Cinema and Society in the British Empire, 1895-1940 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Cinema and Society in the British Empire, 1895-1940 PDF full book. Access full book title Cinema and Society in the British Empire, 1895-1940 by James Burns. Download full books in PDF and EPUB format.
Author: James Burns
Publisher: Springer
ISBN: 1137308028
Category : History
Languages : en
Pages : 194
Get Book Here
Book Description
By 1940 going to the movies was the most popular form of public leisure in Britain's empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.
Author: James Burns
Publisher: Springer
ISBN: 1137308028
Category : History
Languages : en
Pages : 194
Get Book Here
Book Description
By 1940 going to the movies was the most popular form of public leisure in Britain's empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.
Author: Sam Edwards
Publisher: Bloomsbury Publishing
ISBN: 1474217052
Category : History
Languages : en
Pages : 353
Get Book Here
Book Description
How, as historians, should we 'read' a film? Histories on Screen answers this and other questions in a crucial volume for any history student keen to master source use. The book begins with a theoretical 'Thinking about Film' section that explores the ways in which films can be analyzed and interrogated as either primary sources, secondary sources or indeed as both. The much larger 'Using Film' segment of the book then offers engaging case studies which put this theory into practice. Topics including gender, class, race, war, propaganda, national identity and memory all receive good coverage in what is an eclectic multi-contributor volume. Documentaries, films and television from Britain and the United States are examined and there is a jargon-free emphasis on the skills and methods needed to analyze films in historical study featuring prominently throughout the text. Histories on Screen is a vital resource for all history students as it enables them to understand film as a source and empowers them with the analytical tools needed to use that knowledge in their own work.
Author: Ian Aitken
Publisher: Springer
ISBN: 1137493445
Category : Performing Arts
Languages : en
Pages : 257
Get Book Here
Book Description
This book explores the ways in which the British official film was used in Malaya/Malaysia, Singapore and Hong Kong from 1945 to the 1970s. Aitken uncovers how the British official film, and British official information agencies, adapted to the epochal contexts of the Cold War and end of empire. In addition to an extensive introduction, which touches on a number of critical issues related to the post-war British official film, the book provides an account of how the tradition of film-making associated with the British documentary film movement spread into the region during the post-war period, and how that tradition was contested by a ‘Colonial Office’ tradition of film-making. The volume concludes by covering the rise of television in the region within the context of developing post-colonial authoritarian states in Singapore and Malaysia, and the continuation of colonial authoritarianism in Hong Kong.
Author: Glenn Reynolds
Publisher: McFarland
ISBN: 078647985X
Category : Performing Arts
Languages : en
Pages : 245
Get Book Here
Book Description
In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. Yet the vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between imagery, imperialism and indigenous peoples difficult. This volume takes up the challenge, tracing production and exhibition patterns to show how motion pictures were introduced on the continent during the "Scramble for Africa" and the subsequent era of consolidation. The author describes how early actualities, expeditionary footage, ethnographic documentaries and missionary films were made in the African interior and examines the rise of mass black spectatorship. While Africans in the first two decades of the 20th century were sidelined as cinema consumers because of colonial restrictions, social and political changes in the subsequent interwar period--wrought by large-scale mining in southern Africa--led to a rethinking of colonial film policy by missionaries, mining concerns and colonial officials. By World War II, cinema had come to black Africa.
Author: Tom Rice
Publisher: University of California Press
ISBN: 0520300386
Category : Performing Arts
Languages : en
Pages : 360
Get Book Here
Book Description
Films for the Colonies examines the British Government’s use of film across its vast Empire from the 1920s until widespread independence in the 1960s. Central to this work was the Colonial Film Unit, which produced, distributed, and, through its network of mobile cinemas, exhibited instructional and educational films throughout the British colonies. Using extensive archival research and rarely seen films, Films for the Colonies provides a new historical perspective on the last decades of the British Empire. It also offers a fresh exploration of British and global cinema, charting the emergence and endurance of new forms of cinema culture from Ghana to Jamaica, Malta to Malaysia. In highlighting the integral role of film in managing and maintaining a rapidly changing Empire, Tom Rice offers a compelling and far-reaching account of the media, propaganda, and the legacies of colonialism.
Author: Samson Kaunga Ndanyi
Publisher: Rowman & Littlefield
ISBN: 1793649251
Category : History
Languages : en
Pages : 167
Get Book Here
Book Description
In Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963, the author argues against the colonial logic instigating that films made for African audiences in Kenya influenced them to embrace certain elements of western civilization but Africans had nothing to offer in return. The author frames this logic as unidirectional approach purporting that Africans were passive recipients of colonial programs. Contrary to this understanding, the author insists that African viewers were active participants in the discourse of cinema in Kenya. Employing unorthodox means to protest mediocre films devoid of basic elements of film production, African spectators forced the colonial government to reconsider the way it produced films. The author frames the reconsideration as bidirectional approach. Instructional cinema first emerged as a tool to “educate” and “modernize” Africans, but it transformed into a contestable space of cultural and political power, a space that both sides appropriated to negotiate power and actualize their abstract ideas.
Author: Tancred Bradshaw
Publisher: Springer
ISBN: 113738011X
Category : History
Languages : en
Pages : 206
Get Book Here
Book Description
The Glubb Reports studies papers written by General Sir John Glubb, the long-serving British commander of the Jordanian Arab Legion. It covers issues such as the role of tribes and desert control, the impact of Palestine, the Arab Legion's role in the first Arab-Israeli war, the expansion of the Arab Legion, and Glubb's dismissal in 1956.
Author: Dong Hoon Kim
Publisher: Edinburgh University Press
ISBN: 1474421814
Category : History
Languages : en
Pages : 304
Get Book Here
Book Description
In this ground-breaking investigation into the seldom-studied film culture of colonial Korea (1910-1945), Dong Hoon Kim brings new perspectives to the associations between colonialism, modernity, film historiography and national cinema. By reconstructing the lost intricacies of colonial film history, Eclipsed Cinema explores under-investigated aspects of colonial film culture, such as the representational politics of colonial cinema, the film unit of the colonial government, the social reception of Hollywood cinema, and Japanese settlers' film culture. Filling a significant void in Asian film history, Eclipsed Cinema greatly expands the critical and historical scopes of early cinema and Korean and Japanese film histories, as well as modern Asian culture, and colonial and postcolonial studies.
Author: B. Marsh
Publisher: Springer
ISBN: 1137374012
Category : History
Languages : en
Pages : 258
Get Book Here
Book Description
This cultural and political study examines British perceptions and policies on India's Afghan Frontier between 1918 and 1948 and the impact of these on the local Pashtun population, India as a whole, and the decline of British imperialism in South Asia.
Author: Michael T. Martin
Publisher: Indiana University Press
ISBN: 0253066239
Category : Performing Arts
Languages : en
Pages : 536
Get Book Here
Book Description
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.
