Cinematic Cairo

Cinematic Cairo PDF Author: Nezar AlSayyad
Publisher: American University in Cairo Press
ISBN: 1649032471
Category : Performing Arts
Languages : en
Pages : 381

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Book Description
A history of urban modernity in Cairo through cinema which"makes us see makes us see the movies in a whole new way" (Chris Berry, King’s College London) The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo’s urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt’s film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century. Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South. Contributors Ahmed H. AbdelAzim, University of Wisconsin-Madison, USA Khaled Adham, Leibniz-Zentrum Moderner Orient, Berlin, Germany Kinda AlSamara, Deakin University, Melbourne, Australia Nezar AlSayyad, University of California, Berkeley, USA Doaa Al Amir, October 6th University, Cairo, Egypt Mirette Aziz, Misr International University, Egypt Muhammad Emad Feteha, The American University in Cairo, Cairo, Egypt Farah Gendy, Raef Fahmi Architects, Cairo, Egypt Hala A. Hassanien, Architect, Wasl, Cairo, Egypt Tayseer Khairy, Arab Academy for Science Technology & Maritime Transport, Cairo, Egypt Mariam Marei, The American University in Cairo, Cairo, Egypt Ameer Saad, Architect, Dar Al-Handasa, Cairo, Egypt Heba Safey Eldeen, Misr International University, Cairo, Egypt Mohammad Salama, San Francisco State University, San Francisco, USA Nour Sobhi, Misr International University, Cairo, Egypt Sherin Soliman, Misr International University, Cairo, Egypt

Cinematic Cairo

Cinematic Cairo PDF Author: Nezar AlSayyad
Publisher: American University in Cairo Press
ISBN: 1649032471
Category : Performing Arts
Languages : en
Pages : 381

Get Book Here

Book Description
A history of urban modernity in Cairo through cinema which"makes us see makes us see the movies in a whole new way" (Chris Berry, King’s College London) The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo’s urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt’s film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century. Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South. Contributors Ahmed H. AbdelAzim, University of Wisconsin-Madison, USA Khaled Adham, Leibniz-Zentrum Moderner Orient, Berlin, Germany Kinda AlSamara, Deakin University, Melbourne, Australia Nezar AlSayyad, University of California, Berkeley, USA Doaa Al Amir, October 6th University, Cairo, Egypt Mirette Aziz, Misr International University, Egypt Muhammad Emad Feteha, The American University in Cairo, Cairo, Egypt Farah Gendy, Raef Fahmi Architects, Cairo, Egypt Hala A. Hassanien, Architect, Wasl, Cairo, Egypt Tayseer Khairy, Arab Academy for Science Technology & Maritime Transport, Cairo, Egypt Mariam Marei, The American University in Cairo, Cairo, Egypt Ameer Saad, Architect, Dar Al-Handasa, Cairo, Egypt Heba Safey Eldeen, Misr International University, Cairo, Egypt Mohammad Salama, San Francisco State University, San Francisco, USA Nour Sobhi, Misr International University, Cairo, Egypt Sherin Soliman, Misr International University, Cairo, Egypt

The I.B. Tauris Handbook of Iranian Cinema

The I.B. Tauris Handbook of Iranian Cinema PDF Author: Michelle Langford
Publisher: Bloomsbury Publishing
ISBN: 0755648161
Category : History
Languages : en
Pages : 473

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Book Description
This volume brings together scholarship from both established scholars and early career academics to provide fresh insights and new research on the cinema of Iran. The book is organised around eight broad themes including cinema before and after the revolution, stylistic innovation, documentary, gender, and genre. Encompassing a diverse range of methodological approaches and disciplinary frameworks including film studies, cultural studies, and political economy, each chapter is a self-contained study on a specific topic engaging with the national and transnational history of Iranian cinema which combined provide readers with original new insights into Iranian film and filmmakers, from fiction films to art house and popular cinema. The Handbook includes analysis of the works of established filmmakers such as Bahram Beyzaie, Rakhshan Banetemad, Abbas Kiarostami and Mohsen Makhmalbaf, as well as the output of emerging voices such as Ida Panahandeh and Shahram Mokri. Covering well-known topics as well as cutting edge ones such the sonic and visual manifestations of the urban environment in Iranian films, this book is a vital resource for understanding Iran and its unique cinematic culture.

