Citation and Authority in Medieval and Renaissance Musical Culture PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Citation and Authority in Medieval and Renaissance Musical Culture PDF full book. Access full book title Citation and Authority in Medieval and Renaissance Musical Culture by Suzannah Clark. Download full books in PDF and EPUB format.
Author: Suzannah Clark
Publisher: Boydell & Brewer Ltd
ISBN: 9781843831662
Category : Music
Languages : en
Pages : 286
Get Book Here
Book Description
Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.
Author: Suzannah Clark
Publisher: Boydell & Brewer Ltd
ISBN: 9781843831662
Category : Music
Languages : en
Pages : 286
Get Book Here
Book Description
Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.
Author: Tess Knighton
Publisher: Boydell & Brewer
ISBN: 1783275561
Category : Conductus
Languages : en
Pages : 511
Get Book Here
Book Description
Essays on important topics in early music.
Author: Jacques Boogaart
Publisher: Medieval Institute Publications
ISBN: 1580442889
Category : Literary Criticism
Languages : en
Pages : 280
Get Book Here
Book Description
This long overdue new edition of Guillaume de Machaut's twenty-three motets, the largest surviving collection of such works by a single composer in this period, is based on the most authoritative of the surviving manuscripts and is designed to meet the needs both of advanced scholars and musicians as well as students and performers. This user-friendly format indicates variants on the scores and has a layout that makes each work's structure clearly visible; the lyrics, with full English translation, are presented at the end of each work.
Author: James Haar
Publisher: Boydell & Brewer Ltd
ISBN: 184383894X
Category : Literary Criticism
Languages : en
Pages : 600
Get Book Here
Book Description
Chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain), genre studies (Mass, motet, madrigal, chanson, instrumental music, opera), as well as essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, the concepts of "Renaissance" and "Baroque").
Author: Mark Evan Bonds
Publisher: Oxford University Press
ISBN: 019938472X
Category : Music
Languages : en
Pages : 401
Get Book Here
Book Description
What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.
Author: Ada Maria Kuskowski
Publisher: Cambridge University Press
ISBN: 1009217895
Category : History
Languages : en
Pages : 431
Get Book Here
Book Description
A new understanding of the transformative effect of vernacular writing on customary law in medieval France.
Author: Jason Stoessel
Publisher: Routledge
ISBN: 1351563378
Category : Music
Languages : en
Pages : 239
Get Book Here
Book Description
This collection presents numerous discoveries and fresh insights into music and musical practices that shaped distinctly localized individual and collective identities in pre-modern and early modern Europe. Contributions by leading and emerging European music experts fall into three areas: plainchant traditions in Aquitania and the Iberian peninsula during the first 700 years of the second millennium; late medieval musical aesthetics, traditions and practices in Paris, Padua, Prague and more generally England, Germany and Spain; and local traditions in Renaissance Augsburg and Baroque Naples and Dresden. In addition to in-depth readings of anonymous musical traditions, contributors provide new details concerning the lives and music of well-known composers such as Ad?r de Chabannes, Bartolino da Padova, Ciconia, Josquin, Senfl, Alessandro Scarlatti, Heinichen and Zelenka. This book will appeal to a broad range of readers, including chant scholars, medievalists, music historians, and anyone interested in music's place in pre-modern and early modern European culture.
Author: Andrew James Hicks
Publisher: Oxford University Press
ISBN: 0190658207
Category : Music
Languages : en
Pages : 345
Get Book Here
Book Description
Taking in hand the current "discovery" that we can listen to the cosmos, Andrew Hicks argues that sound-and the harmonious coordination of sounds, sources, and listeners-has always been an integral part of the history of studying the cosmos. In Composing the World, Hicks presents a narrative tour through medieval Platonic cosmology with reflections on important philosophical movements along the way. The book will resonate with a variety of readers, and it encourages us to rethink the role of music and sound within our greater understanding of the universe.
Author: Karen Desmond
Publisher: Cambridge University Press
ISBN: 1107167094
Category : History
Languages : en
Pages : 325
Get Book Here
Book Description
Challenges current accounts of the French ars nova, a musical art that was both criticised and heralded for its modernity.
Author: Lauren Arrington
Publisher: Cambridge University Press
ISBN: 110751360X
Category : Philosophy
Languages : en
Pages : 211
Get Book Here
Book Description
Beauty challenges conventional approaches to the subject through an interdisciplinary approach that forges connections between the arts, sciences and mathematics. Classical, conventional aspects of beauty are addressed in subtle, unexpected ways: symmetry in mathematics, attraction in the animal world and beauty in the cosmos. This collection arises from the Darwin College Lecture Series of 2011 and includes essays from eight distinguished scholars, all of whom are held in esteem not only for their research but also for their ability to communicate their subject to popular audiences. Each essay is entertaining, accessible and thought-provoking and is accompanied by images illustrating beauty in practice. Contributors include the artist José Hernández, Nobel Prize Laureate Frank Wilczek, Lord May of Oxford and Jeanne Altmann (Eugene Higgins Professor of Ecology and Evolutionary Biology at Princeton University).
