Cinema and the Realms of Enchantment

Cinema and the Realms of Enchantment PDF Author: Marina Warner
Publisher: British Film Institute
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 160

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Cinema and the Realms of Enchantment

Cinema and the Realms of Enchantment PDF Author: Marina Warner
Publisher: British Film Institute
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 160

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Book Description
No Marketing Blurb

Cinema and the Realms of Enchantment

Cinema and the Realms of Enchantment PDF Author: Marina Warner
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


Queer Enchantments

Queer Enchantments PDF Author: Anne E. Duggan
Publisher: Wayne State University Press
ISBN: 0814338542
Category : Social Science
Languages : en
Pages : 206

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Book Description
Both film and fairy-tale studies scholars will enjoy Duggan's fresh look at the distinctive cinema of Jacques Demy.

Fairy Tale and Film

Fairy Tale and Film PDF Author: S. Short
Publisher: Springer
ISBN: 1137020172
Category : History
Languages : en
Pages : 206

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Book Description
Sue Short examines how fairy tale tropes have been reworked in contemporary film, identifying familiar themes in a range of genres – including rom coms, crime films and horror – and noting key similarities and differences between the source narratives and their offspring.

Fantasy

Fantasy PDF Author: Jacqueline Furby
Publisher: Routledge
ISBN: 1136640738
Category : Performing Arts
Languages : en
Pages : 166

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Book Description
Fantasy addresses a previously neglected area within film studies. The book looks at the key aesthetics, themes, debates and issues at work within this popular genre and examines films and franchises that illustrate these concerns. Contemporary case studies include: Alice in Wonderland (2010) Avatar (2009) The Dark Knight (2008) Edward Scissorhands (1990) Lord of the Rings (2001-2003) Pirates of the Caribbean (2003-2007) Prince of Persia: The Sands of Time (2010) Shrek (2001) Twelve Monkeys (1995) The authors also consider fantasy film and its relationship to myth, legend and fairy tale, examining its important role in contemporary culture. The book provides an historical overview of the genre, its influences and evolution, placing fantasy film within the socio-cultural contexts of production and consumption and with reference to relevant theory and critical debates. This is the perfect introduction to the world of fantasy film and investigates the links between fantasy film and gender, fantasy film and race, fantasy film and psychoanalysis, fantasy film and technology, fantasy film storytelling and spectacle, fantasy film and realism, fantasy film and adaptation, and fantasy film and time.

Deleuze and World Cinemas

Deleuze and World Cinemas PDF Author: David Martin-Jones
Publisher: Bloomsbury Publishing
ISBN: 1441102205
Category : Philosophy
Languages : en
Pages : 281

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Book Description
Shortlisted for the British Association of Film, Television and Screen Studies Annual Book Award! Deleuze's Cinema books continue to cause controversy. Although they offer radical new ways of understanding cinema, his conclusions often seem strikingly Eurocentric. Deleuze and World Cinemas explores what happens when Deleuze's ideas are brought into contact with the films he did not discuss, those from Europe and the USA (from Georges Méliès to Michael Mann) and a range of world cinemas - including Bollywood blockbusters, Hong Kong action movies, Argentine melodramas and South Korean science fiction movies. These emergent encounters demonstrate the need for the constant adaptation and reinterpretation of Deleuze's findings if they are to have continued relevance, especially for cinema's contemporary engagement with the aftermath of the Cold War and the global dominance of neoliberal globalization.