Cinema Medievalia

Cinema Medievalia PDF Author: Kevin J. Harty
Publisher: McFarland
ISBN: 1476653615
Category : Performing Arts
Languages : en
Pages : 387

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Book Description
This collection of original essays presents new scholarship on nearly three dozen feature-length films, including silent films, animated films, films in black and white, and films in technicolor, along with other, shorter examples of cinematic medievalism. Written by contributors from around the globe with a wide variety of backgrounds, the essays in this volume take a critical approach to one of the most popular forms of medivalism. This book presents a full century of cinematic depictions of the Middle Ages, with new examinations of works such as The Seventh Seal, God's Fool, La Passion de Jeanne d'Arc, Saladin the Victorious, Dante's Inferno: An Animated Epic, and A Knight's Tale, among others.

Cinema in the Arab World

Cinema in the Arab World PDF Author: Ifdal Elsaket
Publisher: Bloomsbury Publishing
ISBN: 1350163724
Category : History
Languages : en
Pages : 337

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Book Description
Cinema in the Arab world has been the subject of varied and rigorous studies, but most have focused on films as text, providing in-depth analyses of plot, style, ideologies, or examination of the biographies of prominent directors or actors. This innovative new volume shifts the focus on Arab cinema off-screen, to examine the histories, politics, and conditions of distribution, exhibition, and cinema-going in the Arab world. Through broadening the frame of study beyond the screen, the book widens understanding of the cinema, not merely as a collection of films-as-texts, but as a site of cultural and political contestation in the Arab world. Divided into two sections, and guided by interdisciplinary considerations, the contributors examine historical and contemporary issues of Arab cinema in terms of the experience of movie-going and filmmaking. They examine the networks of distribution and exhibition, as well as the contested and multiple meanings that the cinema embodied through diverse historical periods and geographical locations. Part I focuses on new histories of Arab cinema in terms of film production, distribution, exhibition and audience's experiences of cinema-going. Part II deals with more recent issues within scholarship on Arab cinema such as issues of politics, economics, ideologies, as well as issues related to Arab movies' international circulation and screenings at festivals. Together, the chapters enrich our understanding of the cinema in the Arab world, showing how deeply embedded it is within its social, political, and economic contexts.

World Socialist Cinema

World Socialist Cinema PDF Author: Masha Salazkina
Publisher: Univ of California Press
ISBN: 0520393767
Category : Performing Arts
Languages : en
Pages : 388

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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In this capacious transnational film history, renowned scholar Masha Salazkina proposes a groundbreaking new framework for understanding the cinematic cultures of twentieth-century socialism. Taking as a point of departure the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America in the 1960s and 1970s, World Socialist Cinema maps the circulation of films between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century, illustrating the distribution networks, festival circuits, and informal channels that facilitated this international network of artistic and intellectual exchange. Building on decades of meticulous archival work, this long-anticipated film history unsettles familiar stories to provide an alternative to Eurocentric, national, and regional narratives, rooted outside of the capitalist West.

Cinema of the Arab World

Cinema of the Arab World PDF Author: Terri Ginsberg
Publisher: Springer Nature
ISBN: 3030300811
Category : Performing Arts
Languages : en
Pages : 445

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Book Description
This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.

