long-term dynamics in the political, economic, and social history of the area from the late Ming dynasty to the Opium Wars. The second part begins with an examination of the rise of modernist urban power in the context of accelerating growth in the textile and cotton trades, focusing on such topics as economic restructuring under Shanghais impetus, new forms of economic and political organization, and contention as well as cooperation within the urban elite. Turning to the countryside, the book then examines the regearing of the rural economy to the needs of urban capital, local and global; outlines the emergence of modern landlordism and other rural capitalisms; analyzes class formation in the peasantry associated with changes in labor organization, tenurial arrangements, and the gendered division of labor; and traces the coalescence of a distinctive political discourse through which peasants contested certain development schemes and advanced alternative conceptions of community and nation.
Author: TamaraHeimarck Bentley
Publisher: Routledge
ISBN: 1351544578
Category : Art
Languages : en
Pages : 280
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Book Description
Despite the importance of Chen Hongshou (1599-1652) as an artist and scholar of the Ming period, until now no full length study in English has focused on his work. Author Tamara H. Bentley takes a broadly interdisciplinary approach, treating Chen's oeuvre in relation to literary themes and economic changes, and linking these larger concerns to visual analyses. Considering Chen's paintings and prints alongside Chen's romance drama commentaries and prefaces and his collected writings (particularly poetry), Bentley sheds new light not only on Chen, but also on an important cultural moment in the first half of the seventeenth century. Through analysis of Chen's figure paintings and print designs, Bentley examines the artist's engagement with the values of "authenticity" and "emotion," which were part of a larger discourse stressing idiosyncrasy, the individual voice, and vernacular literature. She contrasts these values with the commercial aspects of his production, geared at an expanding art market of well-to-do buyers, excavating the apparent contradiction inherent in the two pursuits. In the end, she suggests, the emphasis on the "authentic" voice was marketed to a broad field of anonymous buyers. Though her primary focus is on Chen Hongshou, Bentley's investigation ultimately concerns not only this individual artist, but also the effect of early modern changes on an artist's mode of working and his self-image, in the West as well as the East. The study touches upon expanding international trade and the rise of middle class art markets (including print markets), not only in China but also in the Dutch Republic in circa 1630-1650. Bentley investigates the specific rhetoric of different categories of images, including Chen's non-literal figurative works; literal commemorative portraits; his printed romance-drama illustrations; and his printed playing cards. Bentley's investigation takes in issues of studio practice (including various types of image replicati
Author: Tamara Heimarck Bentley
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754666721
Category : Art
Languages : en
Pages : 312
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Book Description
Despite the importance of Chen Hongshou (1599-1652) as an artist and scholar of the late Ming period, until now no full length study in English has focused on his work. Author Tamara H. Bentley takes a broadly interdisciplinary approach, treating Chen's oeuvre in relation to literary themes and economic changes, and linking these larger concerns to visual analyses. In so doing, Bentley sheds new light not only on Chen, but also on an important cultural moment in the first half of the seventeenth century, when Chinese scholar artists began to direct their work towards anonymous public markets.