The Frankenstein Film Sourcebook

The Frankenstein Film Sourcebook PDF Author: Caroline Picart
Publisher: Bloomsbury Publishing USA
ISBN: 0313016720
Category : Performing Arts
Languages : en
Pages : 366

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Book Description
The endurance of the Frankenstein narrative as a modern cinematic myth is undeniable. Its flexibility has produced classic and contemporary horror film-most notably the Universal films of the thirties-but it has also resulted in unusual hybrids, such as musical horror-comedy (The Rocky Horror Picture Show), hyperbolic parody (Flesh for Frankenstein), and science fiction (the Alien and Terminator series). This sourcebook provides a complete guide to all of the story's filmic incarnations-including essential information such as cast, creative personnel, and plot summaries-and also guides the reader to relevant primary texts such as scripts, posters, production histories, and newspaper clippings. Utilizing an approach that is both popular and scholarly, and including spotlight essays that deal with contemporary academic approaches to the subject, The Frankenstein Film Sourcebook reveals the depth of the cinematic range of interpretations of a classic modern myth. Comprehensive in its scope, The Frankenstein Film Sourcebook provides an alphabetical guide to two hundred films that incorporate the Frankenstein narrative. It also delves into both primary and secondary perspectives and includes discussions of aspects of the films, such as their depiction of women, which is relevant to current scholarly critiques.

British Fantasy Cinema

British Fantasy Cinema PDF Author: Carolyn Rickards
Publisher: Edinburgh University Press
ISBN: 1474447929
Category : Biography & Autobiography
Languages : en
Pages : 288

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Book Description
Provides a fresh perspective on British fantasy film Combines a methodological approach of textual analysis, critical discourse and production histories to expand current knowledge and appreciation of British fantasy film Promotes new avenues for film studies by investigating a comprehensive range of British film titles previously disputed or overlooked in existing academic scholarship Informs a more general understanding which is focused on contemporary fantasy but contributes to a broader, historical assessment of the fantastic within British cinema In the period since 2001, cinema has witnessed a notable influx in fantasy film. Many constitute adaptations from British fantasy literature, often created and produced in the UK, and showcase domestic talent both in front and behind the screen. This includes massive box office hits such as the Harry Potter series (2001 – 2011) through to smaller scale and independent endeavours like Nanny McPhee (2005), MirrorMask (2005) and Franklyn (2008). However, such films have received minimal critical attention as British fantasy films. The reasons for this absence are manifold; leaving many films contested, ignored and omitted from established canons. This book re-addresses prevailing scholarship on the fantasy genre, national film production and representation on screen, providing readers with a revised appraisal of the contemporary film landscape. It delivers a fresh perspective across a broad range of films which all embrace the fantastic within British cinema.

Feminism and Film

Feminism and Film PDF Author: Maggie Humm
Publisher: Indiana University Press
ISBN: 9780253211460
Category : Literary Criticism
Languages : en
Pages : 262

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Book Description
This is the first study to apply a broad range of theory to contemporary film. With dazzling insight and critical aplomb Maggie Humm highlights and explains feminist issues and offers a fascinating array of original film analyses.

The Enchanted Screen

The Enchanted Screen PDF Author: Jack Zipes
Publisher: Routledge
ISBN: 1135853940
Category : Literary Criticism
Languages : en
Pages : 894

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Book Description
The Enchanted Screen: The Unknown History of Fairy-Tale Films offers readers a long overdue, comprehensive look at the rich history of fairy tales and their influence on film, complete with the inclusion of an extensive filmography compiled by the author. With this book, Jack Zipes not only looks at the extensive, illustrious life of fairy tales and cinema, but he also reminds us that, decades before Walt Disney made his mark on the genre, fairy tales were central to the birth of cinema as a medium, as they offered cheap, copyright-free material that could easily engage audiences not only though their familiarity but also through their dazzling special effects. Since the story of fairy tales on film stretches far beyond Disney, this book, therefore, discusses a broad range of films silent, English and non-English, animation, live-action, puppetry, woodcut, montage (Jim Henson), cartoon, and digital. Zipes, thus, gives his readers an in depth look into the special relationship between fairy tales and cinema, and guides us through this vast array of films by tracing the adaptations of major fairy tales like "Little Red Riding Hood," "Cinderella," "Snow White," "Peter Pan," and many more, from their earliest cinematic appearances to today. Full of insight into some of our most beloved films and stories, and boldly illustrated with numerous film stills, The Enchanted Screen, is essential reading for film buffs and fans of the fairy tale alike.