Routledge Handbook on Arab Cinema

Routledge Handbook on Arab Cinema PDF Author: Noha Mellor
Publisher: Taylor & Francis
ISBN: 1040024106
Category : Performing Arts
Languages : en
Pages : 596

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Book Description
Building on a growing body of literature, this Handbook provides an up-to-date and authoritative survey of Arab cinema. The collection includes contributions from academics and filmmakers from across the Arab region, Europe, and North America, and fills a gap in media studies by examining the entire Arab region, rather than focusing on one country or theme. The Handbook also sheds light on the heterogeneity of Arab filmmaking not only within the Arab region, but also globally, within diasporic communities. It is split into six parts: Part 1 provides an overview of each sub-region in the Arab world, including a chapter on Arab animation films. Parts 2, 3, and 4 address topical themes, encompassing the representation of gender, religion, and identity politics in Arab cinema. Part 5 discusses the theme of diaspora and Part 6 concludes the volume with reflective essays penned by selected diasporic filmmakers. This book is an essential reference for Arab media and cinema scholars, students, and professional filmmakers. With case studies from across the Arab region, it's also a valuable resource for anyone interested in film and media, global cinema, and the Middle East generally.

The Arab National Project in Youssef Chahine's Cinema

The Arab National Project in Youssef Chahine's Cinema PDF Author: Malek Khouri
Publisher: American Univ in Cairo Press
ISBN: 9789774163548
Category : Performing Arts
Languages : en
Pages : 310

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Book Description
In a major addition to the academic library on the cinema of Youssef Chahine and on Arab and Egyptian cinema in general, Malek Khouri here presents the most comprehensive and up-to-date study on Chahine's work to appear since his death in 2008. The methodological approach of the book, and more precisely the discussion of the theme of Arab national unity from a post-colonial point of view, emphasizes the ideological underpinnings of this Egyptian director's themes as well as his esthetics. The author focuses on the interaction between Chahine's personal and political preoccupations, his eclectic cinematic style, and his devotion to connecting with a wide audience of filmgoers. The Arab National Project in Youssef Chahine's Cinema is an important contribution to original scholarship in the fields of cultural studies, sociology of film, and history of cinema, and will be of great interest to scholars, students, and cinema lovers all over the world.

Arab Modernism as World Cinema

Arab Modernism as World Cinema PDF Author: Peter Limbrick
Publisher: University of California Press
ISBN: 0520330579
Category : Performing Arts
Languages : en
Pages : 301

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Book Description
Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or “Arab Renaissance” of the nineteenth and early twentieth century—when Arab writers and artists reenergized Arab culture by engaging with other languages and societies—Peter Limbrick argues that Smihi’s films take up the spirit of the Nahda for a new age. Examining Smihi’s oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.

Pop Culture in North Africa and the Middle East

Pop Culture in North Africa and the Middle East PDF Author: Andrew Hammond
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 285

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Book Description
Ideal for students and general readers, this single-volume work serves as a ready-reference guide to pop culture in countries in North Africa and the Middle East, covering subjects ranging from the latest young adult book craze in Egypt to the hottest movies in Saudi Arabia. Part of the new Pop Culture around the World series, this volume focuses on countries in North Africa and the Middle East, including Algeria, Egypt, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Morocco, Saudi Arabia, Syria, the United Arab Emirates, and more. The book enables students to examine the stars, idols, and fads of other countries and provides them with an understanding of the globalization of pop culture. An introduction provides readers with important contextual information about pop culture in North Africa and the Middle East, such as how the United States has influenced movies, music, and the Internet; how Islamic traditions may clash with certain aspects of pop culture; and how pop culture has come to be over the years. Readers will learn about a breadth of topics, including music, contemporary literature, movies, television and radio, the Internet, sports, video games, and fashion. There are also entries examining topics like key musicians, songs, books, actors and actresses, movies and television shows, popular websites, top athletes, games, and clothing fads and designers, allowing readers to gain a broad understanding of each topic, supported by specific examples. An ideal resource for students, the book provides Further Readings at the end of each entry; sidebars that appear throughout the text, providing additional anecdotal information; appendices of Top Tens that look at the top-10 songs, movies, books, and much more in the region; and a bibliography.